
Tall, gaunt, rawboned character actor with deep voice, reminiscent of John Carradine. Formal education at Morris Harvey College in Charleston, West Virginia and as Theater Arts major at UCLA. Professional training at American Academy of Dramatic Arts in New York City, and at Max Reinhardt Workshop in Los Angeles. Before attacking Hollywood, he spent several years working in regional theaters from one end of the US to the other, and had built an impressive resume of glowing reviews of his performances in such roles as "Cyrano de Bergerac", "Abe Lincoln in Illinois", "Sir Thomas More" in "A Man For All Seasons", "Henry Drummond" in "Inherit The Wind", "Richard III" and the like, but he was never offered such lofty challenges in films or television. Still, he didn't languish, but instead relished every chance he was given to play for the camera, whether in a quality major studio production or the cheesiest of no-budget fly-by-night productions. When he wasn't acting, he uncovered his typewriter and cranked out teleplays and movie scripts. Perhaps his best-remembered television script was his first, a lighthearted comedy episode of the Bonanza (1959) series, titled Bonanza: Hoss and the Leprechauns (1963). As a writer, he drifted into adapting English-dubbing scripts of foreign films. American producers began buying successful Japanese animated series and dubbing them into English, and Barron was a pioneer in that industry, which grew rapidly and enormously. He became executive director and story editor for "Saban Productions", which in the course of five years became one of the largest producers of children's programming in the world, with such shows as X-Men: The Animated Series (1992) and Mighty Morphin Power Rangers (1993).
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Biography from TMDB.
- December 26, 1932
- December 1, 2000 (aged 67)
- Charleston, West Virginia, USA
- Actor and writer, also director
- 22 on MovieCove · 42 credits in all
What are Robert V. Barron's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 2 · Earnest 6
Light 5 · Serious 4 · Dark 1
A split, not a type: Grounded 4 · Stylized 2 · Heightened 4
A split, not a type: Gentle 5 · Charged 4 · Intense 1
A split, not a type: Steady 5 · Shifting 3 · Whiplash 2
A split, not a type: Straight-faced 4 · Some laughs 1 · Funny 5
Slow burn 6 · Even-paced 4 · Relentless 0
Casual 8 · Engaged 2 · Full focus 0
Easy watch 8 · Affecting 1 · Heavy 1
Resolved 10 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy6
- Bittersweet3
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert V. Barron's films?
As of October 24, 2026, 11 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Robert V. Barron's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
42 credits, 22 with a MovieCove page.
Midcredits score: 41st percentile of all films
A Dangerous Place(1994)
Midcredits score: 31st percentile of all films
Jin Jin and the Panda Patrol (not in the MovieCove catalog yet)(1994)

A Christmas Adventure (not in the MovieCove catalog yet)(1991)
Midcredits score: 18th percentile of all films
Thanksgiving Day (not in the MovieCove catalog yet)(1990)

Quantum Leap(1989)
Midcredits score: 94th percentile of all shows
Midcredits score: 80th percentile of all films
The Brave Frog (not in the MovieCove catalog yet)(1989)
Midcredits score: 20th percentile of all films (provisional, few ratings)
The Spring (not in the MovieCove catalog yet)(1989)

Perfect Victims (not in the MovieCove catalog yet)(1988)

Daddy's Boys (not in the MovieCove catalog yet)(1988)

The Big Turnaround (not in the MovieCove catalog yet)(1988)

Disorderlies(1987)
Midcredits score: 25th percentile of all films
L.A. Law(1986)
Midcredits score: 56th percentile of all shows
Robotech: The Movie (not in the MovieCove catalog yet)(1986)

The Supernaturals (not in the MovieCove catalog yet)(1986)

Macron 1 (not in the MovieCove catalog yet)(1986)

Amazing Stories(1985)
Midcredits score: 69th percentile of all shows
Wildside (not in the MovieCove catalog yet)(1985)

Robotech(1985)
Midcredits score: 95th percentile of all shows
Codename: Robotech (not in the MovieCove catalog yet)(1985)

Night Court(1984)
Midcredits score: 81st percentile of all shows
Macross: Boobytrap(1984)
Midcredits score: 83rd percentile of all films (provisional, few ratings)
A Minor Miracle (not in the MovieCove catalog yet)(1983)

