
Harry Bartell
Actor · Died February 26, 2004, aged 90 · New Orleans, Louisiana, USA
Harry Bartell was born on 28 November 1913 in New Orleans, Louisiana, USA. He was an actor, known for I Love Lucy (1951), The Adventures of Jim Bowie (1956) and The Decks Ran Red (1958). He died on 26 February 2004 in Ashland, Oregon, USA.
Biography from IMDb.
- November 28, 1913
- February 26, 2004 (aged 90)
- New Orleans, Louisiana, USA
- Actor
- 23 on MovieCove · 54 credits in all
What are Harry Bartell's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 1 · Serious 2 · Dark 0
Grounded 1 · Stylized 2 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
Steady 1 · Shifting 1 · Whiplash 1
Straight-faced 2 · Some laughs 1 · Funny 0
A split, not a type: Slow burn 1 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 2 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Harry Bartell's films?
As of October 24, 2026, 12 of their 23 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Harry Bartell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
54 credits, 23 with a MovieCove page.
Midcredits score: 89th percentile of all films
Mobile Two (not in the MovieCove catalog yet)(1975)
The Partners (not in the MovieCove catalog yet)(1971)
Dragnet (not in the MovieCove catalog yet)(1969)

Adam-12(1968)
Midcredits score: 78th percentile of all shows
Dragnet 1967(1967)
Midcredits score: 78th percentile of all shows
Get Smart(1965)
Midcredits score: 93rd percentile of all shows
The Wild Wild West (not in the MovieCove catalog yet)(1965)

Brainstorm(1965)
Midcredits score: 61st percentile of all films
Branded (not in the MovieCove catalog yet)(1965)

The Fugitive (not in the MovieCove catalog yet)(1963)

General Electric True (not in the MovieCove catalog yet)(1962)

The Fatal Impulse (not in the MovieCove catalog yet)(1960)

Thriller (not in the MovieCove catalog yet)(1960)

Coronado 9 (not in the MovieCove catalog yet)(1960)

The Untouchables (not in the MovieCove catalog yet)(1959)

Hawaiian Eye (not in the MovieCove catalog yet)(1959)

The Rebel(1959)
Midcredits score: 67th percentile of all shows
The Third Man (not in the MovieCove catalog yet)(1959)

The Twilight Zone(1959)
Midcredits score: 97th percentile of all shows
Laramie (not in the MovieCove catalog yet)(1959)

Black Saddle (not in the MovieCove catalog yet)(1959)

The Decks Ran Red(1958)
Midcredits score: 50th percentile of all films
Behind Closed Doors (not in the MovieCove catalog yet)(1958)

The Texan(1958)
Midcredits score: 71st percentile of all shows
Peter Gunn(1958)
Midcredits score: 82nd percentile of all shows
Voice in the Mirror (not in the MovieCove catalog yet)(1958)
Jack the Ripper (not in the MovieCove catalog yet)(1958)

The Veil(1958)
Midcredits score: 64th percentile of all shows
The Walter Winchell File (not in the MovieCove catalog yet)(1957)

Perry Mason(1957)
Midcredits score: 95th percentile of all shows
M Squad (not in the MovieCove catalog yet)(1957)

Have Gun, Will Travel (not in the MovieCove catalog yet)(1957)

Richard Diamond, Private Detective (not in the MovieCove catalog yet)(1957)

Affair in Reno (not in the MovieCove catalog yet)(1957)

Dick Powell's Zane Grey Theatre (not in the MovieCove catalog yet)(1956)
Midcredits score: 33rd percentile of all shows
Johnny Concho (not in the MovieCove catalog yet)(1956)

Telephone Time (not in the MovieCove catalog yet)(1956)

Gunsmoke (not in the MovieCove catalog yet)(1955)

Six Bridges to Cross(1955)
Midcredits score: 71st percentile of all films
Black Tuesday(1954)
Midcredits score: 73rd percentile of all films
Dragnet(1954)
Midcredits score: 65th percentile of all films
The Loretta Young Show(1953)
Midcredits score: 68th percentile of all shows
General Electric Theater (not in the MovieCove catalog yet)(1953)
Midcredits score: 27th percentile of all films
Cavalcade of America (not in the MovieCove catalog yet)(1952)

Four Star Playhouse(1952)
Midcredits score: 65th percentile of all shows
Monkey Business(1952)
Midcredits score: 76th percentile of all films
Don't Bother to Knock(1952)
Midcredits score: 75th percentile of all films
Dangerous Assignment (not in the MovieCove catalog yet)(1952)

Dragnet(1951)
Midcredits score: 67th percentile of all shows
I Love Lucy(1951)
Midcredits score: 93rd percentile of all shows
Schlitz Playhouse of Stars (not in the MovieCove catalog yet)(1951)
Career shape
Star power in the 73rd percentile of 239,109 people with a billed film role, over a full career of 52 titles from 1951 to 1975.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Harry Bartell's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 9; across a limited sample of 3 films with reception data, the typical film sits in the 64th percentile for acclaim.
- 75th and up10
- 50th to 74th11
- 25th to 49th2
Shape of the crowd
16 of their 23 titles are Crowd Pleasers.
- Universally Loved3
- Crowd Pleaser16
- Broadly Agreed1
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.