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Aïlo Auguste-Judith

Editor

Works as
Editor
Titles
9 on MovieCove · 16 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 7% in 30 days

What are Aïlo Auguste-Judith's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

Themes

share of theme weight
Survival
30%
Bonds
24%
Power
19%
Ideas
11%
Self
7%
Society
6%
Morality
3%
Trauma3 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 1 · Serious 1 · Dark 6

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 1 · Heightened 2

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 2 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 5 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 8 · Some laughs 0 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 5 · Even-paced 2 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 0 · Engaged 7 · Full focus 1

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 0 · Affecting 3 · Heavy 5

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
5
Dread
4
Tense
3
Contemplative
3
Cold
1
Other
3

How their films linger

Devastating4 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet2
  • Tragic4
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Aïlo Auguste-Judith's films?

As of October 24, 2026, 4 of their 9 MovieCove titles stream on a subscription or free service, most on The Roku Channel (3).

Also on these channels

Subscription and free streaming for Aïlo Auguste-Judith's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 9 with a MovieCove page.

  • Coupable (not in the MovieCove catalog yet)(2008)

    Supervising Film Editor

  • Biguine (not in the MovieCove catalog yet)(2004)

    Editor

  • Pourquoi (pas) le Brésil(2004)

    Editor

    Midcredits score: 13th percentile of all films

  • Luminal(2004)

    Editor

    Midcredits score: 28th percentile of all films (provisional, few ratings)

  • Harrison's Flowers(2000)

    Additional Editor

    Midcredits score: 74th percentile of all films

  • The Middle Passage(2000)

    Editor

    Midcredits score: 34th percentile of all films

  • Fuck Me(2000)

    Editor

    Midcredits score: 11th percentile of all films

  • Love Me(2000)

    Editor

    Midcredits score: 26th percentile of all films

  • Genesis(1999)

    Editor

    Midcredits score: 53rd percentile of all films

  • For Sale (not in the MovieCove catalog yet)(1998)

    Editor

  • Shoot Me Angel (not in the MovieCove catalog yet)(1995)

    Editor

  • The City of Lost Children(1995)

    Sound

    Midcredits score: 92nd percentile of all films

  • The Man by the Shore (not in the MovieCove catalog yet)(1993)

    as Gisèle Jeansson

  • Lumumba: Death of a Prophet (not in the MovieCove catalog yet)(1991)

    Editor

  • Haitian Corner (not in the MovieCove catalog yet)(1988)

    Editor · as Sarah

  • Tabataba(1988)

    Editor

    Midcredits score: 49th percentile of all films (provisional, few ratings)

Career shape

A full career of 15 titles from 1988 to 2008.

Biggest box office

Harrison's Flowers (2000)

$3M worldwide

Highest rated

Harrison's Flowers (2000)

Midcredits 74th

Most popular right now

Fuck Me (2000)

By role

only this rolewith another role
Acting2 of 15: 1 only acting, 1 with another roleEditing13 of 15: 12 only editing, 1 with another role · typical Midcredits score28thOther crew1 of 15: 1 only other crew, 0 with another role

By decade

1980s1 · 1 acting · 1 crew1990s6 · 1 acting · 5 crew2000s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Aïlo Auguste-Judith's films land?

Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 29th percentile for acclaim.

Acclaim · how much people like their films

29thpercentile
Typical film, the median of 8

Approval · how many liked their films

37thpercentile
Typical film, the median of 8

Reach · how many have seen their films

34thpercentile
Typical film, the median of 8

Midcredits score across 9 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th4
  • Below 25th2

Shape of the crowd

4 of their 9 titles are Mixed.

  • Universally Loved1
  • Divisive1
  • Cult Classic2
  • Crowd Pleaser1
  • Mixed4

Most divisive · editor

Luminal (2004)

92nd percentile spread · 41% rated it 4 or lower

Most loved · editor

Harrison's Flowers (2000)

Midcredits 74th · 73% liked

Reviewers score the pacing 42/100 in their films, across 3 reviewed titles; fans 60, detractors 27. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Aïlo Auguste-Judith work with?

People who share at least 2 of Aïlo Auguste-Judith's MovieCove titles; Laetitia Masson shares the most, 2.