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Hugh Attwooll

Producer · Died April 29, 1992, aged 78 · West Ham, London, England, UK

Born
April 29, 1914
Died
April 29, 1992 (aged 78)
From
West Ham, London, England, UK
Works as
Producer
Titles
20 on MovieCove · 32 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 15% in 30 days

What are Hugh Attwooll's films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Adventure10 titlesTypical Midcredits score: 55th percentile
: browse their Adventure movies
Drama4 titlesTypical Midcredits score: 78th percentile, at or above their average across these genres
: browse their Drama movies
Action2 titlesTypical Midcredits score: 50th percentile
: browse their Action movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
45%
Morality
23%
Power
14%
Self
7%
Society
6%
Survival
3%
Ideas
2%
Justice7 titles, browse their movies with this themeFriendship4 titles, browse their movies with this themeLoyalty5 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeRomantic love4 titles, browse their movies with this themeDeception4 titles, browse their movies with this themeFreedom3 titles, browse their movies with this themeCommunity3 titles, browse their movies with this theme

What they feel like to watch

their average across 17 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 10 · Serious 7 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 11 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 5 · Charged 12 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 9 · Shifting 8 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 8 · Some laughs 6 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 10 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 13 · Engaged 4 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 17 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Thrilling
9
Tense
7
Joyful
5
Hopeful
6
Warm
4
Other
13

How their films linger

Feel-good10 titles, browse their movies with this aftertasteFun9 titles, browse their movies with this aftertasteHopeful8 titles, browse their movies with this aftertasteBittersweet5 titles, browse their movies with this aftertasteRousing2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy13
  • Bittersweet4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hugh Attwooll's films?

As of October 24, 2026, 6 of their 20 MovieCove titles stream on a subscription or free service, most on Disney+ (5).

Subscription and free streaming for Hugh Attwooll's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 20 with a MovieCove page.

  • Condorman(1981)

    Associate Producer

    Midcredits score: 36th percentile of all films

  • The Watcher in the Woods(1980)

    Associate Producer

    Midcredits score: 51st percentile of all films

  • The London Connection (not in the MovieCove catalog yet)(1979)

    Associate Producer

  • Unidentified Flying Oddball(1979)

    Producer

    Midcredits score: 20th percentile of all films

  • Candleshoe(1977)

    Associate Producer

    Midcredits score: 73rd percentile of all films

  • Born to Run (not in the MovieCove catalog yet)(1977)

    Production Supervisor

  • The Littlest Horse Thieves(1976)

    Producer

    Midcredits score: 74th percentile of all films

  • One of Our Dinosaurs Is Missing(1975)

    Associate Producer

    Midcredits score: 42nd percentile of all films

  • Diamonds on Wheels (not in the MovieCove catalog yet)(1973)

    Associate Producer

  • Kidnapped(1971)

    Producer

    Midcredits score: 51st percentile of all films

  • Jane Eyre(1970)

    Associate Producer

    Midcredits score: 60th percentile of all films

  • Guns in the Heather (not in the MovieCove catalog yet)(1969)

    Associate Producer

  • Only When I Larf(1968)

    Associate Producer

    Midcredits score: 39th percentile of all films

  • The Fighting Prince of Donegal(1966)

    Producer

    Midcredits score: 39th percentile of all films

  • The Moon-Spinners(1964)

    Associate Producer

    Midcredits score: 61st percentile of all films

  • The Horse Without a Head (not in the MovieCove catalog yet)(1964)

    Producer

  • The Three Lives of Thomasina(1963)

    Producer

    Midcredits score: 82nd percentile of all films

  • Dr. Syn, Alias the Scarecrow(1963)

    Associate Producer

    Midcredits score: 81st percentile of all films

  • In Search of the Castaways(1962)

    Associate Producer

    Midcredits score: 66th percentile of all films

  • The Prince and the Pauper(1962)

    Associate Producer

    Midcredits score: 59th percentile of all films

  • Greyfriars Bobby: The True Story of a Dog(1961)

    Producer

    Midcredits score: 83rd percentile of all films

  • Kidnapped(1960)

    Associate Producer

    Midcredits score: 63rd percentile of all films

  • High Tide at Noon (not in the MovieCove catalog yet)(1957)

    Production Manager

  • Reach for the Sky(1956)

    Production Manager

    Midcredits score: 86th percentile of all films

  • One Good Turn(1955)

    Production Manager

    Midcredits score: 64th percentile of all films

  • The Wonderful World of Disney (not in the MovieCove catalog yet)(1954)

    Show 1 episode · Associate Producer

  • Personal Affair (not in the MovieCove catalog yet)(1953)

    Production Manager

  • The Net (not in the MovieCove catalog yet)(1953)

    Production Manager

  • The Astonished Heart (not in the MovieCove catalog yet)(1950)

    Production Manager

  • Marry Me (not in the MovieCove catalog yet)(1949)

    Production Manager

  • Once Upon a Dream (not in the MovieCove catalog yet)(1949)

    Production Manager

  • My Brother's Keeper(1948)

    Assistant Director

    Midcredits score: 58th percentile of all films

Career shape

A full career of 28 titles from 1948 to 1981.

Biggest box office

The Watcher in the Woods (1980)

$5M worldwide

Highest rated

Greyfriars Bobby: The True Story of a Dog (1961)

Midcredits 83rd

Most popular right now

Dr. Syn, Alias the Scarecrow (1963)

By role

only this rolewith another role
Producing18 of 28: 18 only producing, 0 with another role · typical Midcredits score60thOther crew10 of 28: 10 only other crew, 0 with another role

By decade

1940s3 · crew1950s7 · crew1960s9 · crew1970s7 · crew1980s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Hugh Attwooll's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 20; across their 17 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 17

Approval · how many liked their films

61stpercentile
Typical film, the median of 17

Reach · how many have seen their films

62ndpercentile
Typical film, the median of 17

Midcredits score across 20 titles, by percentile

  • 75th and up4
  • 50th to 74th11
  • 25th to 49th4
  • Below 25th1

Shape of the crowd

None of their 20 titles divides audiences: 15 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser15
  • Mixed4

Most loved · producer

Greyfriars Bobby: The True Story of a Dog (1961)

Midcredits 83rd · 75% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Hugh Attwooll work with?

People who share at least 2 of Hugh Attwooll's MovieCove titles, grouped by what they did on them; Paul Beeson shares the most, 13.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers