Erik Balling

What are Erik Balling's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Erik Balling's films?

As of October 28, 2026, none of Erik Balling's 9 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Erik Balling's titles on MovieCove; rent and buy are not counted.

Filmography

9 credits, 9 with a MovieCove page.

• 

  The Jonsson Gang's Greatest Robbery(1995)

  Writer

  Midcredits score: 16th percentile of all films16^th
• 

  The Olsen Gang Never Surrenders(1979)

  Director · Writer

  Midcredits score: 75th percentile of all films75^th
• 

  The Olsen Gang Sees Red(1976)

  Director · Writer

  Midcredits score: 94th percentile of all films94^th
• 

  The Olsen Gang on the Track(1975)

  Director · Writer

  Midcredits score: 88th percentile of all films88^th
• 

  The Last Exploits of the Olsen Gang(1974)

  Director · Writer

  Midcredits score: 83rd percentile of all films83^rd
• 

  Hændeligt uheld(1971)

  Director · Producer · Writer

  Midcredits score: 43rd percentile of all films (provisional, few ratings)~43^rd
• 

  Olsenbanden - Operasjon Egon(1969)

  Writer

  Midcredits score: 82nd percentile of all films82^nd
• 

  The Olsen Gang in a Fix(1969)

  Director · Writer

  Midcredits score: 57th percentile of all films57^th
• 

  Tre piger i Paris(1963)

  Producer

  Midcredits score: 23rd percentile of all films23^rd

Career shape

Across their 9 MovieCove titles from 1963 to 1995.

Highest rated

The Olsen Gang Sees Red (1976)

Midcredits 94^th

How do Erik Balling's films land?

Their typical MovieCove film has a Midcredits score in the 75^th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 73^rd percentile for acclaim.

Shape of the crowd

5 of their 9 titles are Crowd Pleasers.

52

• Universally Loved1
• Crowd Pleaser5
• Broadly Agreed1
• Mixed2

Most divisive · director, writer, producer

Hændeligt uheld (1971)

63^rd percentile spread · 31% rated it 4 or lower

Most loved · director, writer

The Olsen Gang Sees Red (1976)

Midcredits 94^th · 85% liked

Reviewers score the plot and story 60/100 in their films, across 3 reviewed titles; fans 62, detractors 50. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Erik Balling work with?

People who share at least 2 of Erik Balling's MovieCove titles, grouped by what they did on them; Henning Bahs shares the most, 7.