Philip W. Anderson

What are Philip W. Anderson's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Philip W. Anderson's films?

As of October 24, 2026, 6 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (4).

• Tubi4 titles, browse their movies on this service
  • Sayonara (1957) · editor · free
  • A Man Called Horse (1970) · editor · free
  • Westbound (1958) · editor · free
  • The Theory of Everything (2006) · actor · free
• Prime Video3 titles, browse their movies on this service
  • Sayonara (1957) · editor
  • One Man's Way (1964) · editor
  • The Theory of Everything (2006) · actor
• Disney+1 title, browse their movies on this service
  • The Parent Trap (1961) · editor
• MGM+1 title, browse their movies on this service
  • One Man's Way (1964) · editor
• Pluto TV1 title, browse their movies on this service
  • Sayonara (1957) · editor · free
• The Roku Channel1 title, browse their movies on this service
  • A Man Called Horse (1970) · editor · free

Subscription and free streaming for Philip W. Anderson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

• 

  The Theory of Everything(2006)

  as Male Nurse

  Midcredits score: 29th percentile of all films29^th
• 

  A Man Called Horse(1970)

  Editor

  Midcredits score: 70th percentile of all films70^th
• 

  How to Save a Marriage and Ruin Your Life(1968)

  Editor

  Midcredits score: 53rd percentile of all films53^rd
• 

  The Night of the Grizzly(1966)

  Editor

  Midcredits score: 65th percentile of all films65^th
• 

  Mister Moses(1965)

  Editor

  Midcredits score: 38th percentile of all films38^th
• 

  One Man's Way(1964)

  Editor

  Midcredits score: 41st percentile of all films41^st
• 

  The Parent Trap(1961)

  Editor

  Midcredits score: 85th percentile of all films85^th
• 

  Cash McCall(1960)

  Editor

  Midcredits score: 59th percentile of all films59^th
• 

  Tall Story(1960)

  Editor

  Midcredits score: 38th percentile of all films38^th
• 

  Home Before Dark(1958)

  Editor

  Midcredits score: 82nd percentile of all films82^nd
• 

  Westbound(1958)

  Editor

  Midcredits score: 60th percentile of all films60^th
• 

  Sayonara(1957)

  Editor

  Midcredits score: 79th percentile of all films79^th

Career shape

A full career of 1 title in 2006.

Biggest box office

A Man Called Horse (1970)

$44M worldwide

Highest rated

The Parent Trap (1961)

Midcredits 85^th

How do Philip W. Anderson's films land?

Their typical MovieCove film has a Midcredits score in the 60^th percentile, the median of all 12; across their 11 films with reception data, the typical film sits in the 60^th percentile for acclaim.

Shape of the crowd

10 of their 12 titles are Crowd Pleasers.

10

• Divisive1
• Crowd Pleaser10
• Mixed1

Most divisive · actor

The Theory of Everything (2006)

93^rd percentile spread · 47% rated it 4 or lower

Most loved · editor

The Parent Trap (1961)

Midcredits 85^th · 74% liked

Reviewers score the pacing 51/100 in their films, across 11 reviewed titles; fans 59, detractors 35. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Philip W. Anderson's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Philip W. Anderson work with?

People who share at least 2 of Philip W. Anderson's MovieCove titles, grouped by what they did on them; Joseph Pevney shares the most, 2.