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Fred Baron

Producer

Works as
Producer
Titles
6 on MovieCove · 9 credits in all
TMDB popularity, last 37 days to Oct 26Down 28% in 30 days

What are Fred Baron's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 1 · Stylized 1 · Heightened 1

Gentle 1 · Charged 1 · Intense 1

A split, not a type: Steady 1 · Shifting 0 · Whiplash 2

Straight-faced 0 · Some laughs 3 · Funny 0

Slow burn 0 · Even-paced 3 · Relentless 0

Casual 3 · Engaged 0 · Full focus 0

A split, not a type: Easy watch 1 · Affecting 0 · Heavy 2

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Romantic
2
Contemplative
1
Joyful
1
Warm
1
Tense
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Fred Baron's films?

As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Fred Baron's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 6 with a MovieCove page.

  • Who Is Gil Scott-Heron? (not in the MovieCove catalog yet)(2015)

    Actor

  • Kingdom of Heaven(2005)

    Production Executive

    Midcredits score: 89th percentile of all films
  • Moulin Rouge!(2001)

    Producer

    Midcredits score: 92nd percentile of all films
  • Tales from the Crypt(1989)

    Show 1 episode · Co-Producer

    Midcredits score: 90th percentile of all shows
  • The Roommate (not in the MovieCove catalog yet)(1989)

    Producer

  • Baja Oklahoma(1988)

    Associate Producer

    Midcredits score: 35th percentile of all films
  • Laguna Heat (not in the MovieCove catalog yet)(1987)

    Associate Producer

  • Weeds(1987)

    Associate Producer

    Midcredits score: 44th percentile of all films
  • Cat People(1982)

    Location Manager

    Midcredits score: 48th percentile of all films

Career shape

A full career of 9 titles from 1982 to 2015.

By role

only this rolewith another role
Acting1 of 9: 1 only acting, 0 with another roleProducing6 of 9: 6 only producing, 0 with another roleOther crew2 of 9: 2 only other crew, 0 with another role

By decade

1980s6 · crew2000s2 · crew2010s1 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Fred Baron's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 5; across a limited sample of 3 films with reception data, the typical film sits in the 49th percentile for acclaim.

Acclaim · how much people like their films

49thpercentile
Typical film, the median of 3

Approval · how many liked their films

39thpercentile
Typical film, the median of 3

Reach · how many have seen their films

56thpercentile
Typical film, the median of 3

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 25th to 49th3

Shape of the crowd

2 of their 6 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.