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George M. Arthur

Editor and producer · Died March 8, 1949, aged 50 · Brooklyn, New York, USA

Born
April 6, 1898
Died
March 8, 1949 (aged 50)
From
Brooklyn, New York, USA
Works as
Editor and producer
Titles
7 on MovieCove · 24 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 22% in 30 days

What are George M. Arthur's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
44%
Morality
32%
Power
11%
Survival
10%
Society
4%
Romantic love4 titles, browse their movies with this themeJustice2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 3 · Serious 3 · Dark 0

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 4 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 2 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 2 · Some laughs 2 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 4 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 6 · Engaged 0 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
3
Tense
3
Romantic
4
Warm
3
Thrilling
1
Other
1

How their films linger

Feel-good3 titles, browse their movies with this aftertasteFun3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertaste

How their films end

  • Happy4
  • Bittersweet2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch George M. Arthur's films?

As of October 24, 2026, 2 of their 7 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for George M. Arthur's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

24 credits, 7 with a MovieCove page.

  • Outpost in Morocco(1949)

    Editor

    Midcredits score: 14th percentile of all films

  • Man-Eater of Kumaon (not in the MovieCove catalog yet)(1948)

    Editor

  • Intrigue (not in the MovieCove catalog yet)(1947)

    Editor

  • Angel on My Shoulder(1946)

    Editorial Coordinator

    Midcredits score: 71st percentile of all films

  • Johnny Come Lately (not in the MovieCove catalog yet)(1943)

    Editor

  • Higher and Higher(1943)

    Producer

    Midcredits score: 44th percentile of all films

  • Seven Days' Leave(1942)

    Producer

    Midcredits score: 32nd percentile of all films

  • The Mad Doctor (not in the MovieCove catalog yet)(1940)

    Producer

  • I Want a Divorce (not in the MovieCove catalog yet)(1940)

    Producer

  • Our Leading Citizen(1939)

    Producer

    Midcredits score: 42nd percentile of all films (provisional, few ratings)

  • The Gracie Allen Murder Case(1939)

    Producer

    Midcredits score: 57th percentile of all films

  • The Arkansas Traveler (not in the MovieCove catalog yet)(1938)

    Producer

  • Cocoanut Grove (not in the MovieCove catalog yet)(1938)

    Producer

  • Her Jungle Love (not in the MovieCove catalog yet)(1938)

    Producer

  • The Last Train from Madrid(1937)

    Producer

    Midcredits score: 41st percentile of all films

  • Rhythm on the Roof (not in the MovieCove catalog yet)(1934)

    Director

  • The Singapore Mutiny (not in the MovieCove catalog yet)(1928)

    Editor

  • Hit of the Show (not in the MovieCove catalog yet)(1928)

    Editor

  • Crooks Can't Win (not in the MovieCove catalog yet)(1928)

    Director · Editor

  • Beyond London Lights (not in the MovieCove catalog yet)(1928)

    Writer

  • South Sea Love (not in the MovieCove catalog yet)(1927)

    Editor · Title Designer

  • Success (not in the MovieCove catalog yet)(1923)

    Production Manager

  • Reported Missing (not in the MovieCove catalog yet)(1922)

    Editor

  • The Glorious Lady (not in the MovieCove catalog yet)(1919)

    Screenplay

Career shape

A full career of 22 titles from 1919 to 1949.

Highest rated

Higher and Higher (1943)

Midcredits 44th

Most popular right now

Our Leading Citizen (1939)

By role

only this rolewith another role
Directing2 of 22: 1 only directing, 1 with another roleWriting2 of 22: 2 only writing, 0 with another roleProducing8 of 22: 8 only producing, 0 with another roleEditing9 of 22: 7 only editing, 2 with another roleOther crew3 of 22: 2 only other crew, 1 with another role

By decade

1910s1 · crew1920s7 · crew1930s7 · crew1940s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do George M. Arthur's films land?

Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 6

Approval · how many liked their films

33rdpercentile
Typical film, the median of 6

Reach · how many have seen their films

29thpercentile
Typical film, the median of 6

Midcredits score across 7 titles, by percentile

  • 50th to 74th2
  • 25th to 49th4
  • Below 25th1

Shape of the crowd

None of their 7 titles divides audiences: 4 are Mixed.

  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed4

Most loved · producer

The Gracie Allen Murder Case (1939)

Midcredits 57th · 54% liked

Reviewers score the pacing 53/100 in their films, across 5 reviewed titles; fans 61, detractors 35. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does George M. Arthur work with?

People who share at least 2 of George M. Arthur's MovieCove titles, grouped by what they did on them; Tim Whelan shares the most, 2.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles