Joseph Anthony
- Director
- 4 on MovieCove
What are Joseph Anthony's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 3 · Serious 0 · Dark 1
A split, not a type: Grounded 2 · Stylized 1 · Heightened 1
Gentle 3 · Charged 1 · Intense 0
Steady 3 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 1 · Some laughs 1 · Funny 2
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 2 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 1
Resolved 2 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Joseph Anthony's films?
As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Joseph Anthony's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Tomorrow(1972)
Midcredits score: 88th percentile of all films
All in a Night's Work(1961)
Midcredits score: 47th percentile of all films
The Matchmaker(1958)
Midcredits score: 78th percentile of all films
The Rainmaker(1956)
Midcredits score: 75th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1956 to 1972.
How do Joseph Anthony's films land?
Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 75th percentile for acclaim.
- 75th and up3
- 25th to 49th1
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
- Broadly Agreed1
Reviewers score the atmosphere 68/100 and the pacing 50/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Joseph Anthony work with?
People who share at least 2 of Joseph Anthony's MovieCove titles, grouped by what they did on them; Shirley MacLaine shares the most, 2.
Actors
- Shirley MacLaineShared titles: All in a Night's Work (1961), The Matchmaker (1958)See all 2 shared titles with Shirley MacLaine
- Wallace FordShared titles: The Matchmaker (1958), The Rainmaker (1956)See all 2 shared titles with Wallace Ford
Cinematographers and editors
- Howard A. SmithShared titles: All in a Night's Work (1961), The Matchmaker (1958)See all 2 shared titles with Howard A. Smith
- Charles LangShared titles: The Matchmaker (1958), The Rainmaker (1956)See all 2 shared titles with Charles Lang
Producers
- Hal B. WallisShared titles: All in a Night's Work (1961), The Rainmaker (1956)See all 2 shared titles with Hal B. Wallis
- Paul NathanShared titles: All in a Night's Work (1961), The Rainmaker (1956)See all 2 shared titles with Paul Nathan