Peter Basinski
- Editor
- 11 on MovieCove · 14 credits in all
What are Peter Basinski's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 5
Light 1 · Serious 3 · Dark 2
Grounded 4 · Stylized 2 · Heightened 0
Gentle 2 · Charged 2 · Intense 2
Steady 3 · Shifting 3 · Whiplash 0
Straight-faced 5 · Some laughs 1 · Funny 0
A split, not a type: Slow burn 2 · Even-paced 4 · Relentless 0
A split, not a type: Casual 2 · Engaged 4 · Full focus 0
Easy watch 2 · Affecting 2 · Heavy 2
Resolved 6 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet4
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Peter Basinski's films?
As of October 24, 2026, 5 of their 11 MovieCove titles stream on a subscription or free service, most on Netflix (2).
Subscription and free streaming for Peter Basinski's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
14 credits, 11 with a MovieCove page.
Glamorous(2023)
Midcredits score: 19th percentile of all shows
Roswell, New Mexico(2019)
Midcredits score: 41st percentile of all shows
Breathless(2012)
Midcredits score: 27th percentile of all films
Betwixt(2010)
Midcredits score: 56th percentile of all films (provisional, few ratings)
Knight Rider (not in the MovieCove catalog yet)(2008)
The Caretaker(2008)
Midcredits score: 2nd percentile of all films
Tru Calling (not in the MovieCove catalog yet)(2003)
Las Vegas(2003)
Midcredits score: 70th percentile of all shows
Midcredits score: 45th percentile of all films
Midcredits score: 42nd percentile of all films
Buffy the Vampire Slayer(1997)
Midcredits score: 93rd percentile of all shows
Subliminal Seduction(1996)
Midcredits score: 6th percentile of all films
Walker, Texas Ranger(1993)
Midcredits score: 15th percentile of all shows
The Edge (not in the MovieCove catalog yet)(1989)
Career shape
A full career of 9 titles from 1989 to 2012.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Peter Basinski's films land?
Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 34th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th4
- Below 25th4
Shape of the crowd
4 of their 11 titles are Cult Classics.
- Universally Loved1
- Divisive1
- Cult Classic4
- Crowd Pleaser1
- Mixed4
Reviewers score the pacing 20/100 in their films, across 3 reviewed titles; fans 35, detractors 13. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Peter Basinski work with?
People who share at least 2 of Peter Basinski's MovieCove titles, grouped by what they did on them; Tim Hunter shares the most, 2.
Directors
- Tim HunterShared titles: Rescuers: Stories of Courage: Two Couples (1998), Rescuers: Stories of Courage: Two Families (1998)See all 2 shared titles with Tim Hunter
- Andrew StevensShared titles: Subliminal Seduction (1996), Walker, Texas Ranger (1993)See all 2 shared titles with Andrew Stevens
Writers
- Gay BlockShared titles: Rescuers: Stories of Courage: Two Couples (1998), Rescuers: Stories of Courage: Two Families (1998)See all 2 shared titles with Gay Block
- Malka DruckerShared titles: Rescuers: Stories of Courage: Two Couples (1998), Rescuers: Stories of Courage: Two Families (1998)See all 2 shared titles with Malka Drucker
Composers and cinematographers
- Miroslaw BaszakShared titles: Rescuers: Stories of Courage: Two Couples (1998), Rescuers: Stories of Courage: Two Families (1998)See all 2 shared titles with Miroslaw Baszak
- Pino DonaggioShared titles: Rescuers: Stories of Courage: Two Couples (1998), Rescuers: Stories of Courage: Two Families (1998)See all 2 shared titles with Pino Donaggio
Producers
- Albert BothaShared titles: Rescuers: Stories of Courage: Two Couples (1998), Rescuers: Stories of Courage: Two Families (1998)See all 2 shared titles with Albert Botha
- Barbra StreisandShared titles: Rescuers: Stories of Courage: Two Couples (1998), Rescuers: Stories of Courage: Two Families (1998)See all 2 shared titles with Barbra Streisand
- Cis CormanShared titles: Rescuers: Stories of Courage: Two Couples (1998), Rescuers: Stories of Courage: Two Families (1998)See all 2 shared titles with Cis Corman
- Jeff FreilichShared titles: Rescuers: Stories of Courage: Two Couples (1998), Rescuers: Stories of Courage: Two Families (1998)See all 2 shared titles with Jeff Freilich
