
Alfonso Bedoya
Actor · Died December 15, 1957, aged 53 · Vicam, Sonora, Mexico
Alfonso Bedoya (April 16, 1904 – December 15, 1957) was a Mexican actor who frequently appeared in U.S. films. Bedoya was born in the small town of Vicam, Sonora, Mexico, of Yaqui Indian heritage. He had a nomadic childhood upbringing in Mexico, though he was educated in Houston, Texas. Bedoya found work as a character actor in the US and Mexican film industries in the 1930s to 1940s. During that time, he worked in over 175 Mexican films. His last movie, The Big Country, was released in 1958 after his death.
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Biography from TMDB.
- April 16, 1904
- December 15, 1957 (aged 53)
- Vicam, Sonora, Mexico
- Actor
- 18 on MovieCove · 62 credits in all
What are Alfonso Bedoya's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 13
Light 5 · Serious 5 · Dark 3
A split, not a type: Grounded 9 · Stylized 4 · Heightened 0
Gentle 0 · Charged 11 · Intense 2
Steady 5 · Shifting 7 · Whiplash 1
Straight-faced 7 · Some laughs 6 · Funny 0
Slow burn 3 · Even-paced 9 · Relentless 1
Casual 10 · Engaged 3 · Full focus 0
Easy watch 6 · Affecting 6 · Heavy 1
Resolved 12 · Open-ended 1 · Ambiguous 0
Roles they play
Usually the Trickster: 6 of 8 analyzed roles.
Show the 8 rolesHide the roles
- Tricksteras Gold Hat in The Treasure of the Sierra Madre (1948)
- Tricksteras Lu Chung in The Black Rose (1950)
- Tricksteras Carmilio in Fortunes of Captain Blood (1950)
- Tricksteras Cultus Charley in Man in the Saddle (1951)
- Shadowas José Martínez in California Conquest (1952)
- Shadowas Degas in The Stranger Wore a Gun (1953)
- Tricksteras Capt. Vargas in Border River (1954)
- Tricksteras Ramón Gutierrez in The Big Country (1958)
Moods and endings
- Happy7
- Bittersweet6
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alfonso Bedoya's films?
As of October 24, 2026, 8 of their 18 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Alfonso Bedoya's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
62 credits, 18 with a MovieCove page.
Midcredits score: 84th percentile of all films
The Big Country(1958)
Midcredits score: 97th percentile of all films
La doncella de piedra (not in the MovieCove catalog yet)(1956)

Ten Wanted Men(1955)
Midcredits score: 41st percentile of all films
The Black Pirates (not in the MovieCove catalog yet)(1954)

Ricochet Romance (not in the MovieCove catalog yet)(1954)

Border River(1954)
Midcredits score: 41st percentile of all films
The Stranger Wore a Gun(1953)
Midcredits score: 38th percentile of all films
Sombrero (not in the MovieCove catalog yet)(1953)

Por ellas aunque mal paguen (not in the MovieCove catalog yet)(1952)

California Conquest(1952)
Midcredits score: 10th percentile of all films
Furia roja (not in the MovieCove catalog yet)(1951)

Man in the Saddle(1951)
Midcredits score: 54th percentile of all films
Stronghold (not in the MovieCove catalog yet)(1951)

The Black Rose(1950)
Midcredits score: 50th percentile of all films
Midcredits score: 33rd percentile of all films
Border Incident(1949)
Midcredits score: 78th percentile of all films
The Bewitched House (not in the MovieCove catalog yet)(1949)

Streets of Laredo(1949)
Midcredits score: 66th percentile of all films
Angel on the Amazon(1948)
Midcredits score: 22nd percentile of all films
Angel in Exile (not in the MovieCove catalog yet)(1948)

El último chinaco (not in the MovieCove catalog yet)(1948)
Midcredits score: 99th percentile of all films
The Pearl (not in the MovieCove catalog yet)(1947)

Albur de amor (not in the MovieCove catalog yet)(1947)

Gran Casino (not in the MovieCove catalog yet)(1947)

Si me han de matar mañana (not in the MovieCove catalog yet)(1947)

El tigre de Jalisco (not in the MovieCove catalog yet)(1947)

La hija del payaso (not in the MovieCove catalog yet)(1946)

It’s Not Enough to Be a Charro (not in the MovieCove catalog yet)(1946)

Rosalinda (not in the MovieCove catalog yet)(1945)

Canaima (not in the MovieCove catalog yet)(1945)

Hasta que perdió Jalisco (not in the MovieCove catalog yet)(1945)

The Abandoned (not in the MovieCove catalog yet)(1945)

Me he de comer esa tuna (not in the MovieCove catalog yet)(1945)

