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MovieCove
Susan Arnold

Susan Arnold

Producer

Works as
Producer
Titles
20 on MovieCove · 25 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 20% in 30 days

What are Susan Arnold's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy5 titlesTypical Midcredits score: 66th percentile, at or above their average across these genres
: browse their Comedy movies
Action2 titlesTypical Midcredits score: 59th percentile
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
42%
Self
36%
Survival
12%
Morality
4%
Society
3%
Power
2%
Identity4 titles, browse their movies with this themeRomantic love4 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themeComing of age2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 4 · Serious 3 · Dark 1

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 4 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 4 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 3 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 1 · Some laughs 2 · Funny 5

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 5 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 6 · Engaged 2 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Romantic
5
Joyful
4
Tense
2
Bittersweet
3
Absurd
2
Other
11

How their films linger

Feel-good5 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end

  • Happy4
  • Bittersweet3
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Susan Arnold's films?

As of October 24, 2026, 11 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for Susan Arnold's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 20 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Drillbit Taylor(2008)

    Producer

    Midcredits score: 28th percentile of all films

  • 13 Going on 30(2004)

    Producer

    Midcredits score: 66th percentile of all films

  • America's Sweethearts(2001)

    Producer

    Midcredits score: 28th percentile of all films

  • The Haunting(1999)

    Producer

    Midcredits score: 14th percentile of all films

  • Forces of Nature(1999)

    Producer

    Midcredits score: 20th percentile of all films

  • Grosse Pointe Blank(1997)

    Producer

    Midcredits score: 90th percentile of all films

  • Unstrung Heroes(1995)

    Producer

    Midcredits score: 69th percentile of all films

  • Benny & Joon(1993)

    Producer

    Midcredits score: 84th percentile of all films

  • Warning Sign(1985)

    Casting

    Midcredits score: 46th percentile of all films

  • Revenge of the Nerds(1984)

    Casting

    Midcredits score: 63rd percentile of all films

  • Top Secret!(1984)

    Casting

    Midcredits score: 87th percentile of all films

  • Gremlins(1984)

    Casting

    Midcredits score: 89th percentile of all films

  • National Lampoon's Vacation(1983)

    Casting

    Midcredits score: 88th percentile of all films

  • The Return of the Man from U.N.C.L.E.: The Fifteen Years Later Affair(1983)

    Casting

    Midcredits score: 56th percentile of all films

  • Dixie: Changing Habits (not in the MovieCove catalog yet)(1983)

    Casting

  • Independence Day (not in the MovieCove catalog yet)(1983)

    Casting

  • Honkytonk Man(1982)

    Casting

    Midcredits score: 65th percentile of all films

  • The Howling(1981)

    Casting

    Midcredits score: 64th percentile of all films

  • Airplane!(1980)

    Additional Casting

    Midcredits score: 95th percentile of all films

  • The Lady in Red(1979)

    Casting

    Midcredits score: 55th percentile of all films

  • Piranha(1978)

    Casting Director

    Midcredits score: 38th percentile of all films

  • Black Eye(1974)

    as Amy

    Midcredits score: 27th percentile of all films

  • The Female Bunch (not in the MovieCove catalog yet)(1971)

    Makeup Artist · Actor

  • Satan's Sadists (not in the MovieCove catalog yet)(1969)

    Makeup Artist

  • 13 Going on 30 (not in the MovieCove catalog yet)

    Executive Producer

Career shape

A full career of 25 titles, 24 of them dated from 1969 to 2008.

Biggest box office

The Haunting (1999)

$177M worldwide

Highest rated

Grosse Pointe Blank (1997)

Midcredits 90th

Most popular right now

13 Going on 30 (2004)

Film career

  • 1971Screen debut· The Female Bunch

By role

only this rolewith another role
Acting2 of 25: 1 only acting, 1 with another roleProducing9 of 25: 9 only producing, 0 with another role · typical Midcredits score47thOther crew15 of 25: 14 only other crew, 1 with another role · typical Midcredits score64th

By decade

1960s1 · crew1970s4 · 2 acting · 3 crew1980s11 · crew1990s5 · crew2000s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Susan Arnold's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 20; across their 8 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 8

Approval · how many liked their films

41stpercentile
Typical film, the median of 8

Reach · how many have seen their films

94thpercentile
Typical film, the median of 8

Midcredits score across 20 titles, by percentile

  • 75th and up6
  • 50th to 74th7
  • 25th to 49th5
  • Below 25th2

Shape of the crowd

None of their 20 titles divides audiences: 10 are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser10
  • Broadly Agreed6
  • Mixed2

Most loved · producer

Grosse Pointe Blank (1997)

Midcredits 90th · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Susan Arnold's work okay for kids?

Across up to 7 MovieCove titles with content scores, frightening / intense runs lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles13–61 · median 46 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity7 titles17–49 · median 40 · moderatenear the median of all filmsMedian of all films: 32
Profanity5 titles31–68 · median 39 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 33 · mildMedian of all films: 33
Frightening / Intense5 titles10–54 · median 26 · mildlighter than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Susan Arnold work with?

People who share at least 2 of Susan Arnold's MovieCove titles, grouped by what they did on them; Donna Roth shares the most, 8.

Actors

Cinematographers

Producers