- Producer, director and writer
- 10 on MovieCove · 14 credits in all
Known for
What are Barnet Bain's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 9
Light 4 · Serious 4 · Dark 2
A split, not a type: Grounded 6 · Stylized 3 · Heightened 1
Gentle 4 · Charged 5 · Intense 1
A split, not a type: Steady 5 · Shifting 4 · Whiplash 1
Straight-faced 7 · Some laughs 3 · Funny 0
Slow burn 7 · Even-paced 3 · Relentless 0
Casual 5 · Engaged 5 · Full focus 0
Easy watch 6 · Affecting 2 · Heavy 2
Resolved 4 · Open-ended 5 · Ambiguous 1
Moods and endings
- Happy3
- Bittersweet3
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Barnet Bain's films?
As of October 24, 2026, 5 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Barnet Bain's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 10 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Chasing Einstein(2019)
Midcredits score: 75th percentile of all films (provisional, few ratings)
Milton's Secret(2016)
Midcredits score: 51st percentile of all films
When I Was Young I Said I Would Be Happy (not in the MovieCove catalog yet)(2016)
The Lost & Found Family (not in the MovieCove catalog yet)(2009)
The Celestine Prophecy(2006)
Midcredits score: 25th percentile of all films
Midcredits score: 82nd percentile of all films
Midcredits score: 43rd percentile of all films
What Dreams May Come(1998)
Midcredits score: 80th percentile of all films
Spoiler (not in the MovieCove catalog yet)(1998)
The Journey: Absolution(1997)
Midcredits score: 1st percentile of all films
Dark Planet(1997)
Midcredits score: 2nd percentile of all films
Convict 762 (not in the MovieCove catalog yet)(1997)
Timelock(2000)
Midcredits score: 1st percentile of all films
The Conspiracy of Fear(1995)
Midcredits score: 19th percentile of all films
Career shape
A full career of 12 titles from 1996 to 2016.
Biggest box office
What Dreams May Come (1998)
Highest rated
Homeless to Harvard: The Liz Murray Story (2003)
Most popular right now
What Dreams May Come (1998)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Barnet Bain's films land?
Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 27th percentile for acclaim.
- 75th and up3
- 50th to 74th1
- 25th to 49th2
- Below 25th4
Shape of the crowd
3 of their 10 titles are Universally Panned.
- Universally Panned3
- Cult Classic2
- Crowd Pleaser3
- Mixed2
Reviewers score the atmosphere 42/100 and the pacing 34/100 in their films, across 10 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Barnet Bain work with?
People who share at least 2 of Barnet Bain's MovieCove titles, grouped by what they did on them; John Eyres shares the most, 4.
Directors
- Armand MastroianniShared titles: The Celestine Prophecy (2006), The Linda McCartney Story (2000)See all 2 shared titles with Armand Mastroianni
Writers
- J. ReifelShared titles: Timelock (2000), Dark Planet (1997)See all 2 shared titles with J. Reifel
Composers and editors
- Amanda I. KirpaulShared titles: Timelock (2000), Dark Planet (1997), The Conspiracy of Fear (1995)See all 3 shared titles with Amanda I. Kirpaul
- Marco MarinangeliShared titles: Timelock (2000), Dark Planet (1997), The Journey: Absolution (1997)See all 3 shared titles with Marco Marinangeli
- Maysie HoyShared titles: The Celestine Prophecy (2006), What Dreams May Come (1998)See all 2 shared titles with Maysie Hoy
Producers
- John EyresShared titles: Timelock (2000), Dark Planet (1997), The Journey: Absolution (1997), The Conspiracy of Fear (1995)See all 4 shared titles with John Eyres
- Stephen DeutschShared titles: Homeless to Harvard: The Liz Murray Story (2003), The Linda McCartney Story (2000), What Dreams May Come (1998)See all 3 shared titles with Stephen Deutsch
- Paul EyresShared titles: Timelock (2000), Dark Planet (1997), The Journey: Absolution (1997)See all 3 shared titles with Paul Eyres
- Tom PatriciaShared titles: Homeless to Harvard: The Liz Murray Story (2003), The Linda McCartney Story (2000)See all 2 shared titles with Tom Patricia