Skip to content
MovieCove
Louise Allbritton

Louise Allbritton

Actor · Died February 16, 1979, aged 58 · Oklahoma City, Oklahoma, USA

Louise Allbritton (July 3, 1920 – February 16, 1979) was an American film and stage actress born in. She played in such films as Pittsburgh (1942), Son of Dracula (1943), The Egg and I (1947), and Sitting Pretty (1948).

Biography from TMDB.

Born
July 3, 1920
Died
February 16, 1979 (aged 58)
From
Oklahoma City, Oklahoma, USA
Works as
Actor
Titles
11 on MovieCove · 34 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 6% in 30 days

What are Louise Allbritton's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Comedy3 titlesTypical Midcredits score: 75th percentile, at or above their average across these genres
: browse their Comedy movies
Documentary2 titlesTypical Midcredits score: 44th percentile
: browse their Documentary movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
29%
Morality
22%
Society
21%
Self
19%
Ideas
6%
Power
3%
Identity3 titles, browse their movies with this themeLegacy2 titles, browse their movies with this themeMarriage2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeArt2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this theme

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 6 · Serious 1 · Dark 2

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 4 · Stylized 5 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 5 · Charged 3 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 3 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 5 · Some laughs 0 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 5 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 8 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 9 · Open-ended 0 · Ambiguous 0

Roles they play

4 analyzed roles

Usually the Shapeshifter: 2 of 4 analyzed roles.

Shapeshifter
2 of 4
Hero
1 of 4
Ally
1 of 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
5
Joyful
4
Tense
3
Melancholic
3
Contemplative
2
Other
7

How their films linger

Feel-good5 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertaste

How their films end

  • Happy5
  • Bittersweet2
  • Ambiguous1
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Louise Allbritton's films?

As of October 24, 2026, 4 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Louise Allbritton's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

34 credits, 11 with a MovieCove page.

  • The Many Faces of Dracula(2000)

    as Katherine Caldwell (archive footage)

    Midcredits score: 25th percentile of all films (provisional, few ratings)

  • Dracula in the Movies(1992)

    as (archive footage)

    Midcredits score: 63rd percentile of all films (provisional, few ratings)

  • Dracula: A Cinematic Scrapbook (not in the MovieCove catalog yet)(1991)

    as Katherine Caldwell (archive footage)

  • Felicia (not in the MovieCove catalog yet)(1963)

    as Felicia

  • Theatre Night (not in the MovieCove catalog yet)(1957)

    Show 1 episode · as Margaret Lester

  • Armchair Theatre (not in the MovieCove catalog yet)(1956)

    Show 1 episode · Actor

  • Alfred Hitchcock Presents(1955)

    Show 1 episode · as Renee Marlow

    Midcredits score: 96th percentile of all shows

  • I've Got a Secret(1952)

    Show 1 episode · Actor

    Midcredits score: 85th percentile of all shows

  • The Stage Door (not in the MovieCove catalog yet)(1950)

    Show 8 episodes · as Celia Knox

  • The Rockingham Tea Set (not in the MovieCove catalog yet)(1950)

    as Celia Arden

  • The Doolins of Oklahoma(1949)

    as Rose of Cimarron

    Midcredits score: 62nd percentile of all films

  • Studio One (not in the MovieCove catalog yet)(1948)

    Show 1 episode · as Celia Arden

  • An Innocent Affair(1948)

    as Margot Fraser

    Midcredits score: 35th percentile of all films

  • Walk a Crooked Mile(1948)

    as Dr. Anastasia 'Toni' Neva

    Midcredits score: 50th percentile of all films

  • Sitting Pretty(1948)

    as Edna Philby

    Midcredits score: 90th percentile of all films

  • The Egg and I(1947)

    as Harriet Putnam

    Midcredits score: 75th percentile of all films

  • Tangier (not in the MovieCove catalog yet)(1946)

    as Dolores

  • That Night with You (not in the MovieCove catalog yet)(1945)

    as Sheila Morgan

  • Men in Her Diary (not in the MovieCove catalog yet)(1945)

    as Isabel Glenning

  • Bowery to Broadway (not in the MovieCove catalog yet)(1944)

    as Lillian Russell

  • San Diego I Love You(1944)

    as Virginia McCooley

    Midcredits score: 73rd percentile of all films

  • This Is the Life (not in the MovieCove catalog yet)(1944)

    as Harriet

  • Her Primitive Man (not in the MovieCove catalog yet)(1944)

    as Sheila Winthrop

  • Follow the Boys (not in the MovieCove catalog yet)(1944)

    as Louise Allbritton (uncredited)

  • Son of Dracula(1943)

    as Katherine 'Kay' Caldwell

    Midcredits score: 37th percentile of all films

  • Crazy House (not in the MovieCove catalog yet)(1943)

    as Cameo Appearance

  • Fired Wife (not in the MovieCove catalog yet)(1943)

    as Tahitha Callahan Dunne

  • Good Morning, Judge (not in the MovieCove catalog yet)(1943)

    as Elizabeth Christine Smith

  • It Comes Up Love (not in the MovieCove catalog yet)(1943)

    as Edie Ives

  • Pittsburgh (not in the MovieCove catalog yet)(1942)

    as Shannon Prentiss Markham

  • Who Done It? (not in the MovieCove catalog yet)(1942)

    as Jane Little

  • Parachute Nurse (not in the MovieCove catalog yet)(1942)

    as Helen Ames

  • Danger in the Pacific (not in the MovieCove catalog yet)(1942)

    as Jane Claymore

  • Not a Ladies' Man (not in the MovieCove catalog yet)(1942)

    as Ethel Burlridge

Career shape

Star power in the 80th percentile of 239,109 people with a billed film role, over a full career of 34 titles from 1942 to 2000.

Highest rated

Sitting Pretty (1948)

Midcredits 90th

Most popular right now

Son of Dracula (1943)

Film career

  • 1942Screen debut· Who Done It?

By role

only this rolewith another role
Acting34 of 34: 34 only acting, 0 with another role · typical Midcredits score63rd

By decade

1940s24 · acting1950s6 · acting1960s1 · acting1990s2 · acting2000s1 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Louise Allbritton's films land?

Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 9

Approval · how many liked their films

48thpercentile
Typical film, the median of 9

Reach · how many have seen their films

33rdpercentile
Typical film, the median of 9

Midcredits score across 11 titles, by percentile

  • 75th and up4
  • 50th to 74th4
  • 25th to 49th3

Shape of the crowd

5 of their 11 titles are Crowd Pleasers.

  • Universally Loved2
  • Divisive1
  • Crowd Pleaser5
  • Broadly Agreed3

Most divisive · actor

Dracula in the Movies (1992)

91st percentile spread · 27% rated it 4 or lower

Most loved · actor

Sitting Pretty (1948)

Midcredits 90th · 81% liked

Reviewers score the acting 69/100 in their films, across 7 reviewed titles; fans 75, detractors 45. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Louise Allbritton work with?

People who share at least 2 of Louise Allbritton's MovieCove titles, grouped by what they did on them; J. Edward Bromberg shares the most, 3.

Directors

Actors

Composers and cinematographers