Diane Baratier
Cinematographer · Born October 25, 1963 (63) · Paris, France
- October 25, 1963 (63)
- Paris, France
- Cinematographer
- 4 on MovieCove · 26 credits in all
Known for
What are Diane Baratier's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 4 · Serious 0 · Dark 0
Grounded 3 · Stylized 1 · Heightened 0
Gentle 3 · Charged 1 · Intense 0
Steady 4 · Shifting 0 · Whiplash 0
Straight-faced 1 · Some laughs 3 · Funny 0
Slow burn 4 · Even-paced 0 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
Easy watch 4 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Diane Baratier's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (2).
Subscription and free streaming for Diane Baratier's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 4 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Animal Aimé (not in the MovieCove catalog yet)(2020)
La proposition (not in the MovieCove catalog yet)(2009)
Portrait de mon père, Jacques Baratier (not in the MovieCove catalog yet)(2009)
Arielle Dombasle au Crazy Horse (not in the MovieCove catalog yet)(2007)
Midcredits score: 59th percentile of all films
Qui de nous deux (not in the MovieCove catalog yet)(2006)
20 Nights and a Rainy Day (not in the MovieCove catalog yet)(2006)
Aux abois (not in the MovieCove catalog yet)(2005)
Le Canapé rouge (not in the MovieCove catalog yet)(2005)
Alimentation Générale (not in the MovieCove catalog yet)(2005)
Seekers of Oblivion (not in the MovieCove catalog yet)(2004)
Pas assez de volume (not in the MovieCove catalog yet)(2004)
Triple Agent (not in the MovieCove catalog yet)(2004)
Utsikt fra et vindu (not in the MovieCove catalog yet)(2003)
Satin Rouge (not in the MovieCove catalog yet)(2002)
The Lady and the Duke (not in the MovieCove catalog yet)(2001)
The Curve (not in the MovieCove catalog yet)(1999)
Autumn Tale(1998)
Midcredits score: 92nd percentile of all films
Les amis de Ninon (not in the MovieCove catalog yet)(1998)
Un dentiste exemplaire (not in the MovieCove catalog yet)(1998)
Des goûts et des couleurs (not in the MovieCove catalog yet)(1997)
A Summer's Tale(1996)
Midcredits score: 96th percentile of all films
France (not in the MovieCove catalog yet)(1996)
Les rendez-vous de Paris (not in the MovieCove catalog yet)(1995)
Rendezvous in Paris (not in the MovieCove catalog yet)(1995)
Midcredits score: 80th percentile of all films
Career shape
A full career of 26 titles from 1993 to 2020.
How do Diane Baratier's films land?
Their typical MovieCove film has a Midcredits score in the 86th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 87th percentile for acclaim.
- 75th and up3
- 50th to 74th1
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
- Mixed1
Reviewers score the cinematography 75/100 in their films, across 4 reviewed titles; fans 80, detractors 55. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Diane Baratier work with?
People who share at least 2 of Diane Baratier's MovieCove titles, grouped by what they did on them; Éric Rohmer shares the most, 4.
Directors
- Éric RohmerShared titles: The Romance of Astrea and Celadon (2007), Autumn Tale (1998), A Summer's Tale (1996), The Tree, the Mayor and the Mediatheque (1993)See all 4 shared titles with Éric Rohmer
Composers and editors
- Mary StephenShared titles: The Romance of Astrea and Celadon (2007), Autumn Tale (1998), A Summer's Tale (1996), The Tree, the Mayor and the Mediatheque (1993)See all 4 shared titles with Mary Stephen
- Sébastien ErmsShared titles: A Summer's Tale (1996), The Tree, the Mayor and the Mediatheque (1993)See all 2 shared titles with Sébastien Erms
Producers
- Françoise EtchegarayShared titles: The Romance of Astrea and Celadon (2007), Autumn Tale (1998), A Summer's Tale (1996), The Tree, the Mayor and the Mediatheque (1993)See all 4 shared titles with Françoise Etchegaray
- Margaret MénégozShared titles: Autumn Tale (1998), A Summer's Tale (1996)See all 2 shared titles with Margaret Ménégoz
