
Lynn Bari
Actor · Died November 20, 1989, aged 75 · Roanoke, Virginia, USA
From Wikipedia, the free encyclopedia Lynn Bari (born Margaret Schuyler Fisher, December 18, 1913 – November 20, 1989) was a film actress who specialized in playing sultry, statuesque man-killers in roughly 150 20th Century Fox films from the early 1930s through the 1940s. Bari was one of 14 young women "launched on the trail of film stardom" August 6, 1935, when they each received a six-month contract with 20th Century Fox after spending 18 months in the company's training school. The contracts included a studio option for renewal for as long as seven years. In most of her early films, Bari had uncredited parts usually playing receptionists or chorus girls. She struggled to find starring roles in films, but accepted any work she could get. Rare leading roles included China Girl (1942), Hello, Frisco, Hello (1943), and The Spiritualist (1948). In B movies, Lynn was usually cast as a villainess, notably Shock and Nocturne (both 1946). An exception was The Bridge of San Luis Rey (1944). During WWII, according to a survey taken of GIs, Bari was the second-most popular pinup girl after the much better-known Betty Grable. Bari's film career fizzled out in the early 1950s as she was approaching her 40th birthday, although she continued to work at a more limited pace over the next two decades, now playing matronly characters rather than temptresses. She portrayed the mother of a suicidal teenager in a 1951 drama, On the Loose, plus a number of supporting parts. Bari's last film appearance was as the mother of rebellious teenager Patty McCormack in The Young Runaways (1968) and her final TV appearances were in episodes of The Girl From U.N.C.L.E. and The FBI. She quickly took up the rising medium of television during the '50s, which began when she starred in the live television sitcom Detective's Wife, which ran during the summer of 1950, and in Boss Lady In 1955, Bari appeared in the episode "The Beautiful Miss X" of Rod Cameron's syndicated crime drama City Detective. In 1960, she played female bandit Belle Starr in the debut episode "Perilous Passage" of the NBC western series Overland Trail starring William Bendix and Doug McClure and with fellow guest star Robert J. Wilke as Cole Younger. From July–September 1952, Bari starred in her own situation comedy, Boss Lady, a summer replacement for NBC's Fireside Theater. She portrayed Gwen F. Allen, the beautiful top executive of a construction firm. Not the least of her troubles in the role was being able to hire a general manager who did not fall in love with her. Commenting on her "other woman" roles, Bari once said, "I seem to be a woman always with a gun in her purse. I'm terrified of guns. I go from one set to the other shooting people and stealing husbands!"
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Biography from TMDB.
- December 18, 1913
- November 20, 1989 (aged 75)
- Roanoke, Virginia, USA
- Actor
- 42 on Motif · 130 credits in all
What are Lynn Bari's films like?
Across their 20 Motif titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their Motif films by primary genre. The badge is the typical Motif score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 19
Light 15 · Serious 2 · Dark 3
A split, not a type: Grounded 11 · Stylized 6 · Heightened 3
Gentle 9 · Charged 10 · Intense 1
Steady 13 · Shifting 6 · Whiplash 1
A split, not a type: Straight-faced 7 · Some laughs 6 · Funny 7
Slow burn 9 · Even-paced 11 · Relentless 0
Casual 15 · Engaged 5 · Full focus 0
Easy watch 16 · Affecting 2 · Heavy 2
Resolved 18 · Open-ended 2 · Ambiguous 0
Roles they play
Usually the Shapeshifter: 2 of 8 analyzed roles.
Show the 8 rolesHide the roles
- Shapeshifteras Captain Fifi in China Girl (1942)
- Allyas Ann Riordan in The Falcon Takes Over (1942)
- Shapeshifteras Lynn Nordyke in The Night Before the Divorce (1942)
- Shadowas Bernice Croft in Hello Frisco, Hello (1943)
- Tricksteras Frances Ransom in Nocturne (1946)
- Tricksteras Nurse Elaine Jordan in Shock (1946)
- Heraldas Zee Simms in The Man from Texas (1948)
- Shadowas Harriet Blaisdell in Has Anybody Seen My Gal (1952)
Moods and endings
- Happy16
- Bittersweet3
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lynn Bari's films?
As of October 24, 2026, 7 of their 42 Motif titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Lynn Bari's titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
130 credits, 42 with a Motif page; 1 appearance as themselves is hidden until asked for.

