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MovieCove

David Aspinall

Editor

Works as
Editor
Titles
7 on MovieCove · 17 credits in all
TMDB popularity, last 38 days to Oct 27Down 11% in 30 days

What are David Aspinall's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Survival.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 0 · Dark 2

Grounded 2 · Stylized 1 · Heightened 0

Gentle 0 · Charged 2 · Intense 1

Steady 1 · Shifting 1 · Whiplash 1

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 0 · Engaged 3 · Full focus 0

A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Dread
2
Cold
2
Absurd
1
Melancholic
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch David Aspinall's films?

As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for David Aspinall's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 7 with a MovieCove page.

  • How to Stop Being a Loser(2011)

    Executive Producer

    Midcredits score: 15th percentile of all films
  • Between Two Women (not in the MovieCove catalog yet)(2004)

    Editor

  • Midcredits score: 60th percentile of all films
  • A Is for Acid(2002)

    Editor

    Midcredits score: 77th percentile of all films
  • The Life and Crimes of William Palmer (not in the MovieCove catalog yet)(1998)

    Editor

  • Cuts (not in the MovieCove catalog yet)(1996)

    Editor

  • Stalag Luft(1993)

    Editor

    Midcredits score: 59th percentile of all films
  • A Touch of Frost(1992)

    Show 1 episode · Editor

    Midcredits score: 87th percentile of all shows
  • Heartbeat(1992)

    Show 2 episodes · Editor

    Midcredits score: 51st percentile of all shows
  • The Darling Buds of May(1991)

    Show 9 episodes · Editor

    Midcredits score: 84th percentile of all shows
  • Shoot to Kill (not in the MovieCove catalog yet)(1990)

    Editor

  • Shoot to Kill (not in the MovieCove catalog yet)(1990)

    Show 2 episodes · Editor

  • Missing Persons (not in the MovieCove catalog yet)(1990)

    Editor

  • The Beiderbecke Connection (not in the MovieCove catalog yet)(1988)

    Show 4 episodes · Editor

  • The Beiderbecke Tapes (not in the MovieCove catalog yet)(1987)

    Show 2 episodes · Editor

  • 1914 All Out (not in the MovieCove catalog yet)(1987)

    Editor

  • The Beiderbecke Affair (not in the MovieCove catalog yet)(1985)

    Show 4 episodes · Editor

Career shape

A full career of 17 titles from 1985 to 2011.

By role

only this rolewith another role
Producing1 of 17: 1 only producing, 0 with another roleEditing16 of 17: 16 only editing, 0 with another role · typical Midcredits score69th

By decade

1980s4 · crew1990s9 · crew2000s3 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do David Aspinall's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 3

Approval · how many liked their films

62ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

27thpercentile
Typical film, the median of 3

Midcredits score across 7 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • Below 25th1

Reviewers score the pacing 53/100 in their films, across 3 reviewed titles; fans 59, detractors 33. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does David Aspinall work with?

People who share at least 2 of David Aspinall's MovieCove titles, grouped by what they did on them; David Reynolds shares the most, 3.

Directors

Writers

Cinematographers

Producers