Ed Barreveld
- Producer
- 7 on MovieCove · 21 credits in all
What are Ed Barreveld's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 3 · Serious 3 · Dark 1
Grounded 6 · Stylized 1 · Heightened 0
Gentle 3 · Charged 3 · Intense 1
Steady 6 · Shifting 1 · Whiplash 0
Straight-faced 5 · Some laughs 2 · Funny 0
Slow burn 5 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 4 · Full focus 1
Easy watch 5 · Affecting 2 · Heavy 0
Resolved 5 · Open-ended 1 · Ambiguous 1
Moods and endings
- Bittersweet4
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ed Barreveld's films?
As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Ed Barreveld's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 7 with a MovieCove page.

The Theft(2026)

The Disappearance of Miss Scott (not in the MovieCove catalog yet)(2025)

Harkness (not in the MovieCove catalog yet)(2024)

Queen of the Deuce(2022)
Midcredits score: 73rd percentile of all films
Coven(2023)
Midcredits score: 19th percentile of all films (provisional, few ratings)
The Face of Anonymous(2021)
Midcredits score: 48th percentile of all films (provisional, few ratings)Thirty Eight Minutes (not in the MovieCove catalog yet)(2021)
Love Letters from Everest (not in the MovieCove catalog yet)(2019)

Take Light(2018)
Midcredits score: 72nd percentile of all films (provisional, few ratings)
Dolphin Man(2017)
Midcredits score: 83rd percentile of all films
League of Exotique Dancers (not in the MovieCove catalog yet)(2015)

The Real Sherlock Holmes (not in the MovieCove catalog yet)(2012)

The World Before Her (not in the MovieCove catalog yet)(2012)
Lone Twin (not in the MovieCove catalog yet)(2012)
Midcredits score: 91st percentile of all filmsThe Market (not in the MovieCove catalog yet)(2011)
Tiger Spirit (not in the MovieCove catalog yet)(2008)
Bruce and Me (not in the MovieCove catalog yet)(2004)
A Whale of a Tale (not in the MovieCove catalog yet)(2004)

Shipbreakers (not in the MovieCove catalog yet)(2004)

Quest For The Lost Tribes (not in the MovieCove catalog yet)(2003)
Career shape
A full career of 18 titles from 2003 to 2025.
How do Ed Barreveld's films land?
Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of the 6 of 7 with a score; across their 6 films with reception data, the typical film sits in the 79th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th1
- Below 25th1
Shape of the crowd
2 of their 6 titles are Divisive.
- Universally Loved1
- Divisive2
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ed Barreveld work with?
People who share at least 2 of Ed Barreveld's MovieCove titles, grouped by what they did on them; Ken Myhr shares the most, 4.
Composers, cinematographers and editors
- Ken MyhrShared titles: Coven (2023), Queen of the Deuce (2022), The Face of Anonymous (2021), The Real Inglorious Bastards (2012)See all 4 shared titles with Ken Myhr
- Patrick McGowanShared titles: Coven (2023), Queen of the Deuce (2022), The Face of Anonymous (2021)See all 3 shared titles with Patrick McGowan
- Rob RuzicShared titles: Coven (2023), Queen of the Deuce (2022), The Face of Anonymous (2021)See all 3 shared titles with Rob Ruzic
- David KazalaShared titles: Dolphin Man (2017), The Real Inglorious Bastards (2012)See all 2 shared titles with David Kazala
Producers
- Shasha NakhaiShared titles: The Face of Anonymous (2021), Take Light (2018)See all 2 shared titles with Shasha Nakhai
