Nahit Ataman

What are Nahit Ataman's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Nahit Ataman's films?

As of October 26, 2026, none of Nahit Ataman's 10 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Nahit Ataman's titles on MovieCove; rent and buy are not counted.

Filmography

10 credits, 10 with a MovieCove page.

• 

  The Rich One's Kitchen(1988)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  Billionaire(1987)

  Producer

  Midcredits score: 91st percentile of all films91^st
• 

  Sugar Pie Lady(1983)

  Producer

  Midcredits score: 93rd percentile of all films93^rd
• 

  Feyzo, the Polite One(1978)

  Producer

  Midcredits score: 98th percentile of all films98^th
• 

  Happy Days(1978)

  Producer

  Midcredits score: 99th percentile of all films99^th
• 

  Sultan(1978)

  Producer

  Midcredits score: 87th percentile of all films87^th
• 

  Smiling Eyes(1977)

  Producer

  Midcredits score: 98th percentile of all films98^th
• 

  The Chaos Class(1975)

  Producer

  Midcredits score: 99th percentile of all films99^th
• 

  Sev Kardesim(1972)

  Producer

  Midcredits score: 65th percentile of all films65^th
• 

  Yavrum(1970)

  Producer

  Midcredits score: 26th percentile of all films26^th

Career shape

Across their 10 MovieCove titles from 1970 to 1988.

Highest rated

The Chaos Class (1975)

Midcredits 99^th

How do Nahit Ataman's films land?

Their typical MovieCove film has a Midcredits score in the 92^nd percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 89^th percentile for acclaim.

Shape of the crowd

5 of their 10 titles are Crowd Pleasers.

45

• Universally Loved4
• Crowd Pleaser5
• Mixed1

Most divisive · producer

Yavrum (1970)

53^rd percentile spread · 27% rated it 4 or lower

Most loved · producer

The Chaos Class (1975)

Midcredits 99^th · 94% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Nahit Ataman work with?

People who share at least 2 of Nahit Ataman's MovieCove titles, grouped by what they did on them; Ismail Kalkan shares the most, 8.