Natalie Altmann

What are Natalie Altmann's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Natalie Altmann's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service.

• Prime Video1 title, browse their movies on this service
  • Asterix: The Secret of the Magic Potion (2018) · producer
• The Roku Channel1 title, browse their movies on this service
  • Bernard (1998) · producer · free

Subscription and free streaming for Natalie Altmann's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Asterix: The Secret of the Magic Potion(2018)

  Producer

  Midcredits score: 72nd percentile of all films72^nd
• 

  Arthur and the Minimoys(2017)

  Show Producer

  Midcredits score: 20th percentile of all shows20^th
• 

  Astérix: The Mansions of the Gods(2014)

  Producer

  Midcredits score: 77th percentile of all films77^th
• 

  Asterix and the Vikings(2006)

  Producer

  Midcredits score: 45th percentile of all films45^th
• 

  Bernard(1998)

  Show Producer

  Midcredits score: 14th percentile of all shows14^th

Career shape

Across their 5 MovieCove titles from 1998 to 2018.

Biggest box office

Asterix: The Secret of the Magic Potion (2018)

$48M worldwide

Highest rated

Astérix: The Mansions of the Gods (2014)

Midcredits 77^th

Most popular right now

Bernard (1998)

How do Natalie Altmann's films land?

Their typical MovieCove film has a Midcredits score in the 72^nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 71^st percentile for acclaim.

Shape of the crowd

2 of their 5 titles are Crowd Pleasers.

212

• Crowd Pleaser2
• Broadly Agreed1
• Mixed2

Most divisive · producer

Arthur and the Minimoys (2017)

79^th percentile spread · 26% rated it 4 or lower

Most loved · producer

Astérix: The Mansions of the Gods (2014)

Midcredits 77^th · 68% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Natalie Altmann's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Natalie Altmann work with?

People who share at least 2 of Natalie Altmann's MovieCove titles, grouped by what they did on them; Albert Uderzo shares the most, 3.