Bernard Ashby

What are Bernard Ashby's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Ideas.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bernard Ashby's films?

As of October 24, 2026, none of Bernard Ashby's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Bernard Ashby's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

• 

  Miss Marple: The Mirror Crack'd from Side to Side(1992)

  Editor

  Midcredits score: 90th percentile of all films90^th
• 

  Miss Marple: They Do It with Mirrors(1991)

  Editor

  Midcredits score: 82nd percentile of all films82^nd
• 

  Miss Marple: A Caribbean Mystery(1989)

  Editor

  Midcredits score: 85th percentile of all films85^th
• 

  Agatha Christie's Miss Marple: 4:50 from Paddington(1987)

  Editor

  Midcredits score: 93rd percentile of all films93^rd
• 

  Agatha Christie's Miss Marple: The Murder at the Vicarage(1986)

  Editor

  Midcredits score: 87th percentile of all films87^th

Career shape

Across their 5 MovieCove titles from 1986 to 1992.

Highest rated

Agatha Christie's Miss Marple: 4:50 from Paddington (1987)

Midcredits 93^rd

Most popular right now

Miss Marple: A Caribbean Mystery (1989)

How do Bernard Ashby's films land?

Their typical MovieCove film has a Midcredits score in the 87^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 80^th percentile for acclaim.

Shape of the crowd

None of their 5 titles divides audiences: 3 are Universally Loved.

32

• Universally Loved3
• Crowd Pleaser2

Most loved · editor

Agatha Christie's Miss Marple: 4:50 from Paddington (1987)

Midcredits 93^rd · 84% liked

Reviewers score the pacing 45/100 in their films, across 5 reviewed titles; fans 52, detractors 26. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Bernard Ashby work with?

People who share at least 2 of Bernard Ashby's MovieCove titles, grouped by what they did on them; Agatha Christie shares the most, 5.