Johnny Walker (not in the Motif catalog yet)(2015)

The Young Runaways (not in the Motif catalog yet)(1968)

The Girl from U.N.C.L.E.(1966)
Motif score: 29th percentile of all shows
The F.B.I. (not in the Motif catalog yet)(1965)

Six Gun Law (not in the Motif catalog yet)(1962)

Trauma (not in the Motif catalog yet)(1962)

Everglades (not in the Motif catalog yet)(1961)

The New Breed (not in the Motif catalog yet)(1961)

Ben Casey (not in the Motif catalog yet)(1961)

Michael Shayne (not in the Motif catalog yet)(1960)

The Aquanauts (not in the Motif catalog yet)(1960)

Law of the Plainsman (not in the Motif catalog yet)(1959)

Bronco (not in the Motif catalog yet)(1958)

Damn Citizen (not in the Motif catalog yet)(1958)

Perry Mason(1957)
Motif score: 96th percentile of all shows
The Women of Pitcairn Island (not in the Motif catalog yet)(1956)

Science Fiction Theatre (not in the Motif catalog yet)(1955)
Motif score: 63rd percentile of all films
Climax! (not in the Motif catalog yet)(1954)

Studio 57 (not in the Motif catalog yet)(1954)

Francis Joins the WACS(1954)
Motif score: 54th percentile of all films
City Detective (not in the Motif catalog yet)(1953)

Boss Lady (not in the Motif catalog yet)(1952)

Has Anybody Seen My Gal(1952)
Motif score: 84th percentile of all films
I Dream of Jeanie(1952)
Motif score: 19th percentile of all films
On the Loose (not in the Motif catalog yet)(1951)

Sunny Side of the Street (not in the Motif catalog yet)(1951)

I'd Climb the Highest Mountain (not in the Motif catalog yet)(1951)
Lux Video Theatre (not in the Motif catalog yet)(1950)
Detective's Wife (not in the Motif catalog yet)(1950)

The Kid from Cleveland (not in the Motif catalog yet)(1949)

The Amazing Mr. X(1948)
Motif score: 56th percentile of all films
The Man from Texas(1948)
Motif score: 27th percentile of all films
Nocturne(1946)
Motif score: 60th percentile of all films
Margie (not in the Motif catalog yet)(1946)

Home Sweet Homicide (not in the Motif catalog yet)(1946)

Shock(1946)
Motif score: 49th percentile of all films
Captain Eddie (not in the Motif catalog yet)(1945)

Sweet and Low-Down (not in the Motif catalog yet)(1944)

Take It or Leave It (not in the Motif catalog yet)(1944)

Tampico (not in the Motif catalog yet)(1944)

The Bridge of San Luis Rey (not in the Motif catalog yet)(1944)

Hello Frisco, Hello(1943)
Motif score: 60th percentile of all films
China Girl(1942)
Motif score: 44th percentile of all films
Orchestra Wives (not in the Motif catalog yet)(1942)

The Magnificent Dope (not in the Motif catalog yet)(1942)

The Falcon Takes Over(1942)
Motif score: 56th percentile of all films
Secret Agent of Japan (not in the Motif catalog yet)(1942)
Motif score: 24th percentile of all films
The Perfect Snob (not in the Motif catalog yet)(1941)

Moon Over Her Shoulder (not in the Motif catalog yet)(1941)

We Go Fast (not in the Motif catalog yet)(1941)

Sun Valley Serenade(1941)
Motif score: 80th percentile of all films
Blood and Sand(1941)
Motif score: 72nd percentile of all films
Sleepers West (not in the Motif catalog yet)(1941)

Charter Pilot (not in the Motif catalog yet)(1940)

Kit Carson(1940)
Motif score: 56th percentile of all films
Pier 13 (not in the Motif catalog yet)(1940)

Earthbound (not in the Motif catalog yet)(1940)

Lillian Russell(1940)
Motif score: 60th percentile of all films
Free, Blonde and 21 (not in the Motif catalog yet)(1940)

City of Chance (not in the Motif catalog yet)(1940)

City in Darkness (not in the Motif catalog yet)(1939)

