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Carlos Aured

Carlos Aured

Director, writer and actor

Works as
Director, writer and actor
Titles
6 on MovieCove · 32 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Up 45% in 30 days

What are Carlos Aured's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Themes

share of theme weight
Survival
48%
Morality
17%
Self
15%
Bonds
10%
Society
10%
Survival3 titles, browse their movies with this themeViolence2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 2 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 3 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 3 · Shifting 2 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 1 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 3 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Dread
4
Tense
4
Melancholic
3
Absurd
1
Hopeful
1
Other
3

How their films linger

Bittersweet4 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy1
  • Bittersweet3
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Carlos Aured's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Carlos Aured's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 6 with a MovieCove page.

  • Empusa (not in the MovieCove catalog yet)(2010)

    Director

  • Cuando España se desnudó (not in the MovieCove catalog yet)(2005)

    Actor

  • Monster Dog (not in the MovieCove catalog yet)(1988)

    Line Producer

  • The Falling (not in the MovieCove catalog yet)(1986)

    Producer

  • Caught in Fear (not in the MovieCove catalog yet)(1985)

    Director · Screenplay

  • De niña a mujer (not in the MovieCove catalog yet)(1984)

    Director

  • El hombre del pito mágico (not in the MovieCove catalog yet)(1983)

    Director · Writer

  • The Enigma of the Yacht (not in the MovieCove catalog yet)(1983)

    Director

  • Triumphs of a Man Called Horse(1983)

    Screenplay

    Midcredits score: 25th percentile of all films

  • Sex Apocalypse (not in the MovieCove catalog yet)(1982)

    Director · Writer

  • Beautiful, Blondes and Tanned(1981)

    Writer

    Midcredits score: 1st percentile of all films

  • Safari erótico (not in the MovieCove catalog yet)(1981)

    Writer

  • El fontanero, su mujer... y otras cosas de meter (not in the MovieCove catalog yet)(1981)

    Director · Writer

  • Frigid Fantasies (not in the MovieCove catalog yet)(1981)

    Director · Writer

  • ¡Susana quiere perder... eso! (not in the MovieCove catalog yet)(1977)

    Director · Writer

  • The Mummy's Revenge (not in the MovieCove catalog yet)(1975)

    Director

  • House of Psychotic Women(1974)

    Director · Screenplay

    Midcredits score: 37th percentile of all films

  • Los fríos senderos del crimen (not in the MovieCove catalog yet)(1974)

    Director

  • The Night of Fury (not in the MovieCove catalog yet)(1974)

    Director

  • Curse of the Devil(1973)

    Director

    Midcredits score: 25th percentile of all films

  • Horror Rises from the Tomb(1973)

    Director

    Midcredits score: 32nd percentile of all films

  • La casa de las Chivas (not in the MovieCove catalog yet)(1972)

    Assistant Director

  • The Werewolf Versus the Vampire Woman(1971)

    Assistant Director · as La sombra de Satán

    Midcredits score: 27th percentile of all films

  • Tirarse al monte (not in the MovieCove catalog yet)(1971)

    Assistant Director

  • Exorcism's Daughter (not in the MovieCove catalog yet)(1971)

    Assistant Director

  • Los hombres las prefieren viudas (not in the MovieCove catalog yet)(1970)

    Assistant Director

  • Long Live the Bride and Groom (not in the MovieCove catalog yet)(1970)

    Assistant Director

  • Satan's Profile (not in the MovieCove catalog yet)(1969)

    Assistant Director

  • Algunas lecciones de amor (not in the MovieCove catalog yet)(1966)

    Assistant Director

  • En Andalucía nació el amor (not in the MovieCove catalog yet)(1966)

    Production Secretary

  • Julieta engaña a Romeo (not in the MovieCove catalog yet)(1965)

    Assistant Director

  • Aquella joven de blanco (not in the MovieCove catalog yet)(1964)

    Second Assistant Director

Career shape

A full career of 32 titles from 1964 to 2010.

Biggest box office

Horror Rises from the Tomb (1973)

$245K worldwide

Highest rated

House of Psychotic Women (1974)

Midcredits 37th

Most popular right now

The Werewolf Versus the Vampire Woman (1971)

Film career

  • 1971Screen debut· The Werewolf Versus the Vampire Woman

By role

only this rolewith another role
Acting2 of 32: 1 only acting, 1 with another roleDirecting15 of 32: 8 only directing, 7 with another roleWriting10 of 32: 3 only writing, 7 with another roleProducing2 of 32: 2 only producing, 0 with another roleOther crew11 of 32: 10 only other crew, 1 with another role

32 titles, 8 with more than one role.

By decade

1960s5 · crew1970s13 · 1 acting · 13 crew1980s12 · crew2000s1 · acting2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Carlos Aured's films land?

Their typical MovieCove film has a Midcredits score in the 26th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 32nd percentile for acclaim.

Acclaim · how much people like their films

32ndpercentile
Typical film, the median of 6

Approval · how many liked their films

24thpercentile
Typical film, the median of 6

Reach · how many have seen their films

53rdpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 25th to 49th5
  • Below 25th1

Shape of the crowd

6 of their 6 titles are Mixed.

  • Mixed6

Most divisive · writer

Beautiful, Blondes and Tanned (1981)

71st percentile spread · 71% rated it 4 or lower

Most loved · director, writer

House of Psychotic Women (1974)

Midcredits 37th · 38% liked

Reviewers score the atmosphere 65/100 and the pacing 35/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Carlos Aured work with?

People who share at least 2 of Carlos Aured's MovieCove titles, grouped by what they did on them; Paul Naschy shares the most, 4.

Writers

Actors

Composers, cinematographers and editors

Producers