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Geof Bartz

Geof Bartz

Editor, also writer · Born December 3, 1943 (82) · Detroit, Michigan, USA

4 Primetime Emmys · 1 other major award body

Geof Bartz has been the Supervising Editor for HBO Documentary Films since 1998. Geof started his career as an assistant editor on the 1969 CBS special "Simon and Garfunkel: Songs of America" and has gone on to edit, or supervise the editing of, more than 100 non-fiction films, among them the classic documentary "Pumping Iron." Geof was the co-producer and supervising editor of the 1979 NBC Emmy winning series "Lifeline;" and he produced and co-edited the 1984 20th Century Fox feature "Stripper." In 2000 and 2001, two short documentaries Geof cut, "King Gimp" and "Big Mama", won back-to-back Academy Awards. In 2015, his film "Crisis Hotline: Veterans Press 1" took home the Oscar. The following year "A Girl in the River: The Price of Forgiveness" also won the gold. Additionally, he has edited four other films that have been nominated for Academy Awards. Geof has been nominated for ten Emmys and won four. And films he has cut have received three Peabody and two Columbia-Dupont Awards. In 2017, Geof was admitted to the Academy of Motion Picture Arts and Sciences. He is also a long time member of the American Cinema Editors (A.C.E.) and the Motion Picture Editors Guild. Geof taught "Introduction to Film Editing" at Columbia University from 1978-1998. Interviews with Geof can be found in "The Art of the Documentary" by Megan Cunningham and in "First Cut: Conversations with Film Editors" by Gabriella Oldham. Geof grew up on Detroit's East Side and graduated from the University of Notre Dame (1966, BA) and Columbia University (1969, MFA Film). He lives on Manhattan's Upper West Side with his wife, Lynn. His daughter Juliet is a recent graduate of the Medill School of Journalism at Northwestern.

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Biography from TMDB.

Born
December 3, 1943 (82)
From
Detroit, Michigan, USA
Works as
Editor, also writer
Titles
25 on Motif · 48 credits in all

What are Geof Bartz's films like?

Across their 19 Motif titles with a thematic analysis, their films lean Survival and Society.

What they feel like to watch

their average across 19 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 7 · Serious 3 · Dark 9

Grounded 18 · Stylized 1 · Heightened 0

A split, not a type: Gentle 7 · Charged 5 · Intense 7

Steady 16 · Shifting 3 · Whiplash 0

Straight-faced 16 · Some laughs 2 · Funny 1

Slow burn 16 · Even-paced 3 · Relentless 0

Casual 7 · Engaged 11 · Full focus 1

A split, not a type: Easy watch 7 · Affecting 4 · Heavy 8

Resolved 16 · Open-ended 3 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Geof Bartz's films?

As of October 24, 2026, 24 of their 25 Motif titles stream on a subscription or free service, most on HBO Max (19).

Subscription and free streaming for Geof Bartz's titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

48 credits, 25 with a Motif page.

  • Mr. Scorsese(2025)

    Show 5 episodes · Thanks

    Motif score: 98th percentile of all shows
  • Country Doctor(2025)

    Supervising Editor

    Motif score: 88th percentile of all films
  • Motif score: 70th percentile of all films
  • Motif score: 43rd percentile of all films
  • Motif score: 37th percentile of all films
  • Motif score: 96th percentile of all films
  • Motif score: 83rd percentile of all films
  • Motif score: 46th percentile of all films
  • Suited(2016)

    Editor

    Motif score: 81st percentile of all films
  • Motif score: 96th percentile of all films
  • Motif score: 89th percentile of all films
  • Motif score: 56th percentile of all films
  • Southern Rites(2015)

    Editor

    Motif score: 60th percentile of all films
  • Prison Terminal: The Last Days of Private Jack Hall (not in the Motif catalog yet)(2014)

    Editor

  • Crisis Hotline: Veterans Press 1 (not in the Motif catalog yet)(2013)

    Editor

  • Miss You Can Do It(2013)

    Editor

    Motif score: 92nd percentile of all films
  • Motif score: 86th percentile of all films
  • Hot Coffee(2011)

    Consulting Editor

    Motif score: 91st percentile of all films
  • Motif score: 35th percentile of all films (provisional, few ratings)
  • Saving Pelican 895(2011)

    Editor

    Motif score: 88th percentile of all films
  • Poster Girl (not in the Motif catalog yet)(2010)

    Editor

  • One Thousand Pictures: RFK's Last Journey (not in the Motif catalog yet)(2010)

