
Dorothy Aufiero
- Producer
- 12 on MovieCove · 13 credits in all
What are Dorothy Aufiero's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 8
A split, not a type: Light 2 · Serious 2 · Dark 5
A split, not a type: Grounded 5 · Stylized 4 · Heightened 0
A split, not a type: Gentle 2 · Charged 1 · Intense 6
Steady 3 · Shifting 5 · Whiplash 1
Straight-faced 6 · Some laughs 2 · Funny 1
Slow burn 2 · Even-paced 6 · Relentless 1
Casual 3 · Engaged 4 · Full focus 2
Easy watch 2 · Affecting 4 · Heavy 3
Resolved 3 · Open-ended 4 · Ambiguous 2
Moods and endings
- Happy3
- Bittersweet2
- Tragic2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Dorothy Aufiero's films?
As of October 24, 2026, 10 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Dorothy Aufiero's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
13 credits, 12 with a MovieCove page.

Depravity(2024)
Midcredits score: 7th percentile of all films
Patriots Day(2016)
Midcredits score: 90th percentile of all films
The Finest Hours(2016)
Midcredits score: 70th percentile of all films
The Fighter(2010)
Midcredits score: 97th percentile of all films
Spartan(2004)
Midcredits score: 64th percentile of all films
Session 9(2001)
Midcredits score: 57th percentile of all films
State and Main(2000)
Midcredits score: 72nd percentile of all films
First Person (not in the MovieCove catalog yet)(2000)
Midcredits score: 92nd percentile of all films
Good Will Hunting(1997)
Midcredits score: 99th percentile of all films
Never Met Picasso(1996)
Midcredits score: 31st percentile of all films
Six Ways to Sunday(1997)
Midcredits score: 46th percentile of all films
The Good Son(1993)
Midcredits score: 58th percentile of all films
Career shape
A full career of 12 titles from 1993 to 2024.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Dorothy Aufiero's films land?
Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 12; across their 9 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up4
- 50th to 74th5
- 25th to 49th2
- Below 25th1
Shape of the crowd
8 of their 12 titles are Crowd Pleasers.
- Universally Loved2
- Universally Panned1
- Cult Classic1
- Crowd Pleaser8
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Dorothy Aufiero's work okay for kids?
Across up to 5 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Dorothy Aufiero work with?
People who share at least 2 of Dorothy Aufiero's MovieCove titles, grouped by what they did on them; David Collins shares the most, 4.
Writers
- Paul TamasyShared titles: Depravity (2024), The Finest Hours (2016), The Fighter (2010)See all 3 shared titles with Paul Tamasy

- Eric JohnsonShared titles: The Finest Hours (2016), The Fighter (2010)See all 2 shared titles with Eric Johnson
- Scott SilverShared titles: The Finest Hours (2016), The Fighter (2010)See all 2 shared titles with Scott Silver

Actors
- Mark WahlbergShared titles: Patriots Day (2016), The Fighter (2010)See all 2 shared titles with Mark Wahlberg

- Clark GreggShared titles: State and Main (2000), Six Ways to Sunday (1997)See all 2 shared titles with Clark Gregg

Composers
- Theodore ShapiroShared titles: State and Main (2000), Six Ways to Sunday (1997)See all 2 shared titles with Theodore Shapiro

Producers
- David CollinsShared titles: Session 9 (2001), Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. (1999), Six Ways to Sunday (1997), Never Met Picasso (1996)See all 4 shared titles with David Collins

- Michael WilliamsShared titles: Session 9 (2001), Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. (1999), Six Ways to Sunday (1997), Never Met Picasso (1996)See all 4 shared titles with Michael Williams

- John SlossShared titles: Session 9 (2001), Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. (1999)See all 2 shared titles with John Sloss






