Elaina Archer

What are Elaina Archer's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Society and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Elaina Archer's films?

As of October 28, 2026, none of Elaina Archer's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Elaina Archer's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Why Be Good? Sexuality & Censorship in Early Cinema(2007)

  Director · Editor · Producer · Writer

  Midcredits score: 49th percentile of all films49^th
• 

  Rita(2003)

  Director · Editor · Producer · Writer

  Midcredits score: 88th percentile of all films88^th
• 

  Captured on Film: The True Story of Marion Davies(2001)

  Editor · Producer · Writer

  Midcredits score: 66th percentile of all films66^th
• 

  Clara Bow: Discovering the It Girl(1999)

  Editor · Producer · Writer

  Midcredits score: 84th percentile of all films84^th

Career shape

Across a limited sample of 4 MovieCove titles from 1999 to 2007.

Most popular right now

Captured on Film: The True Story of Marion Davies (2001)

How do Elaina Archer's films land?

Their typical MovieCove film has a Midcredits score in the 75^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 74^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Cult Classics.

211

• Cult Classic2
• Crowd Pleaser1
• Mixed1

Most divisive · director, writer, producer, editor

Why Be Good? Sexuality & Censorship in Early Cinema (2007)

79^th percentile spread · 25% rated it 4 or lower

Most loved · director, writer, producer, editor

Rita (2003)

Midcredits 88^th · 72% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Elaina Archer work with?

People who share at least 2 of Elaina Archer's MovieCove titles, grouped by what they did on them; Hugh Hefner shares the most, 4.