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Jacques Belasco

Composer · Died June 12, 1973, aged 70 · Odessa, Kherson Governorate, Russian Empire [now Ukraine]

Jacques Belasco was born on October 11, 1902 in Odessa, Kherson Governorate, Russian Empire [now Ukraine]. He was a composer, known for A Man's Head (1933), Princesse Tam-Tam (1935) and Ces messieurs de la Santé (1934). He died on June 12, 1973 in New York City, New York, USA.

Biography from TMDB.

Born
October 11, 1902
Died
June 12, 1973 (aged 70)
From
Odessa, Kherson Governorate, Russian Empire [now Ukraine]
Works as
Composer
Titles
5 on MovieCove · 13 credits in all
TMDB popularity, last 39 days to Oct 28Down 20% in 30 days

What are Jacques Belasco's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Society and Morality.

Themes

share of theme weight
Society
34%
Morality
23%
Bonds
20%
Self
8%
Power
8%
Survival
8%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 0 · Dark 3

Grounded 2 · Stylized 2 · Heightened 0

Gentle 1 · Charged 3 · Intense 0

Steady 3 · Shifting 0 · Whiplash 1

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 1

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Melancholic
2
Romantic
2
Contemplative
2
Joyful
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jacques Belasco's films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Jacques Belasco's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 5 with a MovieCove page.

  • The Giant Claw(1957)

    Composer

    Midcredits score: 11th percentile of all films
  • Joy of Living: The Art of Renoir (not in the MovieCove catalog yet)(1952)

    Composer

  • They Dare Not Love(1941)

    Composer

    Midcredits score: 40th percentile of all films
  • The Ramparts We Watch(1940)

    Composer

    Midcredits score: 48th percentile of all films (provisional, few ratings)
  • Southern Bar (not in the MovieCove catalog yet)(1938)

    Composer

  • Hatred(1938)

    Composer

    Midcredits score: 82nd percentile of all films
  • The Puritan (not in the MovieCove catalog yet)(1938)

    Composer

  • Princesse Tam-Tam(1935)

    Composer

    Midcredits score: 48th percentile of all films
  • Mountain Man (not in the MovieCove catalog yet)(1934)

    Composer

  • Ces messieurs de la Santé (not in the MovieCove catalog yet)(1934)

    Composer

  • The Bread Peddler (not in the MovieCove catalog yet)(1934)

    Composer

  • Theodore and Company (not in the MovieCove catalog yet)(1933)

    Composer

  • A Man's Head (not in the MovieCove catalog yet)(1933)

    Composer

Career shape

A full career of 11 titles from 1933 to 1957.

By role

only this rolewith another role
Music11 of 11: 11 only music, 0 with another role

By decade

1930s9 · crew1950s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Jacques Belasco's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 4

Approval · how many liked their films

43rdpercentile
Typical film, the median of 4

Reach · how many have seen their films

24thpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up1
  • 25th to 49th3
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jacques Belasco work with?

People who share at least 2 of Jacques Belasco's MovieCove titles; Albert Préjean shares the most, 2.