- Producer, also actor
- 10 on MovieCove · 17 credits in all
Known for
What are Alan Barnette's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 9
A split, not a type: Light 5 · Serious 2 · Dark 4
Grounded 8 · Stylized 3 · Heightened 0
Gentle 1 · Charged 7 · Intense 3
Steady 4 · Shifting 7 · Whiplash 0
Straight-faced 6 · Some laughs 4 · Funny 1
Slow burn 2 · Even-paced 9 · Relentless 0
Casual 2 · Engaged 7 · Full focus 2
Easy watch 4 · Affecting 4 · Heavy 3
Resolved 7 · Open-ended 4 · Ambiguous 0
Moods and endings
- Happy7
- Bittersweet3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alan Barnette's films?
As of October 24, 2026, 2 of their 10 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Alan Barnette's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
17 credits, 10 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Hitchcock(2012)
Midcredits score: 70th percentile of all films
Faith of My Fathers(2005)
Midcredits score: 51st percentile of all films
Seeing Double (not in the MovieCove catalog yet)(2003)

Love and Treason (not in the MovieCove catalog yet)(2001)

Resurrection (not in the MovieCove catalog yet)(1999)

The Devil's Child(1997)
Midcredits score: 5th percentile of all films
Midcredits score: 37th percentile of all films
The Man Who Wouldn't Die(1994)
Midcredits score: 27th percentile of all films
Blindsided(1993)
Midcredits score: 9th percentile of all films
The Broken Cord (not in the MovieCove catalog yet)(1992)

White Lie (not in the MovieCove catalog yet)(1991)

Red Wind (not in the MovieCove catalog yet)(1991)

Murder 101(1991)
Midcredits score: 53rd percentile of all films
Midcredits score: 53rd percentile of all films
Curiosity Kills (not in the MovieCove catalog yet)(1990)

Off Limits(1988)
Midcredits score: 47th percentile of all films
Nightmares(1983)
Midcredits score: 29th percentile of all films
Career shape
A full career of 15 titles from 1983 to 2012.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Alan Barnette's films land?
Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 10; across their 11 films with reception data, the typical film sits in the 47th percentile for acclaim.
- 50th to 74th4
- 25th to 49th4
- Below 25th2
Shape of the crowd
4 of their 10 titles are Mixed.
- Universally Panned1
- Crowd Pleaser3
- Broadly Agreed2
- Mixed4
Reviewers score the acting 70/100 in their films, across 9 reviewed titles; fans 78, detractors 51. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alan Barnette work with?
People who share at least 2 of Alan Barnette's MovieCove titles, grouped by what they did on them; Mychelle Deschamps shares the most, 3.
Directors
- Bill CondonShared titles: The Man Who Wouldn't Die (1994), Murder 101 (1991)See all 2 shared titles with Bill Condon

Writers
- Christopher CroweShared titles: Off Limits (1988), Nightmares (1983)See all 2 shared titles with Christopher Crowe
Actors
- Scott GlennShared titles: Faith of My Fathers (2005), Off Limits (1988)See all 2 shared titles with Scott Glenn

- Antoni CoroneShared titles: Murder 101 (1991), Somebody Has to Shoot the Picture (1990)See all 2 shared titles with Antoni Corone

Composers, cinematographers and editors
- Stephen M. KatzShared titles: The Man Who Wouldn't Die (1994), Murder 101 (1991)See all 2 shared titles with Stephen M. Katz

- Douglas IboldShared titles: Blindsided (1993), Off Limits (1988)See all 2 shared titles with Douglas Ibold

- James Newton HowardShared titles: Somebody Has to Shoot the Picture (1990), Off Limits (1988)See all 2 shared titles with James Newton Howard

Producers
- Mychelle DeschampsShared titles: The Man Who Wouldn't Die (1994), Blindsided (1993), Somebody Has to Shoot the Picture (1990)See all 3 shared titles with Mychelle Deschamps
- Oscar L. CostoShared titles: Blindsided (1993), Murder 101 (1991), Somebody Has to Shoot the Picture (1990)See all 3 shared titles with Oscar L. Costo
- Alex BeatonShared titles: The Man Who Wouldn't Die (1994), Nightmares (1983)See all 2 shared titles with Alex Beaton
Mixed roles
- Jack ThibeauShared titles: Murder 101 (1991), Off Limits (1988)See all 2 shared titles with Jack Thibeau