Pack Up Your Troubles(1939)
Motif score: 30th percentile of all films
Hollywood Cavalcade (not in the Motif catalog yet)(1939)

Hotel for Women (not in the Motif catalog yet)(1939)

News Is Made at Night (not in the Motif catalog yet)(1939)

Chasing Danger (not in the Motif catalog yet)(1939)

The Return of the Cisco Kid (not in the Motif catalog yet)(1939)

Pardon Our Nerve (not in the Motif catalog yet)(1939)

Sharpshooters (not in the Motif catalog yet)(1938)

Meet the Girls (not in the Motif catalog yet)(1938)

I'll Give a Million(1938)
Motif score: 65th percentile of all films
Always Goodbye (not in the Motif catalog yet)(1938)

Speed to Burn (not in the Motif catalog yet)(1938)

Josette (not in the Motif catalog yet)(1938)

Battle of Broadway (not in the Motif catalog yet)(1938)

Mr. Moto's Gamble(1938)
Motif score: 64th percentile of all films
Walking Down Broadway (not in the Motif catalog yet)(1938)
Motif score: 61st percentile of all films
City Girl (not in the Motif catalog yet)(1938)

Love and Hisses (not in the Motif catalog yet)(1937)

Lancer Spy (not in the Motif catalog yet)(1937)

Wife, Doctor and Nurse (not in the Motif catalog yet)(1937)
Motif score: 53rd percentile of all films
She Had to Eat(1937)
Motif score: 55th percentile of all films (provisional, few ratings)
This Is My Affair(1937)
Motif score: 66th percentile of all films
Café Metropole (not in the Motif catalog yet)(1937)

Fair Warning (not in the Motif catalog yet)(1937)

Love Is News(1937)
Motif score: 78th percentile of all films
On the Avenue (not in the Motif catalog yet)(1937)

Time Out for Romance(1937)
Motif score: 18th percentile of all films (provisional, few ratings)
Woman-Wise(1937)
Motif score: 81st percentile of all films (provisional, few ratings)
Crack-Up (not in the Motif catalog yet)(1936)

Under Your Spell (not in the Motif catalog yet)(1936)

Pigskin Parade(1936)
Motif score: 42nd percentile of all films
Ladies in Love (not in the Motif catalog yet)(1936)

Sing, Baby, Sing(1936)
Motif score: 28th percentile of all films
36 Hours to Kill(1936)
Motif score: 37th percentile of all films
Private Number (not in the Motif catalog yet)(1936)

Everybody's Old Man(1936)
Motif score: 48th percentile of all films (provisional, few ratings)
My Marriage(1936)
Motif score: 14th percentile of all films (provisional, few ratings)
King of Burlesque(1936)
Motif score: 43rd percentile of all films
Professional Soldier (not in the Motif catalog yet)(1935)

Show Them No Mercy! (not in the Motif catalog yet)(1935)

Pirate Party on Catalina Isle (not in the Motif catalog yet)(1935)

Thanks a Million (not in the Motif catalog yet)(1935)

Music Is Magic (not in the Motif catalog yet)(1935)

Way Down East (not in the Motif catalog yet)(1935)

The Gay Deception(1935)
Motif score: 71st percentile of all films
Redheads on Parade (not in the Motif catalog yet)(1935)

The Daring Young Man(1935)
Motif score: 38th percentile of all films (provisional, few ratings)
Doubting Thomas (not in the Motif catalog yet)(1935)

Spring Tonic (not in the Motif catalog yet)(1935)

$10 Raise (not in the Motif catalog yet)(1935)

George White's 1935 Scandals (not in the Motif catalog yet)(1935)

Under Pressure(1935)
Motif score: 49th percentile of all films
Charlie Chan in Paris(1935)
Motif score: 81st percentile of all films
Caravan (not in the Motif catalog yet)(1934)

Music in the Air(1934)
Motif score: 63rd percentile of all films
365 Nights in Hollywood(1934)
Motif score: 27th percentile of all films
Handy Andy (not in the Motif catalog yet)(1934)

Stand Up and Cheer!(1934)
Motif score: 27th percentile of all films
Bottoms Up (not in the Motif catalog yet)(1934)

Coming Out Party (not in the Motif catalog yet)(1934)

David Harum (not in the Motif catalog yet)(1934)

Search for Beauty (not in the Motif catalog yet)(1934)

