Skip to content
MovieCove

George R. Batcheller

Producer · Died November 28, 1938, aged 46

Father of George R. Batcheller Jr.

Biography from TMDB.

Born
January 1, 1892
Died
November 28, 1938 (aged 46)
Works as
Producer
Titles
6 on MovieCove · 29 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Up 3% in 30 days

What are George R. Batcheller's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Power.

Genres

Drama2 titlesTypical Midcredits score: 22nd percentile, at or above their average across these genres
: browse their Drama movies
Mystery2 titlesTypical Midcredits score: 16th percentile
: browse their Mystery movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
60%
Power
22%
Bonds
10%
Survival
9%
Deception4 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeGreed2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 4 · Serious 2 · Dark 0

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 6 · Stylized 0 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 5 · Intense 0

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 3 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 5 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 5 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Contemplative
4
Melancholic
1
Warm
1
Bittersweet
1
Other
3

How their films linger

Bittersweet3 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy4
  • Bittersweet1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch George R. Batcheller's films?

As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for George R. Batcheller's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

29 credits, 6 with a MovieCove page.

  • Screw Drivers of 1940 (not in the MovieCove catalog yet)(1940)

    Production Design

  • Below the Deadline (not in the MovieCove catalog yet)(1936)

    Producer

  • The Little Red Schoolhouse (not in the MovieCove catalog yet)(1936)

    Producer

  • The Dark Hour (not in the MovieCove catalog yet)(1936)

    Producer

  • August Weekend(1936)

    Producer

    Midcredits score: 15th percentile of all films

  • The House of Secrets(1936)

    Producer

    Midcredits score: 14th percentile of all films

  • False Pretenses (not in the MovieCove catalog yet)(1935)

    Producer

  • The Lady in Scarlet (not in the MovieCove catalog yet)(1935)

    Producer

  • Happiness C.O.D. (not in the MovieCove catalog yet)(1935)

    Producer

  • The Girl Who Came Back(1935)

    Producer

    Midcredits score: 20th percentile of all films

  • Circumstantial Evidence (not in the MovieCove catalog yet)(1935)

    Producer

  • A Shot in the Dark(1935)

    Presenter · Producer

    Midcredits score: 18th percentile of all films

  • Cross Streets (not in the MovieCove catalog yet)(1934)

    Producer

  • In Love with Life (not in the MovieCove catalog yet)(1934)

    Producer

  • Stolen Sweets (not in the MovieCove catalog yet)(1934)

    Producer

  • Green Eyes(1934)

    Producer

    Midcredits score: 13th percentile of all films

  • Rainbow Over Broadway (not in the MovieCove catalog yet)(1933)

    Producer

  • Notorious But Nice (not in the MovieCove catalog yet)(1933)

    Producer

  • I Have Lived (not in the MovieCove catalog yet)(1933)

    Producer

  • Forgotten (not in the MovieCove catalog yet)(1933)

    Producer

  • The Secrets of Wu Sin (not in the MovieCove catalog yet)(1932)

    Producer

  • Women Won't Tell (not in the MovieCove catalog yet)(1932)

    Producer

  • Slightly Married (not in the MovieCove catalog yet)(1932)

    Producer

  • Escapade (not in the MovieCove catalog yet)(1932)

    Producer

  • Beauty Parlor(1932)

    Producer

    Midcredits score: 29th percentile of all films (provisional, few ratings)

  • Grief Street (not in the MovieCove catalog yet)(1931)

    Producer

  • The Lady from Nowhere (not in the MovieCove catalog yet)(1931)

    Producer

  • The Midnight Special (not in the MovieCove catalog yet)(1930)

    Producer

  • The House of Secrets (not in the MovieCove catalog yet)(1929)

    Producer

Career shape

A full career of 25 titles from 1929 to 1940.

Most popular right now

Beauty Parlor (1932)

By role

only this rolewith another role
Producing24 of 25: 23 only producing, 1 with another roleOther crew2 of 25: 1 only other crew, 1 with another role

By decade

1920s1 · crew1930s23 · crew1940s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do George R. Batcheller's films land?

Their typical MovieCove film has a Midcredits score in the 17th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 26th percentile for acclaim.

Acclaim · how much people like their films

26thpercentile
Typical film, the median of 6

Approval · how many liked their films

9thpercentile
Typical film, the median of 6

Reach · how many have seen their films

12thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 25th to 49th1
  • Below 25th5

Shape of the crowd

3 of their 6 titles are Broadly Agreed.

  • Broadly Agreed3
  • Mixed3

Most divisive · producer

Beauty Parlor (1932)

78th percentile spread · 38% rated it 4 or lower

Most loved · producer

The Girl Who Came Back (1935)

Midcredits 20th · 18% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does George R. Batcheller work with?

People who share at least 2 of George R. Batcheller's MovieCove titles, grouped by what they did on them; M.A. Andersen shares the most, 6.

Directors

Actors

Cinematographers and editors