From Wikipedia, the free encyclopedia. Dominic Anciano (born 1964) is an English producer, actor, director, writer and comedian best known for his role as Sgt. Dominic de Sade in the British comedy television series Operation Good Guys. His first notable work was in the pioneering days of the pop and rock videos, when he wrote, produced and directed a significant number of award winning shorts. His first foray into feature films was with Philip Ridley's The Reflecting Skin where he was the producer along with Ray Burdis. Dominic produced The Krays, also written by Philip Ridley and starring Gary and Martin Kemp. This film was one of the most successful, both critically and financially, in the UK indie industry, winning BAFTAS and The Evening Standard's best film award along with numerous other awards. In 1995 Dominic produced The Passion of Darkly Noon. Co-financed by the UK, Germany and Belgium this film attracted big American stars in the form of Brendan Fraser and Ashley Judd and went on to become a cult hit in the festival circuit, winning several awards, including Best Director at the Porto Film Festival. 1995 also saw Anciano step away from the arthouse fold to work on Stephen Norrington's Death Machine, where he also made a cameo appearance as a corpse is a restaurant!! In 1997,Anciano and Burdis turned to their own creations - jointly writing, directing, producing and starring in the TV series Operation Good Guys. Anciano appeared as Sgt. Dominic de Sade (the first of several productions where he would cast himself using his own forename) and Burdis appeared as Det. Sgt. Ash. Operation Good Guys was seen as a ground breaking series for the BBC and won the coverted Silver Rose D'or and Prix de la presse at Montreux. Dominic went on to Write, produce and direct three successful seasons. Anciano then turned his attentions to the world of film. Taking the award winning formula of Operation Good Guys, he then co wrote produced and directed "The Final Cut" which starred Jude Law and Sadie Frost. Using a unique approach to film making with improvisation and video techniques, the film caught the imagination of the critics and film festivals. The Guardian called the Final Cut "Genius" and the film showed at Cannes. The next year Anciano/Burdis was approached by the BBC to write, produce and direct "Love Honour and Obey" a comedy/drama based in the dark world of London's criminal gangs. Although not loved by the British critics the film went onto be one of the financially most successful in the Brit indie scene of that year. Both films had a stella cast including Jude Law,Jonny Lee Miller, Ray Winstone, Rhys Ifans and Sean Pertwee. Since 2001 Anciano has directed and written a number of TV productions. Moving away from comedy and into action/drama he has written several TV screenplays along with film scripts that have been successfully sold around the world. In 2006 Dominic became the creative director for Warner Music Entertainment, which heralded his move into new media. In 2009 Dominic created O-Bit Media, a new company specialising in monetizing the digital space. Anciano still continues to write and direct and lives in Spain. Description above from the Wikipedia article Dominic Anciano, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- London, England
- Producer, actor, writer and director
- 6 on MovieCove · 9 credits in all
What are Dominic Anciano's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Power.
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 4
Light 1 · Serious 1 · Dark 4
A split, not a type: Grounded 2 · Stylized 1 · Heightened 3
Gentle 1 · Charged 0 · Intense 5
Steady 1 · Shifting 5 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 1 · Funny 1
Slow burn 1 · Even-paced 5 · Relentless 0
Casual 2 · Engaged 3 · Full focus 1
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 4
A split, not a type: Resolved 3 · Open-ended 1 · Ambiguous 2
Moods and endings
- Bittersweet1
- Tragic2
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Dominic Anciano's films?
As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Dominic Anciano's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
9 credits, 6 with a MovieCove page.

Love, Honor and Obey(2000)
Midcredits score: 59th percentile of all films
Final Cut(1998)
Midcredits score: 47th percentile of all films
Operation Good Guys (not in the MovieCove catalog yet)(1997)

Death Machine(1994)
Midcredits score: 35th percentile of all films
Midcredits score: 39th percentile of all films
The Reflecting Skin(1990)
Midcredits score: 72nd percentile of all films
The Krays(1990)
Midcredits score: 67th percentile of all films
The Universe of Dermot Finn (not in the MovieCove catalog yet)(1988)

Visiting Mr Beak (not in the MovieCove catalog yet)(1987)
Career shape
A full career of 8 titles from 1987 to 2000.

Biggest box office
The Krays (1990)

Highest rated
The Reflecting Skin (1990)

Most popular right now
Death Machine (1994)
Film career
- 1995Screen debut· Death Machine
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Dominic Anciano's films land?
Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 46th percentile for acclaim.
- 50th to 74th3
- 25th to 49th3
Shape of the crowd
3 of their 6 titles are Crowd Pleasers.
- Crowd Pleaser3
- Mixed3
Reviewers score the acting 66/100 in their films, across 6 reviewed titles; fans 77, detractors 33. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Dominic Anciano's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Dominic Anciano work with?
People who share at least 2 of Dominic Anciano's MovieCove titles, grouped by what they did on them; Ray Burdis shares the most, 6.
Directors
- Ray BurdisShared titles: Love, Honor and Obey (2000), Final Cut (1998), The Passion of Darkly Noon (1995), Death Machine (1994), The Krays (1990), The Reflecting Skin (1990)See all 6 shared titles with Ray Burdis

- Philip RidleyShared titles: The Passion of Darkly Noon (1995), The Krays (1990), The Reflecting Skin (1990)See all 3 shared titles with Philip Ridley

Actors
- Jude LawShared titles: Love, Honor and Obey (2000), Final Cut (1998)See all 2 shared titles with Jude Law

- Perry BensonShared titles: Love, Honor and Obey (2000), Final Cut (1998)See all 2 shared titles with Perry Benson

- Ray WinstoneShared titles: Love, Honor and Obey (2000), Final Cut (1998)See all 2 shared titles with Ray Winstone

- Sadie FrostShared titles: Love, Honor and Obey (2000), Final Cut (1998)See all 2 shared titles with Sadie Frost

Composers and cinematographers
- John WardShared titles: Love, Honor and Obey (2000), Final Cut (1998)See all 2 shared titles with John Ward

- John de BormanShared titles: The Passion of Darkly Noon (1995), Death Machine (1994)See all 2 shared titles with John de Borman

- Nick BicâtShared titles: The Passion of Darkly Noon (1995), The Reflecting Skin (1990)See all 2 shared titles with Nick Bicât
Producers
- Jim BeachShared titles: Love, Honor and Obey (2000), Final Cut (1998), The Passion of Darkly Noon (1995), Death Machine (1994), The Krays (1990), The Reflecting Skin (1990)See all 6 shared titles with Jim Beach

- Nigel GreenShared titles: The Passion of Darkly Noon (1995), Death Machine (1994)See all 2 shared titles with Nigel Green
- Stuart St PaulShared titles: Death Machine (1994), The Krays (1990)See all 2 shared titles with Stuart St Paul

