Stephanie Austin
- Producer
- 21 on MovieCove · 29 credits in all
What are Stephanie Austin's films like?
Across their 20 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 17
A split, not a type: Light 9 · Serious 5 · Dark 6
A split, not a type: Grounded 14 · Stylized 4 · Heightened 2
Gentle 3 · Charged 10 · Intense 7
Steady 8 · Shifting 10 · Whiplash 2
A split, not a type: Straight-faced 11 · Some laughs 7 · Funny 2
Slow burn 7 · Even-paced 7 · Relentless 6
Casual 6 · Engaged 13 · Full focus 1
Easy watch 6 · Affecting 9 · Heavy 5
Resolved 18 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy8
- Bittersweet8
- Tragic2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Stephanie Austin's films?
As of October 24, 2026, 10 of their 21 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Stephanie Austin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
29 credits, 21 with a MovieCove page; 2 appearances as themselves are hidden until asked for.
Midcredits score: 75th percentile of all films
Sahara(2005)
Midcredits score: 41st percentile of all films
Shanghai Knights(2003)
Midcredits score: 48th percentile of all films
Behind Enemy Lines(2001)
Midcredits score: 56th percentile of all films
The Long Kiss Goodnight(1996)
Midcredits score: 71st percentile of all films
True Lies(1994)
Midcredits score: 89th percentile of all films
Deadly Matrimony (not in the MovieCove catalog yet)(1992)
Midcredits score: 99th percentile of all films
Shattered Dreams(1990)
Midcredits score: 36th percentile of all films
Out on the Edge(1989)
Midcredits score: 36th percentile of all films
Naked Lie (not in the MovieCove catalog yet)(1989)
Heartbreak Hotel(1988)
Midcredits score: 32nd percentile of all films
Mistress (not in the MovieCove catalog yet)(1987)
Love Among Thieves(1987)
Midcredits score: 45th percentile of all films
Kate's Secret (not in the MovieCove catalog yet)(1986)
Midcredits score: 90th percentile of all shows
A Reason to Live (not in the MovieCove catalog yet)(1985)
Guilty Conscience(1985)
Midcredits score: 64th percentile of all films
Promises to Keep(1985)
Midcredits score: 40th percentile of all films
The Rape of Richard Beck(1985)
Midcredits score: 60th percentile of all films
For Love or Money(1984)
Midcredits score: 11th percentile of all films (provisional, few ratings)
Sweet Revenge(1984)
Midcredits score: 23rd percentile of all films
The Day After(1983)
Midcredits score: 80th percentile of all films
Intimate Agony (not in the MovieCove catalog yet)(1983)
Prototype(1983)
Midcredits score: 32nd percentile of all films
Rehearsal for Murder (not in the MovieCove catalog yet)(1982)
Take Your Best Shot(1982)
Midcredits score: 26th percentile of all films (provisional, few ratings)
The Two Lives of Carol Letner (not in the MovieCove catalog yet)(1981)
Stand by Your Man(1981)
Midcredits score: 64th percentile of all films
Career shape
A full career of 20 titles from 1981 to 2020.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Stephanie Austin's films land?
Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 20; across their 20 films with reception data, the typical film sits in the 49th percentile for acclaim.
- 75th and up5
- 50th to 74th5
- 25th to 49th9
- Below 25th2
Shape of the crowd
9 of their 21 titles are Mixed.
- Universally Loved2
- Cult Classic1
- Crowd Pleaser8
- Broadly Agreed1
- Mixed9
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Stephanie Austin's work okay for kids?
Across up to 7 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Stephanie Austin work with?
People who share at least 2 of Stephanie Austin's MovieCove titles, grouped by what they did on them; Robert A. Papazian shares the most, 10.
Directors
- David GreeneShared titles: Guilty Conscience (1985), Sweet Revenge (1984), Prototype (1983), Take Your Best Shot (1982)See all 4 shared titles with David Greene
- James CameronShared titles: True Lies (1994), Terminator 2: Judgment Day (1991)See all 2 shared titles with James Cameron
Writers
- Richard LevinsonShared titles: Guilty Conscience (1985), Prototype (1983), Take Your Best Shot (1982)See all 3 shared titles with Richard Levinson
- William LinkShared titles: Guilty Conscience (1985), Prototype (1983), Take Your Best Shot (1982)See all 3 shared titles with William Link
Actors
- Owen WilsonShared titles: Shanghai Knights (2003), Behind Enemy Lines (2001)See all 2 shared titles with Owen Wilson
- David KeithShared titles: Behind Enemy Lines (2001), Heartbreak Hotel (1988)See all 2 shared titles with David Keith
- David MorseShared titles: The Long Kiss Goodnight (1996), Prototype (1983)See all 2 shared titles with David Morse
- Arnold SchwarzeneggerShared titles: True Lies (1994), Terminator 2: Judgment Day (1991)See all 2 shared titles with Arnold Schwarzenegger
Composers, cinematographers and editors
- Parkie L. SinghShared titles: Guilty Conscience (1985), Sweet Revenge (1984), Prototype (1983), Take Your Best Shot (1982)See all 4 shared titles with Parkie L. Singh
- Billy GoldenbergShared titles: Guilty Conscience (1985), For Love or Money (1984), Prototype (1983)See all 3 shared titles with Billy Goldenberg
- Harry J. MayShared titles: For Love or Money (1984), Sweet Revenge (1984), Prototype (1983)See all 3 shared titles with Harry J. May
- Brad FiedelShared titles: True Lies (1994), Terminator 2: Judgment Day (1991)See all 2 shared titles with Brad Fiedel
Producers
- Robert A. PapazianShared titles: Love Among Thieves (1987), Guilty Conscience (1985), Promises to Keep (1985), The Rape of Richard Beck (1985), For Love or Money (1984), Sweet Revenge (1984), Prototype (1983), The Day After (1983), Take Your Best Shot (1982), Stand by Your Man (1981)See all 10 shared titles with Robert A. Papazian
- Scott ThalerShared titles: Sahara (2005), Shanghai Knights (2003)See all 2 shared titles with Scott Thaler
- Steve TischShared titles: The Long Kiss Goodnight (1996), Out on the Edge (1989)See all 2 shared titles with Steve Tisch
- James G. HirschShared titles: The Rape of Richard Beck (1985), For Love or Money (1984)See all 2 shared titles with James G. Hirsch