Edward B. Barison

What are Edward B. Barison's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Ideas.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Edward B. Barison's films?

As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service.

• HBO Max1 title, browse their movies on this service
  • Godzilla (1957) · producer
• Prime Video1 title, browse their movies on this service
  • The Golden Mistress (1954) · producer
• The Criterion Channel1 title, browse their movies on this service
  • Godzilla: King of the Monsters! (1956) · producer
• Tubi1 title, browse their movies on this service
  • The Golden Mistress (1954) · producer · free

Subscription and free streaming for Edward B. Barison's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  Godzilla(1977)

  Producer

  Midcredits score: 37th percentile of all films37^th
• 

  Live Fast, Die Young(1958)

  Producer

  Midcredits score: 27th percentile of all films27^th
• 

  Godzilla(1957)

  Producer

  Midcredits score: 76th percentile of all films76^th
• 

  Curucu, Beast of the Amazon(1956)

  Producer

  Midcredits score: 4th percentile of all films4^th
• 

  Godzilla: King of the Monsters!(1956)

  Producer

  Midcredits score: 54th percentile of all films54^th
• 

  The Golden Mistress(1954)

  Producer

  Midcredits score: 7th percentile of all films7^th

Career shape

Across their 6 MovieCove titles from 1954 to 1977.

Highest rated

Godzilla: King of the Monsters! (1956)

Midcredits 54^th

How do Edward B. Barison's films land?

Their typical MovieCove film has a Midcredits score in the 32^nd percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 36^th percentile for acclaim.

Shape of the crowd

2 of their 6 titles are Crowd Pleasers.

1122

• Universally Panned1
• Cult Classic1
• Crowd Pleaser2
• Mixed2

Most divisive · producer

Godzilla (1977)

74^th percentile spread · 30% rated it 4 or lower

Most loved · producer

Godzilla (1957)

Midcredits 76^th · 69% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Edward B. Barison work with?

People who share at least 2 of Edward B. Barison's MovieCove titles, grouped by what they did on them; Harry Rybnick shares the most, 6.