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MovieCove

Harry Behn

Writer

Works as
Writer
Titles
4 on MovieCove · 7 credits in all
TMDB popularity, last 38 days to Oct 27Down 27% in 30 days

What are Harry Behn's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
33%
Morality
30%
Survival
15%
Self
14%
Power
8%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 3

Grounded 4 · Stylized 0 · Heightened 0

Gentle 0 · Charged 2 · Intense 2

Steady 0 · Shifting 4 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

Resolved 2 · Open-ended 2 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
4
Tense
3
Romantic
2
Warm
1
Dread
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Harry Behn's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Harry Behn's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 4 with a MovieCove page.

  • Hell's Angels(1930)

    Adaptation

    Midcredits score: 80th percentile of all films
  • Billy the Kid(1930)

    Writer

    Midcredits score: 41st percentile of all films
  • Frozen River (not in the MovieCove catalog yet)(1929)

    Adaptation

  • The Sin Sister (not in the MovieCove catalog yet)(1929)

    Writer

  • The Crowd(1928)

    Writer

    Midcredits score: 96th percentile of all films
  • The Big Parade(1925)

    Screenplay

    Midcredits score: 95th percentile of all films
  • Proud Flesh (not in the MovieCove catalog yet)(1925)

    Writer

Career shape

A full career of 6 titles from 1925 to 1930.

By role

only this rolewith another role
Writing6 of 6: 6 only writing, 0 with another role

By decade

1920s4 · crew1930s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Harry Behn's films land?

Their typical MovieCove film has a Midcredits score in the 88th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 83rd percentile for acclaim.

Acclaim · how much people like their films

83rdpercentile
Typical film, the median of 4

Approval · how many liked their films

90thpercentile
Typical film, the median of 4

Reach · how many have seen their films

68thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up3
  • 25th to 49th1

Shape of the crowd

None of their 4 titles divides audiences: 3 are Universally Loved.

  • Universally Loved3
  • Mixed1

Reviewers score the dialogue 43/100 and the plot and story 49/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Harry Behn work with?

People who share at least 2 of Harry Behn's MovieCove titles, grouped by what they did on them; King Vidor shares the most, 3.

Directors

Writers

Actors

Composers and editors

Producers