- Writer and director
- 3 on MovieCove · 8 credits in all
What are Luis de los Arcos' films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Survival.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 1 · Serious 0 · Dark 2
A split, not a type: Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Luis de los Arcos' films?
As of October 24, 2026, none of Luis de los Arcos' 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Luis de los Arcos' titles on MovieCove; rent and buy are not counted.
Filmography
8 credits, 3 with a MovieCove page.
Madres solteras (not in the MovieCove catalog yet)(1975)
Operation Delilah(1967)
Midcredits score: 30th percentile of all films (provisional, few ratings)
Finger on the Trigger(1965)
Midcredits score: 11th percentile of all films
Pyro... The Thing Without a Face (not in the MovieCove catalog yet)(1964)
The Castilian(1963)
Midcredits score: 15th percentile of all films
Un trono para Cristy (not in the MovieCove catalog yet)(1960)
De espaldas a la puerta (not in the MovieCove catalog yet)(1959)
Rapsodia de sangre (not in the MovieCove catalog yet)(1957)
Career shape
A full career of 8 titles from 1957 to 1975.
How do Luis de los Arcos' films land?
Their typical MovieCove film has a Midcredits score in the 15th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 18th percentile for acclaim.
- 25th to 49th1
- Below 25th2
Shape of the crowd
2 of their 3 titles are Mixed.
- Divisive1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Luis de los Arcos work with?
People who share at least 2 of Luis de los Arcos' MovieCove titles, grouped by what they did on them; Sidney W. Pink shares the most, 3.
Writers
- Sidney W. PinkShared titles: Operation Delilah (1967), Finger on the Trigger (1965), The Castilian (1963)See all 3 shared titles with Sidney W. Pink
Actors
- Jorge RigaudShared titles: Operation Delilah (1967), Finger on the Trigger (1965)See all 2 shared titles with Jorge Rigaud
- Rory CalhounShared titles: Operation Delilah (1967), Finger on the Trigger (1965)See all 2 shared titles with Rory Calhoun
- Tomás BlancoShared titles: Operation Delilah (1967), The Castilian (1963)See all 2 shared titles with Tomás Blanco
Cinematographers and editors
- Margarita de OchoaShared titles: Operation Delilah (1967), Finger on the Trigger (1965), The Castilian (1963)See all 3 shared titles with Margarita de Ochoa
- Mario PachecoShared titles: Operation Delilah (1967), The Castilian (1963)See all 2 shared titles with Mario Pacheco