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Michael Baird

Producer

Works as
Producer
Titles
3 on MovieCove

What are Michael Baird's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

Themes

share of theme weight
Survival
42%
Bonds
19%
Morality
19%
Power
10%
Society
10%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 0 · Heightened 0

Gentle 0 · Charged 2 · Intense 1

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 3 · Engaged 0 · Full focus 0

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Dread
2
Melancholic
1
Romantic
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michael Baird's films?

As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Michael Baird's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

  • Dakota Incident(1956)

    Producer

    Midcredits score: 39th percentile of all films
  • Raw Edge(1956)

    Producer

    Midcredits score: 38th percentile of all films
  • Top of the World(1955)

    Producer

    Midcredits score: 32nd percentile of all films

Career shape

Across a limited sample of 3 MovieCove titles from 1955 to 1956.

By role

only this rolewith another role
Producing3 of 3: 3 only producing, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Michael Baird's films land?

Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 3

Approval · how many liked their films

33rdpercentile
Typical film, the median of 3

Reach · how many have seen their films

25thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 25th to 49th3

Shape of the crowd

None of their 3 titles divides audiences: 2 are Broadly Agreed.

  • Broadly Agreed2
  • Mixed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Michael Baird work with?

People who share at least 2 of Michael Baird's MovieCove titles; Lewis R. Foster shares the most, 2.