Michael F. Anderson
- Editor
- 16 on MovieCove · 24 credits in all
What are Michael F. Anderson's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 9
Light 2 · Serious 8 · Dark 1
Grounded 8 · Stylized 3 · Heightened 0
Gentle 1 · Charged 10 · Intense 0
Steady 5 · Shifting 6 · Whiplash 0
Straight-faced 7 · Some laughs 4 · Funny 0
Slow burn 8 · Even-paced 3 · Relentless 0
Casual 8 · Engaged 3 · Full focus 0
Easy watch 5 · Affecting 5 · Heavy 1
Resolved 9 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet9
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Michael F. Anderson's films?
As of October 24, 2026, 11 of their 16 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Michael F. Anderson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
24 credits, 16 with a MovieCove page.

The Practice(1997)
Midcredits score: 82nd percentile of all shows
Burke's Law (not in the MovieCove catalog yet)(1994)

To My Daughter (not in the MovieCove catalog yet)(1990)

Beverly Hills, 90210(1990)
Midcredits score: 36th percentile of all shows
Baywatch (not in the MovieCove catalog yet)(1989)

Pancho Barnes (not in the MovieCove catalog yet)(1988)

Broken Angel (not in the MovieCove catalog yet)(1988)

Hostage (not in the MovieCove catalog yet)(1988)

Beauty and the Beast(1987)
Midcredits score: 53rd percentile of all shows
Passion Flower (not in the MovieCove catalog yet)(1987)

Beverly Hills Madam(1986)
Midcredits score: 28th percentile of all films
Midcredits score: 37th percentile of all films
V: The Final Battle (not in the MovieCove catalog yet)(1984)

Yes, Giorgio(1982)
Midcredits score: 11th percentile of all films
T.J. Hooker(1982)
Midcredits score: 15th percentile of all shows
Sphinx(1981)
Midcredits score: 20th percentile of all films
Cabo Blanco(1980)
Midcredits score: 21st percentile of all films
Love and Bullets(1979)
Midcredits score: 26th percentile of all films
The Love Boat(1977)
Midcredits score: 20th percentile of all shows
The White Buffalo(1977)
Midcredits score: 46th percentile of all films
St. Ives(1976)
Midcredits score: 46th percentile of all films
Echoes of a Summer(1976)
Midcredits score: 53rd percentile of all films
Midcredits score: 58th percentile of all films
Huckleberry Finn(1974)
Midcredits score: 29th percentile of all films
Career shape
A full career of 22 titles from 1974 to 1997.

Biggest box office
Yes, Giorgio (1982)

Highest rated
The Reincarnation of Peter Proud (1975)

Most popular right now
Beverly Hills, 90210 (1990)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Michael F. Anderson's films land?
Their typical MovieCove film has a Midcredits score in the 29th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 38th percentile for acclaim.
- 75th and up1
- 50th to 74th3
- 25th to 49th7
- Below 25th5
Shape of the crowd
9 of their 16 titles are Mixed.
- Cult Classic1
- Crowd Pleaser3
- Broadly Agreed3
- Mixed9
Reviewers score the pacing 35/100 in their films, across 11 reviewed titles; fans 46, detractors 23. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Michael F. Anderson's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Michael F. Anderson work with?
People who share at least 2 of Michael F. Anderson's MovieCove titles, grouped by what they did on them; J. Lee Thompson shares the most, 5.
Directors
- J. Lee ThompsonShared titles: Cabo Blanco (1980), The White Buffalo (1977), St. Ives (1976), The Reincarnation of Peter Proud (1975), Huckleberry Finn (1974)See all 5 shared titles with J. Lee Thompson

- Franklin J. SchaffnerShared titles: Yes, Giorgio (1982), Sphinx (1981)See all 2 shared titles with Franklin J. Schaffner

Writers
- Dinah KirgoShared titles: Beverly Hills, 90210 (1990), I Dream of Jeannie... Fifteen Years Later (1985)See all 2 shared titles with Dinah Kirgo
Actors
- Charles BronsonShared titles: Cabo Blanco (1980), Love and Bullets (1979), The White Buffalo (1977), St. Ives (1976)See all 4 shared titles with Charles Bronson

Composers and cinematographers
- Lalo SchifrinShared titles: Beverly Hills Madam (1986), Love and Bullets (1979), St. Ives (1976)See all 3 shared titles with Lalo Schifrin

- Fred J. KoenekampShared titles: Yes, Giorgio (1982), Love and Bullets (1979)See all 2 shared titles with Fred J. Koenekamp

- Michael J. LewisShared titles: Yes, Giorgio (1982), Sphinx (1981)See all 2 shared titles with Michael J. Lewis
- Jerry GoldsmithShared titles: Cabo Blanco (1980), The Reincarnation of Peter Proud (1975)See all 2 shared titles with Jerry Goldsmith

Producers
- Pancho KohnerShared titles: Love and Bullets (1979), The White Buffalo (1977), St. Ives (1976)See all 3 shared titles with Pancho Kohner


