Marcel Aymé

What are Marcel Aymé's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marcel Aymé's films?

As of October 24, 2026, 1 of their 8 MovieCove titles stream on a subscription or free service, on Tubi (1).

• Tubi1 title, browse their movies on this service
  • The Favour, the Watch and the Very Big Fish (1991) · writer · free

Subscription and free streaming for Marcel Aymé's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

• 

  The Favour, the Watch and the Very Big Fish(1991)

  Writer

  Midcredits score: 51st percentile of all films51^st
• 

  Uranus(1990)

  Writer

  Midcredits score: 77th percentile of all films77^th
• 

  Your Money or Your Life(1966)

  Writer

  Midcredits score: 25th percentile of all films25^th
• 

  Love and the Frenchwoman(1960)

  Writer

  Midcredits score: 34th percentile of all films34^th
• 

  Le chemin des écoliers(1959)

  Writer

  Midcredits score: 57th percentile of all films57^th
• 

  The Crucible(1957)

  Writer

  Midcredits score: 81st percentile of all films81^st
• 

  The Crossing of Paris(1956)

  Writer

  Midcredits score: 90th percentile of all films90^th
• 

  Father, Mother, the Maid and I(1954)

  Writer

  Midcredits score: 63rd percentile of all films63^rd

Career shape

Across their 8 MovieCove titles from 1954 to 1991.

Biggest box office

The Crossing of Paris (1956)

$18K worldwide

Highest rated

The Crossing of Paris (1956)

Midcredits 90^th

Most popular right now

Le chemin des écoliers (1959)

How do Marcel Aymé's films land?

Their typical MovieCove film has a Midcredits score in the 60^th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 55^th percentile for acclaim.

Shape of the crowd

None of their 8 titles divides audiences: 6 are Crowd Pleasers.

611

• Crowd Pleaser6
• Broadly Agreed1
• Mixed1

Most loved · writer

The Crossing of Paris (1956)

Midcredits 90^th · 79% liked

Reviewers score the dialogue 68/100 and the plot and story 60/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Marcel Aymé work with?

People who share at least 2 of Marcel Aymé's MovieCove titles, grouped by what they did on them; Jean-Paul Le Chanois shares the most, 2.