Honkytonk Man(1982)
Midcredits score: 65th percentile of all films
Eating Raoul(1982)
Midcredits score: 73rd percentile of all films
Falcon Crest(1981)
Midcredits score: 17th percentile of all shows
Monster of Frankenstein(1981)
Midcredits score: 46th percentile of all films
The Private Eyes(1980)
Midcredits score: 66th percentile of all films
Dracula(1980)
Midcredits score: 24th percentile of all films
Detective School (not in the MovieCove catalog yet)(1979)

MacArthur(1977)
Midcredits score: 62nd percentile of all films
The Road Hustlers (not in the MovieCove catalog yet)(1968)

Mannix(1967)
Midcredits score: 71st percentile of all shows
Judd, for the Defense (not in the MovieCove catalog yet)(1967)

Tammy and the Millionaire (not in the MovieCove catalog yet)(1967)
Midcredits score: 6th percentile of all films
Las Vegas Hillbillys(1966)
Midcredits score: 11th percentile of all films
The Wild Wild West (not in the MovieCove catalog yet)(1965)

The Virginian (not in the MovieCove catalog yet)(1962)
Career shape
Star power in the 73rd percentile of 239,109 people with a billed film role, over a full career of 39 titles from 1962 to 1994; peak year 1989.
Film career
Peak 1989 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1980Screen debut· The Private Eyes
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Robert V. Barron's films land?
Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 15; across their 10 films with reception data, the typical film sits in the 40th percentile for acclaim.
- 75th and up5
- 50th to 74th7
- 25th to 49th4
- Below 25th6
Shape of the crowd
9 of their 22 titles are Crowd Pleasers.
- Universally Loved2
- Universally Panned1
- Divisive1
- Cult Classic2
- Crowd Pleaser9
- Mixed7
Reviewers score the acting 51/100 in their films, across 8 reviewed titles; fans 65, detractors 27. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Robert V. Barron work with?
People who share at least 2 of Robert V. Barron's MovieCove titles, grouped by what they did on them; Carl Macek shares the most, 3.
Directors
- Ippei KuriShared titles: Robotech (1985), Macross: Boobytrap (1984)See all 2 shared titles with Ippei Kuri

Writers
- Carl MacekShared titles: Robotech: Love Live Alive (2013), Robotech (1985), Macross: Boobytrap (1984)See all 3 shared titles with Carl Macek

- Greg FinleyShared titles: Robotech: Love Live Alive (2013), Robotech (1985), Macross: Boobytrap (1984)See all 3 shared titles with Greg Finley

- Jason KlassiShared titles: Robotech: Love Live Alive (2013), Robotech (1985), Macross: Boobytrap (1984)See all 3 shared titles with Jason Klassi

- Steve KramerShared titles: Robotech: Love Live Alive (2013), Robotech (1985), Macross: Boobytrap (1984)See all 3 shared titles with Steve Kramer

Actors
- Theodore LehmannShared titles: Macross: Boobytrap (1984), Cottonpickin' Chickenpickers (1967), Las Vegas Hillbillys (1966)See all 3 shared titles with Theodore Lehmann
- Tom WynerShared titles: Robotech: Love Live Alive (2013), Robotech (1985), Monster of Frankenstein (1981)See all 3 shared titles with Tom Wyner

- Alexandra KenworthyShared titles: Robotech: Love Live Alive (2013), Robotech (1985)See all 2 shared titles with Alexandra Kenworthy

- Barbara GoodsonShared titles: Robotech: Love Live Alive (2013), Robotech (1985)See all 2 shared titles with Barbara Goodson

Composers
- Arlon OberShared titles: Robotech: Love Live Alive (2013), Robotech (1985)See all 2 shared titles with Arlon Ober
- Ulpio MinucciShared titles: Robotech: Love Live Alive (2013), Robotech (1985)See all 2 shared titles with Ulpio Minucci
Producers
- Kenji YoshidaShared titles: Robotech: Love Live Alive (2013), Robotech (1985), Macross: Boobytrap (1984)See all 3 shared titles with Kenji Yoshida
- Takeyuki SuzukiShared titles: Monster of Frankenstein (1981), Dracula (1980)See all 2 shared titles with Takeyuki Suzuki
- Yoshiaki KoizumiShared titles: Monster of Frankenstein (1981), Dracula (1980)See all 2 shared titles with Yoshiaki Koizumi