I Am Suzanne! (not in the Motif catalog yet)(1933)

Dancing Lady(1933)
Motif score: 73rd percentile of all films
Meet the Baron (not in the Motif catalog yet)(1933)
Career shape
Star power in the 91st percentile of 239,109 people with a billed film role, over a full career of 130 titles from 1933 to 2015.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Motif score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Lynn Bari's films land?
Their typical Motif film has a Motif score in the 56th percentile, the median of all 40; across their 20 films with reception data, the typical film sits in the 58th percentile for acclaim.
- 75th and up6
- 50th to 74th18
- 25th to 49th14
- Below 25th4
Shape of the crowd
21 of their 42 titles are Crowd Pleasers.
- Universally Loved2
- Divisive2
- Crowd Pleaser21
- Broadly Agreed6
- Mixed11
Reviewers score the acting 65/100 in their films, across 20 reviewed titles; fans 74, detractors 42. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Lynn Bari work with?
People who share at least 2 of Lynn Bari's Motif titles, grouped by what they did on them; David Buttolph shares the most, 5.
Directors
- H. Bruce HumberstoneShared titles: Hello Frisco, Hello (1943), Sun Valley Serenade (1941), Pack Up Your Troubles (1939)See all 3 shared titles with H. Bruce Humberstone

- Walter LangShared titles: I'll Give a Million (1938), The Baroness and the Butler (1938)See all 2 shared titles with Walter Lang

Writers
- Milton SperlingShared titles: Hello Frisco, Hello (1943), Sun Valley Serenade (1941), I'll Give a Million (1938)See all 3 shared titles with Milton Sperling
- Frank FentonShared titles: Nocturne (1946), The Falcon Takes Over (1942)See all 2 shared titles with Frank Fenton
- Helen LoganShared titles: Hello Frisco, Hello (1943), Sun Valley Serenade (1941)See all 2 shared titles with Helen Logan
- Robert EllisShared titles: Hello Frisco, Hello (1943), Sun Valley Serenade (1941)See all 2 shared titles with Robert Ellis

Actors
- Ward BondShared titles: Hello Frisco, Hello (1943), The Falcon Takes Over (1942), Kit Carson (1940)See all 3 shared titles with Ward Bond

- Maxie RosenbloomShared titles: Abbott and Costello Meet the Keystone Kops (1955), Mr. Moto's Gamble (1938)See all 2 shared titles with Maxie Rosenbloom

- Reed HadleyShared titles: The Man from Texas (1948), Shock (1946)See all 2 shared titles with Reed Hadley

- Turhan BeyShared titles: The Amazing Mr. X (1948), The Falcon Takes Over (1942)See all 2 shared titles with Turhan Bey

Composers, cinematographers and editors
- David ButtolphShared titles: Shock (1946), Hello Frisco, Hello (1943), Blood and Sand (1941), Sun Valley Serenade (1941), Lillian Russell (1940)See all 5 shared titles with David Buttolph

- Cyril J. MockridgeShared titles: The Night Before the Divorce (1942), Sun Valley Serenade (1941), Lillian Russell (1940), I'll Give a Million (1938)See all 4 shared titles with Cyril J. Mockridge
- Nick DeMaggioShared titles: The Night Before the Divorce (1942), Pack Up Your Troubles (1939), Mr. Moto's Gamble (1938)See all 3 shared titles with Nick DeMaggio
- Lucien N. AndriotShared titles: Pack Up Your Troubles (1939), I'll Give a Million (1938), Mr. Moto's Gamble (1938)See all 3 shared titles with Lucien N. Andriot
Producers
- Darryl F. ZanuckShared titles: China Girl (1942), Blood and Sand (1941), Sun Valley Serenade (1941), Lillian Russell (1940), I'll Give a Million (1938)See all 5 shared titles with Darryl F. Zanuck

- Ted RichmondShared titles: Francis Joins the WACS (1954), Has Anybody Seen My Gal (1952)See all 2 shared titles with Ted Richmond

- William GoetzShared titles: Hello Frisco, Hello (1943), China Girl (1942)See all 2 shared titles with William Goetz

- John StoneShared titles: Pack Up Your Troubles (1939), Mr. Moto's Gamble (1938)See all 2 shared titles with John Stone


