
Edward Ashley
Actor · Died May 5, 2000, aged 95 · Sydney, New South Wales, Australia
Edward Montague Hussey Cooper was an actor descended from an English family but born in Australia. Known by his professional name Edward Ashley (to avoid confusion with a fellow actor Edward Cooper), Cooper performed in 60 films for Metro Goldwyn Mayer including Pride and Prejudice, in which he played George Wickham. He made a number of films in the United Kingdom before moving to California in 1940, where his first big role was as George Wickham in Pride and Prejudice. After this, his career consisted of a large number of mainly supporting roles until 1988, including a recurring character in the Maverick television series, "Nobby Ned Wingate", in the late 1950s.
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Biography from TMDB.
- August 12, 1904
- May 5, 2000 (aged 95)
- Sydney, New South Wales, Australia
- Actor
- 20 on MovieCove · 42 credits in all
What are Edward Ashley's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 10
Light 7 · Serious 3 · Dark 1
Grounded 4 · Stylized 4 · Heightened 3
A split, not a type: Gentle 6 · Charged 5 · Intense 0
Steady 10 · Shifting 1 · Whiplash 0
Straight-faced 5 · Some laughs 6 · Funny 0
A split, not a type: Slow burn 6 · Even-paced 4 · Relentless 1
Casual 10 · Engaged 1 · Full focus 0
Easy watch 7 · Affecting 4 · Heavy 0
Resolved 10 · Open-ended 1 · Ambiguous 0
Roles they play
Usually the Shadow: 2 of 4 analyzed roles.
- Shadowas Al Posna in Gallant Sons (1940)
- Tricksteras Link Phillips in Maisie Was a Lady (1941)
- Shadowas Keith Vincent in Nocturne (1946)
- Threshold guardianas Dr. L. E. Thal in Dick Tracy Meets Gruesome (1947)
Moods and endings
- Happy7
- Bittersweet4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Edward Ashley's films?
As of October 24, 2026, 7 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Edward Ashley's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
42 credits, 20 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Waxwork(1988)
Midcredits score: 45th percentile of all films
Beyond the Next Mountain (not in the MovieCove catalog yet)(1981)
Midcredits score: 13th percentile of all films
The Stronger (not in the MovieCove catalog yet)(1976)

Herbie Rides Again(1974)
Midcredits score: 33rd percentile of all films
It Takes a Thief (not in the MovieCove catalog yet)(1968)

King Rat(1965)
Midcredits score: 93rd percentile of all films
The Texan(1958)
Midcredits score: 71st percentile of all shows
Darby's Rangers(1958)
Midcredits score: 60th percentile of all films
Maverick(1957)
Midcredits score: 86th percentile of all shows
The Gale Storm Show (not in the MovieCove catalog yet)(1956)

The Errol Flynn Theatre (not in the MovieCove catalog yet)(1956)

The Court Jester(1955)
Midcredits score: 96th percentile of all films
The Wonderful World of Disney (not in the MovieCove catalog yet)(1954)

Elephant Walk(1954)
Midcredits score: 52nd percentile of all films
El Alaméin (not in the MovieCove catalog yet)(1953)

Macao(1952)
Midcredits score: 63rd percentile of all films
Schlitz Playhouse of Stars (not in the MovieCove catalog yet)(1951)

Tarzan's Peril (not in the MovieCove catalog yet)(1951)

Robert Montgomery Presents (not in the MovieCove catalog yet)(1950)

Tarzan and the Mermaids(1948)
Midcredits score: 47th percentile of all films
Midcredits score: 46th percentile of all films
The Other Love(1947)
Midcredits score: 46th percentile of all films
Nocturne(1946)
Midcredits score: 60th percentile of all films
The Madonna's Secret (not in the MovieCove catalog yet)(1946)

Gay Blades (not in the MovieCove catalog yet)(1946)

Love, Honor and Goodbye (not in the MovieCove catalog yet)(1945)

The Black Swan(1942)
Midcredits score: 69th percentile of all films
You're Telling Me (not in the MovieCove catalog yet)(1942)

Strange Testament (not in the MovieCove catalog yet)(1941)

Come Live with Me(1941)
Midcredits score: 82nd percentile of all films
Maisie Was a Lady(1941)
Midcredits score: 71st percentile of all films
Gallant Sons(1940)
Midcredits score: 56th percentile of all films
Bitter Sweet(1940)
Midcredits score: 33rd percentile of all films
Sky Murder (not in the MovieCove catalog yet)(1940)

Pride and Prejudice(1940)
Midcredits score: 84th percentile of all films
Spies of the Air (not in the MovieCove catalog yet)(1939)
The Villiers Diamond (not in the MovieCove catalog yet)(1938)

Saturday Night Revue (not in the MovieCove catalog yet)(1937)

Men of Steel (not in the MovieCove catalog yet)(1932)

The Beggar Student (not in the MovieCove catalog yet)(1931)

The Conquest of the Air (not in the MovieCove catalog yet)(1931)
Career shape
Star power in the 89th percentile of 239,109 people with a billed film role, over a full career of 42 titles from 1931 to 1988; peak year 1974.

Biggest box office
Macao (1952)

Highest rated
Come Live with Me (1941)

Most popular right now
The Black Swan (1942)
Film career
Peak 1974 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1940Screen debut· Pride and Prejudice
- 1955Career best· The Court Jester
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Edward Ashley's films land?
Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 18; across their 11 films with reception data, the typical film sits in the 59th percentile for acclaim.
- 75th and up5
- 50th to 74th8
- 25th to 49th6
- Below 25th1
Shape of the crowd
12 of their 20 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser12
- Broadly Agreed3
- Mixed3
Reviewers score the acting 66/100 in their films, across 11 reviewed titles; fans 74, detractors 44. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Edward Ashley work with?
People who share at least 2 of Edward Ashley's MovieCove titles, grouped by what they did on them; Ian Hunter shares the most, 3.
Directors
- Edwin L. MarinShared titles: Nocturne (1946), Maisie Was a Lady (1941)See all 2 shared titles with Edwin L. Marin

Actors
- Ian HunterShared titles: Come Live with Me (1941), Bitter Sweet (1940), Gallant Sons (1940)See all 3 shared titles with Ian Hunter

- George ZuccoShared titles: Tarzan and the Mermaids (1948), The Black Swan (1942)See all 2 shared titles with George Zucco

- George SandersShared titles: The Black Swan (1942), Bitter Sweet (1940)See all 2 shared titles with George Sanders

Composers, cinematographers and editors
- Harry J. WildShared titles: Macao (1952), Nocturne (1946)See all 2 shared titles with Harry J. Wild
- Elmo WilliamsShared titles: Dick Tracy Meets Gruesome (1947), Nocturne (1946)See all 2 shared titles with Elmo Williams

- David SnellShared titles: Maisie Was a Lady (1941), Gallant Sons (1940)See all 2 shared titles with David Snell

- George J. FolseyShared titles: Come Live with Me (1941), Gallant Sons (1940)See all 2 shared titles with George J. Folsey



