- Actor and writer
- 6 on MovieCove · 26 credits in all
What are Pier Giovanni Anchisi's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 3
Light 0 · Serious 1 · Dark 3
A split, not a type: Grounded 1 · Stylized 1 · Heightened 2
Gentle 0 · Charged 1 · Intense 3
Steady 1 · Shifting 3 · Whiplash 0
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 2 · Full focus 1
Easy watch 1 · Affecting 2 · Heavy 1
A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 1
Roles they play
- Allyas Francesco in The Possessed (1965)
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Pier Giovanni Anchisi's films?
As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Pier Giovanni Anchisi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 6 with a MovieCove page.

Segreto di Stato (not in the MovieCove catalog yet)(1995)

One Hundred Days in Palermo (not in the MovieCove catalog yet)(1984)

I ragazzi della periferia sud (not in the MovieCove catalog yet)(1984)

A Boy Like Many Others (not in the MovieCove catalog yet)(1983)

State buoni se potete (not in the MovieCove catalog yet)(1983)

Lost in the City of Sarzana (not in the MovieCove catalog yet)(1980)

Non ho tempo (not in the MovieCove catalog yet)(1977)

And Agnes Chose to Die (not in the MovieCove catalog yet)(1976)

Calamus (not in the MovieCove catalog yet)(1976)

C.I.A. Secret Story (not in the MovieCove catalog yet)(1975)

Autopsy(1975)
Midcredits score: 39th percentile of all films
Ante Up (not in the MovieCove catalog yet)(1974)

Allonsanfan (not in the MovieCove catalog yet)(1974)
Midcredits score: 9th percentile of all films
Il gioco della verità (not in the MovieCove catalog yet)(1974)

No More Time (not in the MovieCove catalog yet)(1973)

Shadows Unseen (not in the MovieCove catalog yet)(1972)

Blindman(1971)
Midcredits score: 51st percentile of all films
Sacco & Vanzetti(1971)
Midcredits score: 97th percentile of all films
Corbari (not in the MovieCove catalog yet)(1970)

Love Birds (not in the MovieCove catalog yet)(1969)

Gunman of Ave Maria(1969)
Midcredits score: 59th percentile of all films
Hate Is My God (not in the MovieCove catalog yet)(1969)

It Was Good to Love You (not in the MovieCove catalog yet)(1968)

The Subversives (not in the MovieCove catalog yet)(1967)

The Possessed(1965)
Midcredits score: 79th percentile of all films
Career shape
Star power in the 80th percentile of 239,109 people with a billed film role, over a full career of 26 titles from 1965 to 1995; peak year 1984.
Film career
Peak 1984 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1965Screen debut· The Possessed
How do Pier Giovanni Anchisi's films land?
Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 54th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th1
- Below 25th1
Shape of the crowd
None of their 6 titles divides audiences: 3 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser3
- Broadly Agreed1
- Mixed1
Reviewers score the acting 66/100 in their films, across 4 reviewed titles; fans 74, detractors 46. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Pier Giovanni Anchisi work with?
People who share at least 2 of Pier Giovanni Anchisi's MovieCove titles, grouped by what they did on them; Ferdinando Baldi shares the most, 2.
Directors
- Ferdinando BaldiShared titles: Blindman (1971), Gunman of Ave Maria (1969)See all 2 shared titles with Ferdinando Baldi

Writers
- Vincenzo CeramiShared titles: Blindman (1971), Gunman of Ave Maria (1969)See all 2 shared titles with Vincenzo Cerami

Producers
- Manolo BologniniShared titles: Gunman of Ave Maria (1969), The Possessed (1965)See all 2 shared titles with Manolo Bolognini

