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MovieCove

Lucía Alonso-Allende

Producer

Works as
Producer
Titles
4 on MovieCove

What are Lucía Alonso-Allende's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Bittersweet
2
Hopeful
3
Melancholic
2
Romantic
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lucía Alonso-Allende's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Netflix (3).

Subscription and free streaming for Lucía Alonso-Allende's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

  • Love You to Death(2025)

    Show Producer

    Midcredits score: 53rd percentile of all shows
  • Angela(2024)

    Show Producer

    Midcredits score: 34th percentile of all shows
  • Between Lands(2023)

    Show Producer

    Midcredits score: 41st percentile of all shows
  • The Cook of Castamar(2021)

    Show Producer

    Midcredits score: 69th percentile of all shows

Career shape

Across a limited sample of 4 MovieCove titles from 2021 to 2025.

By role

only this rolewith another role
Producing4 of 4: 4 only producing, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

Who does Lucía Alonso-Allende work with?

People who share at least 2 of Lucía Alonso-Allende's MovieCove titles, grouped by what they did on them; Montse García shares the most, 3.

Directors

Editors

Producers