
Arthur Anderson
Arthur Anderson is a director.
Biography from TMDB.
- Producer
- 15 on MovieCove · 20 credits in all
What are Arthur Anderson's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 0 · Serious 3 · Dark 1
Grounded 0 · Stylized 1 · Heightened 3
Gentle 0 · Charged 0 · Intense 4
Steady 0 · Shifting 3 · Whiplash 1
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 0 · Even-paced 1 · Relentless 3
Casual 0 · Engaged 1 · Full focus 3
Easy watch 0 · Affecting 3 · Heavy 1
Resolved 1 · Open-ended 3 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Arthur Anderson's films?
As of October 24, 2026, 12 of their 15 MovieCove titles stream on a subscription or free service, most on Paramount+ (4).
Subscription and free streaming for Arthur Anderson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
20 credits, 15 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

Sugar(2024)
Midcredits score: 70th percentile of all shows
The Killer(2024)
Midcredits score: 33rd percentile of all films
Unbelievable(2019)
Midcredits score: 96th percentile of all shows
Pretty Little Liars(2010)
Midcredits score: 73rd percentile of all shows
Mission: Impossible III(2006)
Midcredits score: 79th percentile of all films
The Manchurian Candidate(2004)
Midcredits score: 69th percentile of all films
Paycheck(2003)
Midcredits score: 47th percentile of all films
Hostage (not in the MovieCove catalog yet)(2002)

Windtalkers(2002)
Midcredits score: 49th percentile of all films
Mission: Impossible II(2000)
Midcredits score: 41st percentile of all films
Face/Off(1997)
Midcredits score: 89th percentile of all films
Beverly Hills Cop III(1994)
Midcredits score: 21st percentile of all films
Mother's Boys(1993)
Midcredits score: 23rd percentile of all films
Gunsmoke: The Long Ride(1993)
Midcredits score: 80th percentile of all films
Stolen: One Husband (not in the MovieCove catalog yet)(1990)

The New Lassie (not in the MovieCove catalog yet)(1989)

Child's Play(1988)
Midcredits score: 69th percentile of all films
Midcredits score: 94th percentile of all films
Blame It on the Night (not in the MovieCove catalog yet)(1984)

Here Comes the Flood (not in the MovieCove catalog yet)
Career shape
A full career of 19 titles, 18 of them dated from 1984 to 2024.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Arthur Anderson's films land?
Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 12; across a limited sample of 4 films with reception data, the typical film sits in the 50th percentile for acclaim.
- 75th and up5
- 50th to 74th4
- 25th to 49th4
- Below 25th2
Shape of the crowd
None of their 15 titles divides audiences: 7 are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser7
- Broadly Agreed4
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Arthur Anderson's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Arthur Anderson work with?
People who share at least 2 of Arthur Anderson's MovieCove titles, grouped by what they did on them; John Woo shares the most, 3.
Directors
- John WooShared titles: The Killer (2024), Paycheck (2003), Windtalkers (2002)See all 3 shared titles with John Woo

Producers
- Terence ChangShared titles: The Killer (2024), Paycheck (2003), Windtalkers (2002)See all 3 shared titles with Terence Chang

- Stratton LeopoldShared titles: Mission: Impossible III (2006), Paycheck (2003)See all 2 shared titles with Stratton Leopold
- Caroline MacaulayShared titles: Paycheck (2003), Windtalkers (2002)See all 2 shared titles with Caroline Macaulay
