Raymond Anzarut
- Producer
- 4 on MovieCove
What are Raymond Anzarut's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 3
Light 1 · Serious 0 · Dark 3
A split, not a type: Grounded 3 · Stylized 1 · Heightened 0
Gentle 0 · Charged 3 · Intense 1
Steady 2 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 0 · Funny 1
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 3 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Raymond Anzarut's films?
As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Raymond Anzarut's titles on MovieCove; rent and buy are not counted.
Filmography
4 credits, 4 with a MovieCove page.
The Hill(1965)
Midcredits score: 97th percentile of all films
Our Man in Havana(1959)
Midcredits score: 85th percentile of all films
Room at the Top(1958)
Midcredits score: 92nd percentile of all films
The Silent Enemy(1958)
Midcredits score: 66th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1958 to 1965.
How do Raymond Anzarut's films land?
Their typical MovieCove film has a Midcredits score in the 89th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 86th percentile for acclaim.
- 75th and up3
- 50th to 74th1
Shape of the crowd
None of their 4 titles divides audiences: 2 are Universally Loved.
- Universally Loved2
- Crowd Pleaser2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Raymond Anzarut work with?
People who share at least 2 of Raymond Anzarut's MovieCove titles, grouped by what they did on them; Raymond Huntley shares the most, 2.
Actors
- Raymond HuntleyShared titles: Our Man in Havana (1959), Room at the Top (1958)See all 2 shared titles with Raymond Huntley
- Laurence HarveyShared titles: Room at the Top (1958), The Silent Enemy (1958)See all 2 shared titles with Laurence Harvey
Cinematographers
- Oswald MorrisShared titles: The Hill (1965), Our Man in Havana (1959)See all 2 shared titles with Oswald Morris
Producers
- James WoolfShared titles: Room at the Top (1958), The Silent Enemy (1958)See all 2 shared titles with James Woolf
- John WoolfShared titles: Room at the Top (1958), The Silent Enemy (1958)See all 2 shared titles with John Woolf