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Henry Bean

Henry Bean

Writer, actor, producer and director · Born August 3, 1945 (81) · Philadelphia, Pennsylvania, USA

From Wikipedia, the free encyclopedia. Henry Bean (born 1945, Philadelphia, United States) is an American screenwriter, film director, producer, novelist, and actor. Most famous as a screenwriter, Bean wrote the screenplays for Internal Affairs, Deep Cover, Venus Rising, The Believer (which was awarded the dramatic Grand Jury Prize at the 2001 Sundance Festival), Basic Instinct 2 and Noise. Bean acted in The Believer, and was a producer on Deep Cover and Noise. He was the director for The Believer and Noise. Bean is also the inspiration for the main protagonist of Noise. He was so tired of constant noise around him and his home in New York that he decided to take the law into his own hands. If a car alarm was going off and the owner of the vehicle didn't rectify the situation, Bean would break into the car to disable the offending car alarm. Bean was eventually arrested and jailed. He admits to doing it a few more times since Description above from the Wikipedia article Henry Bean, licensed under CC-BY-SA, full list of contributors on Wikipedia

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Biography from TMDB.

Born
August 3, 1945 (81)
From
Philadelphia, Pennsylvania, USA
Works as
Writer, actor, producer and director
Titles
9 on MovieCove · 13 credits in all
TMDB popularity, last 39 days to Oct 28Down 23% in 30 days

What are Henry Bean's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Power.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 2 · Dark 4

A split, not a type: Grounded 4 · Stylized 2 · Heightened 1

Gentle 1 · Charged 3 · Intense 3

Steady 3 · Shifting 3 · Whiplash 1

Straight-faced 4 · Some laughs 3 · Funny 0

Slow burn 0 · Even-paced 6 · Relentless 1

Casual 3 · Engaged 4 · Full focus 0

Resolved 4 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Melancholic
5
Joyful
2
Dread
2
Bittersweet
1
Other
8

How their films end · 1 with a twist

  • Happy2
  • Bittersweet3
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Henry Bean's films?

As of October 24, 2026, 7 of their 9 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Henry Bean's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 9 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • The OA(2016)

    Show 2 episodes · Writer

    Midcredits score: 81st percentile of all shows
  • Noise (not in the MovieCove catalog yet)(2007)

    Director · Producer · Screenplay

  • Basic Instinct 2(2006)

    Writer

    Midcredits score: 6th percentile of all films
  • K Street (not in the MovieCove catalog yet)(2003)

    Show 10 episodes · Executive Producer

  • The Believer(2001)

    Director · Screenplay · Story · as Ilio Manzetti

    Midcredits score: 83rd percentile of all films
  • A Couch in New York(1996)

    as Stein

    Midcredits score: 45th percentile of all films
  • Venus Rising (not in the MovieCove catalog yet)(1995)

    Story · as Customer in Bar

  • Deep Cover(1992)

    Producer · Screenplay

    Midcredits score: 84th percentile of all films
  • Internal Affairs(1990)

    Writer

    Midcredits score: 61st percentile of all films
  • Golden Eighties(1986)

    Writer

    Midcredits score: 73rd percentile of all films
  • Running Brave(1983)

    Writer

    Midcredits score: 63rd percentile of all films
  • 1988: The Remake (not in the MovieCove catalog yet)(1977)

    Writer

  • From Here to Eternity(1953)

    as Minor Role (uncredited)

    Midcredits score: 94th percentile of all films

Career shape

A full career of 13 titles from 1953 to 2016.

Film career

By role

only this rolewith another role
Acting4 of 13: 2 only acting, 2 with another roleDirecting2 of 13: 0 only directing, 2 with another roleWriting10 of 13: 6 only writing, 4 with another role · typical Midcredits score73rdProducing3 of 13: 1 only producing, 2 with another role

13 titles, 4 with more than one role — writing and acting overlap on 2 of them.

By decade

1950s1 · acting1970s1 · crew1980s2 · crew1990s4 · 2 acting · 3 crew2000s4 · 1 acting · 4 crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Henry Bean's films land?

Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 62nd percentile for acclaim.

Acclaim · how much people like their films

62ndpercentile
Typical film, the median of 7

Approval · how many liked their films

66thpercentile
Typical film, the median of 7

Reach · how many have seen their films

91stpercentile
Typical film, the median of 7

Midcredits score across 9 titles, by percentile

  • 75th and up4
  • 50th to 74th3
  • 25th to 49th1
  • Below 25th1

Reviewers score the dialogue 49/100 and the plot and story 46/100 in their films, across 7 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Henry Bean's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore4 titlesmedian 73 · intenseMedian of all films: 44
Sex & Nudity4 titlesmedian 65 · intenseMedian of all films: 32
Profanity4 titlesmedian 83 · severeMedian of all films: 36
Alcohol & Drugs3 titlesmedian 51 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 71 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Henry Bean work with?

People who share at least 2 of Henry Bean's MovieCove titles, grouped by what they did on them; Chantal Akerman shares the most, 2.

Directors

Writers

Producers