Enrica Antonioni (born Enrica Fico, 25 February 1952) is an Italian film director and actress, the widow of Michelangelo Antonioni. From Wikipedia, the free encyclopedia
Biography from TMDB.
- February 25, 1952 (74)
- Lavagna, Liguria, Italy
- Actor and composer
- 4 on MovieCove · 14 credits in all
What are Enrica Antonioni's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Ideas.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 2 · Dark 0
Grounded 1 · Stylized 2 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
A split, not a type: Resolved 1 · Open-ended 0 · Ambiguous 2
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Enrica Antonioni's films?
As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Enrica Antonioni's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 4 with a MovieCove page; 5 appearances as themselves are hidden until asked for.
Eros(2004)
Midcredits score: 38th percentile of all films
Sicily (not in the MovieCove catalog yet)(1997)
Beyond the Clouds(1995)
Midcredits score: 60th percentile of all films
To Make a Film Is to Be Alive (not in the MovieCove catalog yet)(1995)
Noto, Almond Trees, Volcano, Stromboli, Carnival (not in the MovieCove catalog yet)(1993)
Kumbha Mela (not in the MovieCove catalog yet)(1992)
Un po' di Giappone (not in the MovieCove catalog yet)(1990)
12 Directors for 12 Cities (not in the MovieCove catalog yet)(1989)
Roma (not in the MovieCove catalog yet)(1989)
Midcredits score: 66th percentile of all films
The Passenger(1975)
Midcredits score: 92nd percentile of all films
Chung Kuo: China (not in the MovieCove catalog yet)(1972)
Japan 1984 – 7 Betacam Tapes (not in the MovieCove catalog yet)
Technically Sweet (not in the MovieCove catalog yet)
Career shape
Star power in the 62nd percentile of 239,109 people with a billed film role, over a full career of 14 titles, 12 of them dated from 1972 to 2004; peak year 1982.
Biggest box office
Eros (2004)
Highest rated
Identification of a Woman (1982)
Most popular right now
Eros (2004)
Film career
Peak 1982 · fewer prominent film roles lately. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1982Screen debut· Identification of a Woman
How do Enrica Antonioni's films land?
Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 65th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
- Broadly Agreed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Enrica Antonioni work with?
People who share at least 2 of Enrica Antonioni's MovieCove titles; Michelangelo Antonioni shares the most, 2.
- Michelangelo AntonioniShared titles: Eros (2004), Identification of a Woman (1982)See all 2 shared titles with Michelangelo Antonioni
- Tonino GuerraShared titles: Eros (2004), Identification of a Woman (1982)See all 2 shared titles with Tonino Guerra
