- Producer, writer and actor
- 9 on MovieCove · 25 credits in all
What are Antonio Altoviti's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Power and Survival.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 4
Light 1 · Serious 1 · Dark 3
Grounded 1 · Stylized 3 · Heightened 1
Gentle 0 · Charged 4 · Intense 1
Steady 0 · Shifting 4 · Whiplash 1
Straight-faced 4 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 1 · Heavy 3
Resolved 4 · Open-ended 1 · Ambiguous 0
Moods and endings
- Bittersweet2
- Tragic3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Antonio Altoviti's films?
As of October 24, 2026, 1 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Antonio Altoviti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
25 credits, 9 with a MovieCove page.
Submission(1976)
Midcredits score: 52nd percentile of all films
Oasis of Fear(1971)
Midcredits score: 42nd percentile of all films
Twelve Plus One (not in the MovieCove catalog yet)(1969)
That Splendid November (not in the MovieCove catalog yet)(1969)
The Man with the Balloons (not in the MovieCove catalog yet)(1967)
Kiss the Other Sheik(1965)
Midcredits score: 46th percentile of all films
Controsesso (not in the MovieCove catalog yet)(1964)
The Ape Woman(1964)
Midcredits score: 89th percentile of all films
Midcredits score: 90th percentile of all films
The Empty Canvas (not in the MovieCove catalog yet)(1963)
Adultero lui, adultera lei (not in the MovieCove catalog yet)(1963)
Arturo's Island (not in the MovieCove catalog yet)(1962)
The Moralist (not in the MovieCove catalog yet)(1959)
Midcredits score: 45th percentile of all films
Guendalina(1957)
Midcredits score: 62nd percentile of all films
The Awakening (not in the MovieCove catalog yet)(1956)
Girls of Today (not in the MovieCove catalog yet)(1955)
Woman of the River(1954)
Midcredits score: 48th percentile of all films
Attila(1954)
Midcredits score: 25th percentile of all films
Fatal Desire (not in the MovieCove catalog yet)(1954)
The Wayward Wife (not in the MovieCove catalog yet)(1953)
Sensualità (not in the MovieCove catalog yet)(1952)
La bisarca (not in the MovieCove catalog yet)(1950)
Angelina (not in the MovieCove catalog yet)(1947)
To Live in Peace (not in the MovieCove catalog yet)(1947)
Career shape
A full career of 24 titles from 1947 to 1976.
Film career
- 1965Screen debut· Kiss the Other Sheik
How do Antonio Altoviti's films land?
Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 9; across their 5 films with reception data, the typical film sits in the 47th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th5
Shape of the crowd
3 of their 9 titles are Crowd Pleasers.
- Crowd Pleaser3
- Broadly Agreed3
- Mixed3
Reviewers score the plot and story 48/100 in their films, across 4 reviewed titles; fans 55, detractors 36. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Antonio Altoviti work with?
People who share at least 2 of Antonio Altoviti's MovieCove titles, grouped by what they did on them; Carlo Ponti shares the most, 4.
Actors
- Irene PapasShared titles: Oasis of Fear (1971), Attila (1954)See all 2 shared titles with Irene Papas
- Guido CelanoShared titles: Attila (1954), Woman of the River (1954)See all 2 shared titles with Guido Celano
- Sophia LorenShared titles: Attila (1954), Woman of the River (1954)See all 2 shared titles with Sophia Loren
Cinematographers and editors
- Aldo TontiShared titles: The Ape Woman (1964), Attila (1954)See all 2 shared titles with Aldo Tonti
- Leo CatozzoShared titles: Attila (1954), Woman of the River (1954)See all 2 shared titles with Leo Catozzo
Producers
- Carlo PontiShared titles: Oasis of Fear (1971), The Ape Woman (1964), Attila (1954), Woman of the River (1954)See all 4 shared titles with Carlo Ponti
- Dino De LaurentiisShared titles: Attila (1954), Woman of the River (1954)See all 2 shared titles with Dino De Laurentiis
