Ingeborg Bachmann (25 June 1926 – 17 October 1973) was an Austrian poet and author. She is regarded as one of the major voices of German-language literature in the 20th century. In 1963, she was nominated for the Nobel Prize in Literature by German philologist Harald Patzer.
Biography from TMDB.
- June 25, 1926
- October 17, 1973 (aged 47)
- Klagenfurt, Austria
- Writer, also actor
- 3 on MovieCove · 9 credits in all
What are Ingeborg Bachmann's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Ideas.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 1 · Serious 1 · Dark 2
A split, not a type: Grounded 1 · Stylized 0 · Heightened 3
A split, not a type: Gentle 2 · Charged 1 · Intense 1
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 3 · Full focus 1
A split, not a type: Easy watch 3 · Affecting 0 · Heavy 1
Resolved 0 · Open-ended 0 · Ambiguous 4
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ingeborg Bachmann's films?
As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service, on The Criterion Channel (1).
Subscription and free streaming for Ingeborg Bachmann's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
9 credits, 3 with a MovieCove page; 2 appearances as themselves are hidden until asked for.
The Dreamed Ones (not in the MovieCove catalog yet)(2016)
Midcredits score: 66th percentile of all filmsÄgyptische Finsternis (not in the MovieCove catalog yet)(2002)
Der Prinz von Homburg (not in the MovieCove catalog yet)(1994)
Ihr glücklichen Augen (not in the MovieCove catalog yet)(1992)
Malina(1991)
Midcredits score: 65th percentile of all filmsDer Fall Franza (not in the MovieCove catalog yet)(1987)
Drei Wege zum See(1976)
Midcredits score: 54th percentile of all films
Henze: The Young Lord (Deutsche Oper Berlin) (not in the MovieCove catalog yet)(1968)
Career shape
A full career of 9 titles from 1968 to 2016.
How do Ingeborg Bachmann's films land?
Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 3; across a limited sample of 4 films with reception data, the typical film sits in the 74th percentile for acclaim.
- 50th to 74th3
Shape of the crowd
2 of their 3 titles are Crowd Pleasers.
- Divisive1
- Crowd Pleaser2
Reviewers score the plot and story 32/100 in their films, across 3 reviewed titles; fans 42, detractors 15. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ingeborg Bachmann work with?
People who share at least 2 of Ingeborg Bachmann's MovieCove titles; Franz Lustig shares the most, 2.
- Franz LustigShared titles: Anselm (2023), Poem: I Set My Foot Upon the Air and It Carried Me (2003)See all 2 shared titles with Franz Lustig
