Skip to content
MovieCove
Peter Bart

Peter Bart

Producer, writer and actor · Born July 24, 1932 (94) · Manhattan, New York City, New York, USA

Peter moved to Deadline in 2016 from his longtime home at Variety, where he had been a fixture since 1989 as that trade's Editor-In Chief. He began his career as a staff reporter for The Wall Street Journal and The New York Times before his entry into the movie business, becoming Vice President for Production at Paramount. At that studio, he played a key role in such films as The Godfather, Rosemary's Baby and Harold & Maude. He later served as Senior Vice President for Production at MGM and, later, as President of Lorimar films. Peter is also the author of nine books, and is a member of PMC's board of advisors.

Read more

Biography from IMDb.

Born
July 24, 1932 (94)
From
Manhattan, New York City, New York, USA
Works as
Producer, writer and actor
Titles
7 on MovieCove · 9 credits in all

What are Peter Bart's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Society.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 3 · Dark 0

Grounded 5 · Stylized 2 · Heightened 0

Gentle 3 · Charged 4 · Intense 0

Steady 4 · Shifting 3 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 2 · Funny 3

Slow burn 2 · Even-paced 5 · Relentless 0

Casual 6 · Engaged 1 · Full focus 0

Resolved 5 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
3
Warm
2
Joyful
2
Absurd
2
Melancholic
2
Other
7

How their films end

  • Happy4
  • Bittersweet2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Peter Bart's films?

As of October 24, 2026, 2 of their 7 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Peter Bart's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 7 with a MovieCove page; 15 appearances as themselves are hidden until asked for.

Career shape

A full career of 9 titles, 8 of them dated from 1971 to 2006.

By role

only this rolewith another role
Acting1 of 9: 1 only acting, 0 with another roleWriting2 of 9: 1 only writing, 1 with another roleProducing7 of 9: 6 only producing, 1 with another role · typical Midcredits score57th

By decade

1970s3 · crew1980s3 · crew2000s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Peter Bart's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 58th percentile for acclaim.

Acclaim · how much people like their films

58thpercentile
Typical film, the median of 7

Approval · how many liked their films

61stpercentile
Typical film, the median of 7

Reach · how many have seen their films

81stpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 50th to 74th5
  • 25th to 49th1
  • Below 25th1

Reviewers score the dialogue 40/100 and the plot and story 35/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Peter Bart's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 52 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Peter Bart work with?

People who share at least 2 of Peter Bart's MovieCove titles, grouped by what they did on them; Jeff Buhai shares the most, 2.

Writers

Actors

Cinematographers

Producers