André Bac

What are André Bac's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch André Bac's films?

As of October 24, 2026, 1 of their 6 MovieCove titles stream on a subscription or free service, on The Criterion Channel (1).

• The Criterion Channel1 title, browse their movies on this service
  • Daybreak (1939) · cinematographer

Subscription and free streaming for André Bac's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  A Killing Success(1963)

  Cinematographer

  Midcredits score: 39th percentile of all films39^th
• 

  War of the Buttons(1962)

  Cinematographer

  Midcredits score: 92nd percentile of all films92^nd
• 

  Le dialogue des Carmélites(1960)

  Cinematographer

  Midcredits score: 81st percentile of all films81^st
• 

  Chéri, fais-moi peur(1958)

  Cinematographer

  Midcredits score: 2nd percentile of all films (provisional, few ratings)~2^nd
• 

  The Seven Deadly Sins(1952)

  Cinematographer

  Midcredits score: 50th percentile of all films50^th
• 

  Daybreak(1939)

  Cinematographer

  Midcredits score: 94th percentile of all films94^th

Career shape

Across their 6 MovieCove titles from 1939 to 1963.

Biggest box office

Daybreak (1939)

$35K worldwide

Highest rated

Daybreak (1939)

Midcredits 94^th

Most popular right now

A Killing Success (1963)

How do André Bac's films land?

Their typical MovieCove film has a Midcredits score in the 66^th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 68^th percentile for acclaim.

Shape of the crowd

None of their 6 titles divides audiences: 2 are Universally Loved.

2121

• Universally Loved2
• Universally Panned1
• Crowd Pleaser2
• Broadly Agreed1

Most loved · cinematographer

Daybreak (1939)

Midcredits 94^th · 82% liked

Reviewers score the cinematography 75/100 in their films, across 4 reviewed titles; fans 77, detractors 78. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does André Bac work with?

People who share at least 2 of André Bac's MovieCove titles, grouped by what they did on them; Jacques Dufilho shares the most, 2.