Me ha besado un hombre (not in the MovieCove catalog yet)(1944)

The Headless Woman (not in the MovieCove catalog yet)(1944)

Mis hijos! (not in the MovieCove catalog yet)(1944)

Doña Bárbara(1943)
Midcredits score: 84th percentile of all films
Wild Flower(1943)
Midcredits score: 81st percentile of all films
María Eugenia (not in the MovieCove catalog yet)(1943)

El rebelde (Romance de Antaño) (not in the MovieCove catalog yet)(1943)

I'm a Real Mexican (not in the MovieCove catalog yet)(1942)

Los tres mosqueteros(1942)
Midcredits score: 62nd percentile of all films
Virgen de medianoche (not in the MovieCove catalog yet)(1942)

La abuelita (not in the MovieCove catalog yet)(1942)

The Unknown Policeman(1941)
Midcredits score: 87th percentile of all films
El rápido de las 9.15 (not in the MovieCove catalog yet)(1941)

Rancho Alegre (not in the MovieCove catalog yet)(1941)

El Zorro de Jalisco(1941)
Midcredits score: 9th percentile of all films (provisional, few ratings)
The Hawk (not in the MovieCove catalog yet)(1940)

El charro Negro (not in the MovieCove catalog yet)(1940)

The Underdogs (not in the MovieCove catalog yet)(1940)

Los olvidados de Dios (not in the MovieCove catalog yet)(1940)

La China Hilaria (not in the MovieCove catalog yet)(1939)

Mientras México duerme (not in the MovieCove catalog yet)(1938)
The Torment (not in the MovieCove catalog yet)(1938)

Ojos tapatios (not in the MovieCove catalog yet)(1938)

La Adelita (not in the MovieCove catalog yet)(1937)

La madrina del diablo (not in the MovieCove catalog yet)(1937)

Almas rebeldes (not in the MovieCove catalog yet)(1937)

Las cuatro milpas (not in the MovieCove catalog yet)(1937)
Career shape
Star power in the 91st percentile of 239,109 people with a billed film role, over a full career of 61 titles from 1937 to 2003.

Biggest box office
The Treasure of the Sierra Madre (1948)

Highest rated
The Treasure of the Sierra Madre (1948)
Film career
- 1941Screen debut· The Unknown Policeman
- 1948Career best· The Treasure of the Sierra Madre
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Alfonso Bedoya's films land?
Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 18; across their 13 films with reception data, the typical film sits in the 50th percentile for acclaim.
- 75th and up7
- 50th to 74th4
- 25th to 49th4
- Below 25th3
Shape of the crowd
9 of their 18 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser9
- Broadly Agreed4
- Mixed3
Reviewers score the acting 64/100 in their films, across 12 reviewed titles; fans 74, detractors 39. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alfonso Bedoya work with?
People who share at least 2 of Alfonso Bedoya's MovieCove titles, grouped by what they did on them; Clem Bevans shares the most, 4.
Directors
- André De TothShared titles: The Stranger Wore a Gun (1953), Man in the Saddle (1951)See all 2 shared titles with André De Toth

Writers
- Kenneth GametShared titles: Ten Wanted Men (1955), The Stranger Wore a Gun (1953), Man in the Saddle (1951)See all 3 shared titles with Kenneth Gamet
- Louis StevensShared titles: Border River (1954), Streets of Laredo (1949)See all 2 shared titles with Louis Stevens
Actors
- Clem BevansShared titles: Ten Wanted Men (1955), The Stranger Wore a Gun (1953), Man in the Saddle (1951), Streets of Laredo (1949)See all 4 shared titles with Clem Bevans

- Randolph ScottShared titles: Ten Wanted Men (1955), The Stranger Wore a Gun (1953), Man in the Saddle (1951)See all 3 shared titles with Randolph Scott

- Pedro ArmendárizShared titles: Border River (1954), El Zorro de Jalisco (1941)See all 2 shared titles with Pedro Armendáriz

- George MacreadyShared titles: The Stranger Wore a Gun (1953), Fortunes of Captain Blood (1950)See all 2 shared titles with George Macready

Composers and editors
- Gene HavlickShared titles: Ten Wanted Men (1955), The Stranger Wore a Gun (1953), Fortunes of Captain Blood (1950)See all 3 shared titles with Gene Havlick
- Paul SawtellShared titles: Ten Wanted Men (1955), Fortunes of Captain Blood (1950)See all 2 shared titles with Paul Sawtell
Producers
- Harry Joe BrownShared titles: Ten Wanted Men (1955), The Stranger Wore a Gun (1953), Man in the Saddle (1951), Fortunes of Captain Blood (1950)See all 4 shared titles with Harry Joe Brown

