Germaine Artus
- Editor
- 6 on MovieCove · 16 credits in all
What are Germaine Artus' films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 4
A split, not a type: Light 2 · Serious 0 · Dark 4
Grounded 3 · Stylized 3 · Heightened 0
A split, not a type: Gentle 2 · Charged 1 · Intense 3
Steady 4 · Shifting 1 · Whiplash 1
A split, not a type: Straight-faced 4 · Some laughs 0 · Funny 2
Slow burn 3 · Even-paced 2 · Relentless 1
Casual 2 · Engaged 2 · Full focus 2
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 3
Resolved 4 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet1
- Tragic3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Germaine Artus' films?
As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (3).
Subscription and free streaming for Germaine Artus' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 6 with a MovieCove page.
The Devil, Probably(1977)
Midcredits score: 85th percentile of all films
Gross Paris (not in the MovieCove catalog yet)(1974)
Lancelot of the Lake(1974)
Midcredits score: 76th percentile of all films
La Grande Maffia (not in the MovieCove catalog yet)(1971)
The Trial of Joan of Arc(1962)
Midcredits score: 90th percentile of all films
Petit Jour (not in the MovieCove catalog yet)(1962)
Bernadette of Lourdes (not in the MovieCove catalog yet)(1961)
Take Me As I Am (not in the MovieCove catalog yet)(1960)
The Tiger Attacks(1959)
Midcredits score: 65th percentile of all films
S.O.S. Noronha (not in the MovieCove catalog yet)(1957)
Caroline and the Rebels(1955)
Midcredits score: 5th percentile of all films
Fernand cherche du boulot (not in the MovieCove catalog yet)(1954)
The Knight of the Night (not in the MovieCove catalog yet)(1953)
Ça c'est du cinéma(1951)
Midcredits score: 1st percentile of all films (provisional, few ratings)
Martin Roumagnac (not in the MovieCove catalog yet)(1946)
The Eternal Husband (not in the MovieCove catalog yet)(1946)
Career shape
A full career of 15 titles from 1946 to 1977.
Biggest box office
The Devil, Probably (1977)
Highest rated
The Trial of Joan of Arc (1962)
Most popular right now
The Tiger Attacks (1959)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Germaine Artus' films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 71st percentile for acclaim.
- 75th and up3
- 50th to 74th1
- Below 25th2
Shape of the crowd
4 of their 6 titles are Crowd Pleasers.
- Universally Panned2
- Crowd Pleaser4
Reviewers score the pacing 47/100 in their films, across 5 reviewed titles; fans 58, detractors 30. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Germaine Artus work with?
People who share at least 2 of Germaine Artus' MovieCove titles, grouped by what they did on them; Robert Bresson shares the most, 3.
Directors
- Robert BressonShared titles: The Devil, Probably (1977), Lancelot of the Lake (1974), The Trial of Joan of Arc (1962)See all 3 shared titles with Robert Bresson
Actors
- Roger HonoratShared titles: The Devil, Probably (1977), The Trial of Joan of Arc (1962)See all 2 shared titles with Roger Honorat
- Alfred AdamShared titles: The Tiger Attacks (1959), Caroline and the Rebels (1955)See all 2 shared titles with Alfred Adam
Composers and cinematographers
- Pasqualino De SantisShared titles: The Devil, Probably (1977), Lancelot of the Lake (1974)See all 2 shared titles with Pasqualino De Santis
- Philippe SardeShared titles: The Devil, Probably (1977), Lancelot of the Lake (1974)See all 2 shared titles with Philippe Sarde
- Georges Van ParysShared titles: The Tiger Attacks (1959), Caroline and the Rebels (1955)See all 2 shared titles with Georges Van Parys
Producers
- François ChavaneShared titles: The Tiger Attacks (1959), Caroline and the Rebels (1955)See all 2 shared titles with François Chavane