    Editorial Coordinator

  • Wartorn: 1861-2010(2010)

    Editor

    Motif score: 88th percentile of all films
  • Boy Interrupted(2009)

    Editor

    Motif score: 94th percentile of all films
  • Katie Morgan's Porn 101 (not in the Motif catalog yet)(2007)

    Editor

  • Motif score: 98th percentile of all films
  • One Minute to Nine(2007)

    Editor

    Motif score: 89th percentile of all films
  • Le Cirque: A Table in Heaven(2007)

    Editorial Services

    Motif score: 49th percentile of all films
  • Dealing Dogs (not in the Motif catalog yet)(2006)

    Editor

  • 39 Pounds of Love (not in the Motif catalog yet)(2005)

    Editor

  • The Children of Leningradsky (not in the Motif catalog yet)(2005)

    Supervising Film Editor

  • In Memoriam: New York City (not in the Motif catalog yet)(2002)

    Editor

  • Telling Nicholas (not in the Motif catalog yet)(2002)

    Supervising Editor

  • Big Mama (not in the Motif catalog yet)(2000)

    Editor

  • Nuyorican Dream (not in the Motif catalog yet)(2000)

    Editorial Coordinator

  • Truman (not in the Motif catalog yet)(1997)

    Editor

  • FDR (not in the Motif catalog yet)(1994)

    Show 2 episodes · Editor

  • Mob Stories (not in the Motif catalog yet)(1993)

    Editor

  • Women on Trial (not in the Motif catalog yet)(1992)

    Editor

  • LBJ (not in the Motif catalog yet)(1991)

    Editor

  • The Wyeths: A Father and His Family (not in the Motif catalog yet)(1986)

    Editor

  • Stripper (not in the Motif catalog yet)(1985)

    Editor · Producer · as Self

  • The Camps of Death (not in the Motif catalog yet)(1983)

    Director · Editor · Writer

  • Lifeline (not in the Motif catalog yet)(1978)

    Show 1 episode · Producer

  • Pumping Iron(1977)

    Editor

    Motif score: 92nd percentile of all films
  • Motif score: 69th percentile of all films
  • The Great Radio Comedians (not in the Motif catalog yet)(1971)

    Editor

  • Hiroshima Nagasaki August, 1945 (not in the Motif catalog yet)(1970)

    Editor · Writer

Career shape

A full career of 40 titles from 1970 to 2025.

By role

only this rolewith another role
Directing1 of 40: 0 only directing, 1 with another roleWriting2 of 40: 0 only writing, 2 with another roleProducing2 of 40: 1 only producing, 1 with another roleEditing33 of 40: 30 only editing, 3 with another role · typical Motif score89thOther crew6 of 40: 6 only other crew, 0 with another role

40 titles, 3 with more than one role.

By decade

1970s5 · crew1980s3 · crew1990s5 · crew2000s12 · crew2010s10 · crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Motif score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

Awards

4 Primetime Emmys from 7 major nominations, 1979–2002.

WinNomination
  1. 2002
    • Primetime Emmy, won · Outstanding Picture Editing for Non-Fiction Programming (Single or Multi-Camera)
  2. 2001
    • Primetime Emmy, nominated · Outstanding Picture Editing for Non-Fiction Programming
  3. 1999
    • Primetime Emmy, won · Outstanding Achievement in Non-Fiction Programming - Picture Editing
  4. 1990
    • Cannes award, nominated
  5. 1980
    • Primetime Emmy, won · Outstanding Individual Achievement - Special Class
    • Primetime Emmy, nominated · Outstanding Informational Program
  6. 1979
    • Primetime Emmy, won · Outstanding Program Achievement - Special Class

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Geof Bartz's films land?

Their typical Motif film has a Motif score in the 87th percentile, the median of all 24; across their 19 films with reception data, the typical film sits in the 81st percentile for acclaim.

Acclaim · how much people like their films

81stpercentile
Typical film, the median of 19

Approval · how many liked their films

87thpercentile
Typical film, the median of 19

Reach · how many have seen their films

38thpercentile
Typical film, the median of 19

Motif score across 25 titles, by percentile

  • 75th and up16
  • 50th to 74th4
  • 25th to 49th5

Reviewers score the pacing 54/100 in their films, across 11 reviewed titles; fans 61, detractors 31. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Geof Bartz work with?

People who share at least 2 of Geof Bartz's Motif titles, grouped by what they did on them; Sheila Nevins shares the most, 7.

Directors

Composers, cinematographers and editors

Producers