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Karl Armstrong

Editor, director and writer, also producer

Works as
Editor, director and writer, also producer
Titles
11 on MovieCove · 14 credits in all
TMDB popularity, last 39 days to Oct 28Down 29% in 30 days

What are Karl Armstrong's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 2 · Stylized 5 · Heightened 0

Gentle 2 · Charged 5 · Intense 0

Steady 2 · Shifting 5 · Whiplash 0

Straight-faced 3 · Some laughs 3 · Funny 1

Slow burn 3 · Even-paced 4 · Relentless 0

Casual 5 · Engaged 2 · Full focus 0

Resolved 6 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Thrilling
5
Absurd
4
Cold
1

How their films end

  • Happy4
  • Bittersweet1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Karl Armstrong's films?

As of October 24, 2026, 7 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Karl Armstrong's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 11 with a MovieCove page.

  • Ray Gunn(2026)

    Editor

  • Snoopy Presents: Welcome Home, Franklin (not in the MovieCove catalog yet)(2024)

    Associate Editor

  • Puss in Boots: The Last Wish(2022)

    Associate Editor

    Midcredits score: 99th percentile of all films
  • Geo-Disaster(2017)

    Editor

    Midcredits score: 2nd percentile of all films
  • Midcredits score: 1st percentile of all films
  • American Warships(2012)

    Editor

    Midcredits score: 1st percentile of all films
  • Midcredits score: 10th percentile of all films
  • Midcredits score: 7th percentile of all films
  • Cloudy with a Chance of Meatballs(2009)

    First Assistant Editor

    Midcredits score: 78th percentile of all films
  • Open Season(2006)

    First Assistant Editor

    Midcredits score: 45th percentile of all films
  • Over the Hedge(2006)

    Assistant Editor

    Midcredits score: 72nd percentile of all films
  • Perfect Mate (not in the MovieCove catalog yet)(1996)

    Director

  • Ninja Vengeance(1993)

    Director · Editor · Producer · Writer

    Midcredits score: 2nd percentile of all films
  • The Ark and the Aardvark (not in the MovieCove catalog yet)

    Assistant Editor

Career shape

A full career of 12 titles, 11 of them dated from 1993 to 2024.

By role

only this rolewith another role
Directing2 of 12: 1 only directing, 1 with another roleWriting1 of 12: 0 only writing, 1 with another roleEditing5 of 12: 4 only editing, 1 with another role · typical Midcredits score2ndOther crew6 of 12: 6 only other crew, 0 with another role

By decade

1990s2 · crew2000s3 · crew2010s4 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Karl Armstrong's films land?

Their typical MovieCove film has a Midcredits score in the 9th percentile, the median of the 10 of 11 with a score; across their 7 films with reception data, the typical film sits in the 6th percentile for acclaim.

Acclaim · how much people like their films

6thpercentile
Typical film, the median of 7

Approval · how many liked their films

1stpercentile
Typical film, the median of 7

Reach · how many have seen their films

61stpercentile
Typical film, the median of 7

Midcredits score across 10 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th1
  • Below 25th6

Reviewers score the pacing 35/100 in their films, across 6 reviewed titles; fans 53, detractors 20. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Karl Armstrong work with?

People who share at least 2 of Karl Armstrong's MovieCove titles, grouped by what they did on them; Thunder Levin shares the most, 3.

Directors

Actors

Composers

Producers