Daniel M. Angel
- Producer
- 11 on MovieCove · 19 credits in all
What are Daniel M. Angel's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 9
A split, not a type: Light 2 · Serious 4 · Dark 5
A split, not a type: Grounded 6 · Stylized 4 · Heightened 1
Gentle 2 · Charged 8 · Intense 1
Steady 7 · Shifting 4 · Whiplash 0
Straight-faced 7 · Some laughs 3 · Funny 1
A split, not a type: Slow burn 6 · Even-paced 5 · Relentless 0
Casual 4 · Engaged 6 · Full focus 1
Easy watch 2 · Affecting 7 · Heavy 2
Resolved 8 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy3
- Bittersweet3
- Tragic2
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Daniel M. Angel's films?
As of October 24, 2026, 8 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Daniel M. Angel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 11 with a MovieCove page.
Midcredits score: 45th percentile of all films
King & Country(1964)
Midcredits score: 94th percentile of all films
West 11 (not in the MovieCove catalog yet)(1963)

We Joined the Navy(1962)
Midcredits score: 27th percentile of all films
Midcredits score: 46th percentile of all films
Midcredits score: 81st percentile of all films
The Beasts of Marseilles(1957)
Midcredits score: 48th percentile of all films
Reach for the Sky(1956)
Midcredits score: 86th percentile of all films
Cast a Dark Shadow(1955)
Midcredits score: 82nd percentile of all films
Harmony Lane (not in the MovieCove catalog yet)(1954)
Midcredits score: 59th percentile of all films
Cosh Boy (not in the MovieCove catalog yet)(1953)

Women of Twilight (not in the MovieCove catalog yet)(1953)

Break to Freedom(1953)
Midcredits score: 66th percentile of all films
Another Man's Poison(1951)
Midcredits score: 75th percentile of all films
Mr. Drake's Duck (not in the MovieCove catalog yet)(1951)

The Body Said No! (not in the MovieCove catalog yet)(1950)

Murder at the Windmill (not in the MovieCove catalog yet)(1949)
The King's Navy (not in the MovieCove catalog yet)(1948)
Career shape
A full career of 15 titles from 1948 to 1975.

Biggest box office
The Sheriff of Fractured Jaw (1958)

Highest rated
King & Country (1964)

Most popular right now
Reach for the Sky (1956)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Daniel M. Angel's films land?
Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 64th percentile for acclaim.
- 75th and up5
- 50th to 74th2
- 25th to 49th4
Shape of the crowd
None of their 11 titles divides audiences: 8 are Crowd Pleasers.
- Crowd Pleaser8
- Broadly Agreed1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Daniel M. Angel work with?
People who share at least 2 of Daniel M. Angel's MovieCove titles, grouped by what they did on them; Lewis Gilbert shares the most, 5.
Directors
- Lewis GilbertShared titles: Carve Her Name with Pride (1958), Reach for the Sky (1956), Cast a Dark Shadow (1955), The Sea Shall Not Have Them (1954), Break to Freedom (1953)See all 5 shared titles with Lewis Gilbert

- Joseph LoseyShared titles: The Romantic Englishwoman (1975), King & Country (1964)See all 2 shared titles with Joseph Losey

Writers
- Vernon HarrisShared titles: Carve Her Name with Pride (1958), The Sea Shall Not Have Them (1954), Break to Freedom (1953)See all 3 shared titles with Vernon Harris
- Howard DimsdaleShared titles: We Joined the Navy (1962), The Sheriff of Fractured Jaw (1958)See all 2 shared titles with Howard Dimsdale
Actors
- Dirk BogardeShared titles: King & Country (1964), Cast a Dark Shadow (1955), The Sea Shall Not Have Them (1954)See all 3 shared titles with Dirk Bogarde

- Kenneth MoreShared titles: We Joined the Navy (1962), The Sheriff of Fractured Jaw (1958), Reach for the Sky (1956)See all 3 shared titles with Kenneth More

- Sydney TaflerShared titles: Carve Her Name with Pride (1958), Reach for the Sky (1956), The Sea Shall Not Have Them (1954)See all 3 shared titles with Sydney Tafler

- Anthony SteelShared titles: The Sea Shall Not Have Them (1954), Break to Freedom (1953), Another Man's Poison (1951)See all 3 shared titles with Anthony Steel

Composers, cinematographers and editors
- John ShirleyShared titles: Carve Her Name with Pride (1958), The Sheriff of Fractured Jaw (1958), The Beasts of Marseilles (1957), Reach for the Sky (1956)See all 4 shared titles with John Shirley
- Jack AsherShared titles: Reach for the Sky (1956), Cast a Dark Shadow (1955), Break to Freedom (1953)See all 3 shared titles with Jack Asher

- Otto HellerShared titles: We Joined the Navy (1962), The Sheriff of Fractured Jaw (1958)See all 2 shared titles with Otto Heller

- Antony HopkinsShared titles: The Beasts of Marseilles (1957), Cast a Dark Shadow (1955)See all 2 shared titles with Antony Hopkins
Producers
- Earl St. JohnShared titles: Carve Her Name with Pride (1958), The Beasts of Marseilles (1957)See all 2 shared titles with Earl St. John

- Anthony Nelson KeysShared titles: The Sea Shall Not Have Them (1954), Break to Freedom (1953)See all 2 shared titles with Anthony Nelson Keys


